Check out Richard’s conversation with “Forever My Girl” star Jessica Rothe in today’s Toronto Star!
“Jessica Rothe is what used to be called a ‘starlet.’ The thirty-year-old actor appeared with Emma Stone and Ryan Gosling in the Oscar-winning La La Land, and last year was the best thing about the time-loop murder mystery Happy Death Day.
“She’s landing lead roles but still building her career, trying out various film genres and characters.
“One thing that feels very important to me as an artist is to continually challenge myself and push myself to do all kinds of different things,” she says. “If it is good storytelling, it is good storytelling. I just want to do it all…” READ THE WHOLE THING HERE!
Jessica Rothe is what used to be called a ‘starlet.’ The thirty-year-old actor appeared with Emma Stone and Ryan Gosling in the Oscar-winning La La Land, and last year was the best thing about the time loop murder mystery Happy Death Day.
She’s landing lead roles but still building her career, trying out various film genres and characters.
“One thing that feels very important to me as an artist is to continually challenge myself and push myself to do all kinds of different things,” she says. “If it is good storytelling, it is good storytelling. I just want to do it all.”
Her latest is Forever My Girl, a romance in the mould of Nicholas Sparks. She plays Josie, a young woman left at the altar by boyfriend Liam, a musician who ran off to find fame as a country music star. When he returns to their small Southern town years later his presence reignites old feelings but there is a difference in the form of Billy, played by Abby Ryder Fortson, the daughter Liam never knew about.
Rothe says working with her precocious eight-year-old co-star helped her make Josie a fully rounded character.
“I met with Abby and her mom at a juice bar so she would feel comfortable with me,” Rothe says, “but we didn’t get a lot of prep time because she was still in school.
“In some way the fact that I was her mother in the film really benefitted our relationship because every time I didn’t know what I should be doing in the scene, or what Josie would be thinking about, it was always, ‘Where is Abby? Is Abby safe? Is she hungry?’ Having that be the backbone of Josie and her thought process was incredibly helpful. As somebody who is not a parent I can only imagine that is how you would function. It helped that our relationship on set and off set was very similar. I came to feel protective of her. Film sets can be crazy but I think it worked to our benefit.”
The actress, who will next be seen in an all-singing-all-dancing version of the 1983 romantic comedy Valley Girl, relates to her young co-star’s acting ambitions as well.
“If I, as an eight year old, could have been that worldly and on top of my game I would have been amazed with me,” she laughs. “I always knew I wanted to do this but I didn’t think it could be my real job. I’m lucky my parents are incredibly supportive and generous people who have put so much faith in me as I jump into this crazy business. It really is so far outside their comfort zone in terms of what a profession can be.”
Speaking of straying outside of comfort zones, Rothe already knows who she wants to work with next: horror master Guillermo del Toro.
“I just watched The Shape of Water the other night and thought that was absolutely stunning. It is almost the perfect movie. I could talk about it a lot but I won’t because I’ll get in trouble. Everyone reads the Forever My Girl interview and it is just me raving about The Shape of Water and trying to get a job on his next film. That would not go over really well!”
There are movies that surprise and surpass our expectations and there are those that don’t. The former feed the brain, the latter are like comfort food. With that in mind, “Forever My Girl,” the new romance starring Jessica Rothe, is meatloaf with a side of potatoes. Not good for you perhaps, and not really good at all, but somehow satisfying.
In a story that casts shade on Thomas Wolfe’s “you can never go home again” theory, “Forever My Girl” begins with Liam Page (Alex Roe), a small town boy made good. He’s a country music superstar, playing to packed houses and bedding groupies nightly. He’s also unhappy and suffering from writer’s block. As the country song on the soundtrack warbles, he’s “followed the script closely with whiskey, wimmen and pills.” When he learns his best friend from high school was killed by a drunk driver he goes AWOL, leaving behind a sold out tour to reconnect with his roots in St. Augustine, Louisiana.
No one is particularly happy to see him, not even his father (John Benjamin Hickey), the local minister. Even less thrilled is local florist Josie (Jessica Rothe), the woman he left on the altar when he skipped town to pursue his career. “No one has spoken about what you did here,” she says, “because we are family. We are loyal. Please just leave.”
Turns out there is more to the story in the form of Billy (Abby Ryder Fortson), a precocious eight year old and the daughter he never knew about. “I said I wanted to meet him,” Billy says, “but I didn’t say I would be easy on him.” As Liam reconnects with Josie, meets Billy and spends time with his dad the puzzle pieces of his life fall into place and he realizes what’s been missing. “I have no right to ask for anything,” he says, “but I’m here now.” You know the rest. (SPOILER ALERT) This is a romance not a tragedy.
“Forever My Girl” is written and directed by Bethany Ashton Wolf, based upon the novel by Heidi McLaughlin but is the kind of story Nicholas Sparks could conjure up in his sleep. The flowery Sparksian language is missing and there are no tearstained romantic letters—there is, however, a poignant voicemail saved on a duct-taped flip phone—but the spirit of everlasting love he exalts in parcels of passion like “The Notebook” loom.
London-born Roe has the dark good looks of a tortured country star and doers earnest quite well but it is the female stars that shine. As Billy, Fortson is a sparkplug with most of the film’s best lines. Rothe displays the natural charm that made her last performance in “Happy Death Day”—imagine “Groundhog Day” with a terrifying twist—so winning.
“Forever My Girl” isn’t great art. It’s a Hallmark movie by way of Harlequin that features nice looking people falling back in love but it’s the best non-Nicholas Sparks/Nicholas Sparks movie to come along in a while.
In the “The Ring” a cursed videotape—featuring a short movie that looks like it was made by a first year film student who had watched too many Luis Buñuel films—does the rounds, killing its audience seven days after viewing. Based on 1998’s “Ringu,” a masterpiece of atmosphere and psychological terror from Japanese director Hideo Nakata, it spawned a mini-empire with multiple movies, manga comics and television shows based on the original idea.
“Rings,” the latest addition to the continuing tale of the terrifying tape takes place thirteen years after the events of the last film. Julia’s (Matilda Lutz) boyfriend Holt (Alex Roe) has gone to college out of state. One night during a strange Skype call from his account a young woman appears. “Where is the dead man?” she shrieks. “Tell him she’s coming!” Unnerved, Julia hightails it to the school looking for answers. Seems Holt has become involved in a project to discover the meaning of the meaning of the videotape. The professor Gabriel (Johnny Galecki) thinks he can prove the tape is a doorway to the other side. If that’s true, it will also verify the existence of the soul and life after death. There’s one big problem though, his students keep dying seven days after viewing the tape. The only way out is to make a copy of the tape and pass it along to someone else. With only hours to go until Holt becomes the tape’s latest victim Julia watches, and inheriting his curse. “Whatever you were leave him alone!” she says. Instead of passing the death tape along she decides to get to the bottom of the mysterious tape and put an end to the evil forever. “No one is dying because of me,” she says.
That may protect the movie’s characters but the audience may die of boredom.
Can a horror movie that isn’t scary still be called a horror movie? “Rings” plays on primal fears of the unknown and darkness, but fails to actually make the hair on the back of your neck stand up. Some weird things happen—there is one cool image of Samara, the cursed girl, crawling out of a flatscreen TV to claim her victim—but it is mostly a collection of dimly lit scenes, loud sounds and jump scares.
More troubling than the bland leads or Vincent D’Onofrio reaching for a paycheque as the local blind man who may or may not have something to do with the supernatural goings on, is the movie’s complete lack of purpose.
Julia sets off to figure out why this videotape is a death sentence to anyone who sees it. Good idea for a movie. There is an investigation and she uncovers certain things but (THIS IS A MILD SPOILER) there is no explanation as to how or why Samara ended up on tape and how the tape was distributed. None. Things happen but they have little to nothing to do with the already established “Ring” mythology. It was as if the three—count ‘em three—screenwriters—including Academy Award winner Akiva Goldsman—lost interest in the story after the first hour. I know I certainly did.
“Rings” ends with the words “evil won’t stop.” It’s a set up to the inevitable sequel but in this case it sound more like a threat than the promise of more.
Eighteen-year-old Chloë Grace Moretz played a young vampire in Let Me In, a would-be superhero in Kick Ass and cinema’s most famous telekinetic, Carrie. It’s a diverse group of roles, but Moretz says she can draw a straight line from character to character.
“They’re linear,” she says, “in the sense that they’re all strong characters. A lot of them are like me, the basis of them. They all have a big mountain in front of them but they are going to climb it and fight as hard as they can.”
This weekend she stars in The 5th Wave, a world-under-attack sci-fi flick based on Rick Yancey’s young adult novel of the same name. Moretz plays Cassie and her “big mountain” is an alien invasion that devastates the planet, separating her from her younger brother. Can she find her sibling before the deadly 5th wave hits?
You’ll have to buy a ticket to find out. The only thing I can tell you for sure is that it is another spunky performance from the actress.
Over the course of a short but eventful career spirited characters have become her stock in trade. She has made a habit of playing people with rich lives swirling around them. For instance, she’s a sparkplug teenage prostitute in The Equalizer, a confused best friend to Keira Knightley in Laggies and a movie star with a scandalous life in Clouds of Sils Maria.
Here are her top three career defining roles:
Spunky: In If I Stay Moretz plays Mia, a gifted teenage cellist from a family of musicians. When a catastrophic accident throws her into a coma she has an out-of-body experience. The rest of the story is told from the perspective of her memories before the accident and in the present, as she observes, ghostlike, the aftermath of the car crash.
Here she delivers what may be her best performance yet. As Mia she is a talented teen just discovering a life beyond the cello that has been her constant companion since she was young. It’s a simple and uncluttered performance with a lot going on behind the eyes.
Spunkier: In the 2013 remake of Carrie she put her own spin on Stephen King’s most famous character, originally played by Sissy Spacek in 1976. Where Spacek was a true outsider, an abused, naïve girl, Moretz plays her with a bit more pluck. Both are Ugly Ducklings transformed into swans and then monsters, unwitting and undeserving victims of horrible abuse, but Moretz gives Carrie more backbone than her predecessor.
Spunkiest: Undoubtedly her signature spunky performance came in 2010’s Kick-Ass. If Quentin Tarantino made a kid’s coming-of-age movie it might look something like Kick-Ass. It has most of his trademarks — clever dialogue, good soundtrack and some high octane violence — but there’s a twist. The bloodiest, most cutthroat purveyor of ultra violence in the film is an 11-year-old girl.
The action scenes are plentiful and frenetic and once you get past the question, “Why would Chloë Moretz’s parents allow her to do this?” they’re really fun. It’s a little unsettling to see a young girl wielding a switchblade, gunning down dozens of bad guys and going hand-to-hand with a full grown man, but not since Natalie Portman in Léon has the screen seen such a sweet-faced assassin.
On screen eighteen-year-old Chloë Grace Moretz has moved things with her mind, played a hundred-year-old vampire trapped in the body of a twelve-year-old and as a teenage assassin used words so naughty they’d make a sailor blush. She’s done it all—even guided loved ones from beyond the grave—but her new movie sees her in her most precarious situation yet.
“The 5th Wave” is a world-under-attack sci fi flick based on Rick Yancey’s young adult novel of the same name. Moretz plays Cassie, a teenaged survivor of four waves of an alien invasion—or “galactic party crashers” as she calls them—that have devastated earth. “When you’re in high school everything feels like the end of the world,” she says. “Curfews, exams. Turns out what we thought was the end of the world wasn’t.”
The actual end of the world comes when “the others” invade looking for a new planet to call their own. Their first wave knocked out all of earth’s electricity, the second brought floods and quakes, the third wiped out hundreds of thousands of people with bird flu while the fourth saw the aliens get off their ship.
When Cassie becomes separated from her five-year-old brother Sam (Zackary Arthur) she reluctantly teams with Evan (Alex Roe), a hunky he-man cut from leftover Hemsworth cloth, to rescue her sib from a training camp run by the military. Wily but wary of everyone, Cassie must rely on Evan to help find her sibling before the deadly 5th and final wave hits.
Being that “The 5th Wave” is packed with millennial stars and is rather po-faced about itself I guess it can be categorized as a young adult drama but I’m shying away from adding any other descriptive labels to it. It’s not exactly a science fiction story even though it contains aliens—although we never get much of a look at them—and it can’t rightly be called a romance even though there are moony-eyed stares and a brief make-out scene. It certainly isn’t an action film even though we witness some of the world’s landmarks get destroyed and Moretz runs and carries a gun at the same time. Also, don’t look to “The 5th Wave” for pulse racing fight scenes as much of the carnage is off screen, perhaps to protect a teen-friendly rating.
It is a hodge podge of ideas and genres.
It starts off strong with a dark vision of what the end of the world might look like then changes into a portrait of a teenage melodrama with dystopian overtones. The blossoming romance offers up some unintentionally funny scenes, although I wouldn’t call this a comedy either.
Moretz has a way with action roles—think Hit Girl in “Kick-Ass”—so her return to a more physical role is welcome, but as a young adult vehicle it will leave you hungry for another episode of “The Hunger Games.”
