Watch Richard review three movies in less time than it takes to stare down a Velociraptor! Have a look as he races against the clock to tell you about the dinobore “Jurassic World Dominion,” the Adam Sandler basketball dramedy “Hustle” and the Jane Austen riff “Fire Island.”
Watch the whole thing HERE!
“Hustle,” a new sports dramedy staring Adam Sandler, now streaming on Netflix, is an underdog story like “Rocky,” if that movie featured Burgess Meredith’s name above the title instead of Sylvester Stallone.
Sandler plays Stanley Sugarman, a veteran basketball scout for the Philadelphia 76ers. Decades spent on the road searching for new talent have left him weary and jaded, missing his wife (Queen Latifah) and daughter (Jordan Hull).
His new boss, the arrogant Vince Merrick (Ben Foster), isn’t making the job any easier. The two butt heads over Stanley’s latest find, Spanish b-ball phenom Bo Cruz (NBA star Juancho Hernangomez). On the court Bo is all unrefined power, used to hustling unsuspecting players for cash. Stanley sees greatness in him, but Bo’s troubled past raises alarms with Merrick and the 76ers management.
Convinced he has a winner, Stanley brings Bo to the United States. They form a bond based on their love of basketball and family, and together set out to prove that they have what it takes to succeed on the court and in life.
“Hustle” may be formulaic and easy to read, but it succeeds because of the chemistry between Sandler and Hernangomez. What begins as an odd couple pairing quickly becomes something more. This isn’t “Billy Madison” with a basketball, it’s a story of fathers and sons, of mentorship, one that provides uplift while avoiding the sentimentality that often shoehorns its way into movies like this.
Sandler’s performance is simple. It’s not as showy as his work in “Uncut Gems” or “Punch Drunk Love.” Instead, he infuses Stanley with world weariness tempered with resilience, to create a sincere portrait of a man and the game he loves. Screenwriters Taylor Materne and Will Fetters nail the seriocomic tone, feeding Sandler a string of self-depreciating one-liners that help define the character.
Director Jeremiah Zagar and cinematographer Zak Mulligan capture the excitement of the game with frenetic on-court camera work that heightens the drama and showcases the NBA action and player skills.
“Hustle” is an upbeat, predictable sports story but succeeds because of the stakes. You’ll know where this story is going (NO SPOILERS HERE) but it transcends the usual sports narrative because the characters have it all on the line. It’s not about the basketball, really, it’s more about the struggle of overcoming adversity and thus has a universal appeal even if you’ve never heard of an Alley-Oop.
Richard sits in with CTV NewsChannel anchor Erin Paul to have a look at the weekend’s big releases, “Ant-Man and the Wasp,” the Christopher Plummer road trip “Boundaries,” the family drama “Leave No Trace” and the love letter to one of Manhattan’s most famous hotels, “Always at the Carlyle.”
Watch the whole thing HERE!
The things Will (Ben Foster) does to protect his daughter Tom (Thomasin Harcourt McKenzie) in “Leave No Trace,” a new film by Debra Granik, director of “Winter’s Bone,” may be the things that endanger her.
When we first meet Will he is a vet with PTSD living way off the grid with Tom, his only daughter. Their home is a makeshift camp in an Oregon state public park. Home schooled, Tom has never experienced the outside world, and only knows what Will has taught her about life. “Where is your home?” she’s asked. “My dad,” comes the answer. When she is spotted in the park, social services are alerted. Father and daughter are taken in, housed and reintegrated into society. Tom drinks the new experiences in, making friends at school and church, as the realization sinks in that her father is not cut out for life around other people. “The same thing that’s wrong with you isn’t wrong with me,” she says. Hoping to regain his lost independence Will convinces Tom to hit the road in search of a more fulfilling life.
The questions at the heart of “Leave No Trace” are based on whether or not Will is a good father. Is he doing what is right for Tom? Their needs are so different, is he self-serving, prioritizing his needs over hers? The answers lie in Granik’s beautifully told story about the connections between people and the value of relationships.
Much of the film’s power comes from the lead performances. Foster is more reserved here, less bug-eyed and edgy, than we’ve seen him in the past. His take on Will is gentle with a deep reservoir of pain that bubbles just below the surface. It’s formidable stuff equalled by newcomer Harcourt McKenzie. Granik has an eye for casting, discovering Vera Farmiga in “Down to the Bone” and Jennifer Lawrence in “Winter’s Bone,” and here she does it again. The young New Zealand actress gives Tom empathy and wide-eyed innocence mixed with curiosity. She is never less than natural and never less than believable.
“Leave No Trace” is an emotionally potent story about finding a path in life, even if it differs from the ones you love.
Richard sits in on the CJAD Montreal morning show guest host Ken Connors to talk about the small scale superheroes “Ant-Man and the Wasp,” the Christopher Plummer road trip “Boundaries,” the father and daughter drama “Leave No Trace” and the love letter to one of Manhattan’s great hotels, “Always at the Carlyle.”
Listen to the whole thing HERE!
Richard and CP24 anchorGeorge Lagogianes have a look at the weekend’s new movies including the new Chris Hemsworth war flick “12 Horses,” Christian Bale’s period piece “Hostiles,” Gerard Butler’s cop drama “Den of Thieves” and Jessica Rothe in “Forever My Girl.”
Watch the whole thing HERE!
A weekly feature from from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest movies! This week Richard looks at the new Chris Hemsworth war flick “12 Horses,” Christian Bale’s period piece “Hostiles,” and the Gerard Butler’s cop drama “Den of Thieves.”
Watch the whole thing HERE!
Richard sits in with CTV NewsChannel anchor Marcia MacMillan to have a look at the new Chris Hemsworth war flick “12 Horses,” Christian Bale’s period piece “Hostiles,” Gerard Butler’s cop drama “Den of Thieves” and Jessica Rothe in “Forever My Girl.”
Watch the whole thing HERE!
By Richard Crouse – Metro In Focus
When you think of Christian Bale what picture do you conjure up in your mind’s eye? Is it as American Psycho’s square-jawed investment banker Patrick Bateman? Or is it as the gaunt whisper of a man from The Machinist? Perhaps it’s as 3:10 to Yuma’s scruffy cowboy Dan Evans or the cowled Caped Crusader of the Batman films.
The point is Bale recreates himself from film to film. “It’s helpful not to look like yourself,” he recently told The Guardian. “If I look in the mirror and go, ‘Ah, that doesn’t look like me,’ that’s helpful.”
He could make a fortune playing superheroes in action movies but instead chooses to shake things up. Since his breakthrough performance in 1987’s Empire of the Sun, he has been a chameleon, losing 60 pounds to play the skeletal lead in The Machinist and gaining a beer gut and a combover for his role in American Hustle.
Creating the “Olympian physique” of serial killer Patrick Bateman in American Psycho took some discipline. “I’m English,” he said, “we don’t have many gyms around. We’d rather go to a pub instead.” A trainer and a protein diet took off the pounds.
As boxer and former drug addict Dicky Ecklund in The Fighter he dropped 30 pounds and used makeup and prosthetics to age himself. How did he lose the weight? “Usually I always say, ‘Oh, I do a lot of coke whenever I lose weight.’ I’m not sure if it’s so funny for this movie, to say that.” In reality he trained with the real-life Ecklund and boxed the pounds off.
In Velvet Goldmine he plays a London journalist looking into the life and faked death of glam rock singer Brian Slade (Jonathan Rhys Meyers). Once again he had to physically transform, but not in the traditional way.
When his mom saw that he was working out and running at 6 a.m. she said, “Christian, what are you doing? You’re doing a film about sex, drugs and rock ’n’ roll. Why don’t you do it the way they did it? They weren’t out running. They drank a helluva lot and lived unhealthily.” “I took that to heart,” he said.
This weekend he appears in Hostiles as the elaborately moustachioed Joseph J. Blocker, an 1892-era U.S. Army captain approaching retirement, grappling with the anguish and regret that has scarred his soul. The impressive ’stache may be his biggest physical transformation for this role — the AV Club joked “Christian Bale’s moustache is the best thing about Hostiles” — but he says the biggest change here was spiritual.
To create the character’s contemplative demeanour he spent a lot of time “sitting in a room quietly staring at a wall.” He says he likes to get as “distant as possible” from his own personality. Imagining Blocker’s life journey before filming allowed him to internalize the character and “feel like you’re trying very hard by the time you get to be working.”
Next up for Bale is the biopic Backseat. He shaved his head and packed on pounds — “I’ve just been eating a lot of pies,” he says — to play former U.S. vice-president Dick Cheney. “I’ve got to stop doing it,” says the 43-year-old actor of the extreme weight gain. “I suspect it’s going to take longer to get this off.”
