Posts Tagged ‘Dan Aykroyd’

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres, VOD and streaming services including the rebooted “Ghostbusters: Afterlife,” the fourth film in “Ghostbusters” franchise, the inspirational new Will Smith movie “King Richard,” Benedict Cumberbatch in “The Power of the Dog” and the Alanis Morissette documentary “Jagged,” now streaming on Crave.

Listen to the whole thing HERE!

THE SHOWGRAM WITH JIM RICHARDS: DOES RICHARD CROUSE LIKE THESE MOVIES?

Richard joins NewsTalk 1010 guest host David Cooper on the coast-to-coast-to-coast late night “Showgram” to play the game “Did Richard Crouse like these movies?” This week we talk about “Ghostbusters: Afterlife,” the fourth film in “Ghostbusters” franchise, the new Will Smith movie “King Richard” and Benedict Cumberbatch in “The Power of the Dog.”

Listen to the whole thing HERE!

GHOSTBUSTERS: AFTERLIFE: 3 STARS. “a ghost of the original.”

With the release of “Ghostbusters: Afterlife,” the supernatural comedy now playing in theatres, the Reitman family proves they ain’t afraid of no sequels. The fourth film in the franchise sees Jason Reitman, son of the original director Ivan, reinvent the series, this time for a younger audience.

The reboot begins with single mother Callie (Carrie Coon) inheriting a rundown old house from her estranged OG (Original Ghostbuster) father Egon Spengler. Located just outside the tiny town of Summerville, Oklahoma, it’s “worthless aside from the sentimental value,” but Callie is desperate. She’s been evicted from her city apartment and sees the move as a way to start a new life for her two teenage kids, Trevor (Finn Wolfhard) and Phoebe (Mckenna Grace).

“We’re completely broke,” Trevor tells a friend. “And the only thing that’s left in our name is this creepy old farmhouse my grandfather left us in the middle of nowhere.”

Summerville is far from New York City, the original epicenter of Ghostbuster’s supernatural activity, “human sacrifice, dogs and cats living together and mass hysteria,” but it turns out the sleepy little town is also haunted. Phoebe, who takes after the grandfather she never met, is sensitive to the ghostly goings-on and with the help of her grandad’s old ghost traps, new mentor Mr. Grooberson (Paul Rudd) and some familiar faces, she will attempt to get to the bottom of the paranormal problem.

Despite the Reitman name front and center, “Ghostbusters: Afterlife” doesn’t really feel like a “Ghostbusters” film. There is plenty of fan service and call backs to the original movie but the humor is muted and the anarchy of the first film is replaced by family drama. Modelled after the kid led adventure movies of the 1980s, it feels more like a coming-of-age indie grafted onto a big studio premise.

Reitman populates the film with likable characters. Grace nails the nebbish Phoebe, creating a deadpan wise-beyond-her-years character that blends seamlessly into the “Ghostbusters” world and as her sidekick Podcast, Logan Kim is a scene stealer. The adults, Coon and Rudd, acquit themselves well, and Dan Ackroyd’s first scene is the best role he’s had in years.

But despite the characters the story takes too long to get to the ghostly stuff. Once there, it delivers a proton blast of nostalgia and an epic CGI supernatural showdown, but at twenty minutes longer than the original it feels stretched.

“Ghostbusters: Afterlife” attempts to pay tribute to the franchise while moving it forward in a different direction but despite a couple stand out performances, it is a ghost of the original.

CTV NEWS AT 11:30: MORE MOVIES AND TV SHOWS TO STREAM THIS WEEKEND!

Richard speaks to “CTV News at 11:30” anchor Andria Case about movies on VOD and in theatres to watch this weekend including the animated stone age family flick “The Croods: A New Age,” the slice-of-David-Bowie’s-life movie “Stardust” on VOD and “Belushi,” the Crave doc about the rise and fall of the beloved “Saturday Night Live” comedian.

Watch the whole thing HERE! (Starts at 19:26)

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY NOVEMBER 27, 2020.

Richard and CP24 anchor Jamie Gutfreund have a look at the animated comedy “The Croods: A New Age” (theatrical), the David Bowie biopic “Stardust” (In theatres and digital and on-demand platforms), a pair of docs, “Belushi” (Crave) and “Zappa” (Apple TV app and everywhere you rent movies), the new one from Mel Gibson “Fatman” (VOD) and a remake of “Black Beauty” (Disney+).

Watch the whole thing HERE!

CP24: WHAT MOVIES AND TV SHOWS TO WATCH TO THIS WEEKEND!

Richard and “CP24 Breakfast” host Pooja Handa have a look at some special streaming opportunities and television shows to watch over the weekend including the CBC Gem documentary “Fear of Dancing,” the HBO thriller “The Flight Attendant,” Disney+’s remake of “Black Beauty” and “Belushi,” the in-depth look at the life and times of comedian John Belushi.

Watch the whole thing HERE!

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres, VOD and streaming services including the animated comedy “The Croods: A New Age” (theatrical), the David Bowie biopic “Stardust” (In theatres and digital and on-demand platforms), a pair of docs, “Belushi” (Crave) and “Zappa” (Apple TV app and everywhere you rent movies), the new one from Mel Gibson “Fatman” (VOD) and a remake of “Black Beauty” (Disney+).

Listen to the whole thing HERE!

BELUSHI: 4 STARS. “cautionary tale of excess, a tragedy of a talent taken way too soon.”    

John Belushi was only famous for five years before his untimely death at age 33 but in that short time his unique comedic quality left an indelible impression that resonates almost forty years later. A new documentary, now streaming on Crave, looks at his meteoric rise and tragic fall.

Director R.J. Cutler uses the usual devices to tell the story. He mixes and matches archival material, animation, ephemera from Belushi’s life—handwritten letters, home movies etc—and news footage but his ace in the hole, the thing that gives “Belushi” its emotional wallop, are the audio interviews that tell the story.

In 2012 author Tanner Colby released a book called “Belushi: A Biography,” an oral history of the life and times of the “SNL” star. Colby did dozens of interviews with the people who knew Belushi best, Lorne Michaels, Dan Ackroyd, Harold Ramis, and friends and family, including John’s wife Judith. Those interviews form the backbone of the film, bringing with them a conversational, intimate and wistful feel.

The story beats are familiar. An uber talented rebel with a sensitive side finds enormous fame—at one point he had the number one comedy show on TV, movie in theatres and album on the charts—but is undone by personal demons. That’s the story in broad strokes. Filling in the small details is the expertly edited oral history who provide first hand details and impressions on Belushi’s life.

Most devastating of all are the handwritten letters from John to Judith that Cutler brings to life. From the playful tone of the early letters sent while they were courting to the final notes, written in desperation as drugs and depression debilitated the actor, these notes, written in a messy scrawl and often containing funny self-help lists, provide more insight into the Belushi’s mind frame that no talking head interview could ever hope.

“Belushi” has gaps. The warts and all depiction of Belushi’s drug habits is front and center but the misogyny of the early “SNL” days, for instance, is brushed over in a quick passage.

Having said that, the doc packs an emotional punch in its final moments as Belushi’s nearest and dearest express regret for allowing their friend to lapse back into heavy drug use. It is heartbreaking stuff on a personal level for them. For the rest of us, as Belushi fans, the cutting short of his potential feels like a cautionary tale of excess and a tragedy of a talent taken way too soon.

 

SONY CENTRE: Who you gonna call? Ghostbusters! Live in Concert!

Celebrate the 35th Anniversary of the 1984 timeless classic live with orchestra
Saturday, June 8, 2019
Sony Centre for the Performing Arts

(Toronto, ON – October 29, 2019) Experience Ivan Reitman’s 1984 comedy classic on the big screen while Elmer Bernstein’s score and Ray Parker Jr.’s chart-topping theme “Ghostbusters” are performed with orchestral accompaniment live and in-sync to the film.

Civic Theatres Toronto and Attila Glatz Concert Productions present Ghostbusters Live in Concert at the Sony Centre for the Performing Arts, Saturday, June 8, 2019.  Buy tickets at sonycentre.ca, by phone, or visiting one of the Civic Theatres Toronto box offices.

Peter M. Bernstein, son of the Elmer Bernstein, the Academy Award-winning composer and orchestrator of the original “Ghostbusters” Grammy-nominated score, conducts the Motion Picture Symphony Orchestra.

On Saturday June 8, 2019 Richard Crouse will do a pre-show “Ghostbusters” talk from 6:30-7:00 pm – in the Lower Lobby with “Kim’s Convenience” stars and “Ghostbusters” super fans Paul Sun-Hyung Lee and Andrew Phung.

Bill Murray, Dan Aykroyd and Harold Ramis star as eccentric parapsychologists who start a ghost-catching business in New York City after their careers in academia go awry. The film’s co-stars include Sigourney Weaver as the Ghostbusters’ first client turned Gatekeeper, Rick Moranis as an accountant turned Keymaster, and Ernie Hudson as the Ghostbusters’ first recruit.

The original 1984 film was a massive hit grossing nearly $300 million worldwide.  A 1989 sequel and a 2016 reboot followed. The song “Ghostbusters” was at #1 for three weeks on Billboard’s Hot 100 chart. The song was nominated for an Academy Award for Best Original Song and Parker won a 1984 Grammy Award for Best Pop Instrumental Performance.