Richard speaks to “CTV News at 11:30” anchor Andria Case about movies on VOD and in theatres to watch this weekend including the family friendly “The War with Grandpa,” the hilarious “The Forty Year Old Version” on Netflix and “Percy,” the farming drama starring Christopher Walken.
Richard and CP24 anchor Cristina Tenaglia have a look at the new movies coming to theatres, VOD and streaming services including a pair of kid’s flicks “The War with Grandpa” and “100% Wolf,” the touching dramas “Percy” and “Yellow Rose” and the hilarious “The Forty-Year-Old Version.”
Richard sits in on the CTV NewsChannel with host Jennifer Burke to have a look at the new movies coming to VOD, streaming services and theatres including a pair of kid’s flicks “The War with Grandpa” and “100% Wolf,” the touching dramas “Percy” and “Yellow Rose” and the hilarious “The Forty-Year-Old Version.”
Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres, VOD and streaming services including kid’s flicks “The War with Grandpa” and “100% Wolf,” the touching dramas “Percy” and “Yellow Rose” and the hilarious “The Forty-Year-Old Version.”
“Percy,” a new based-on-real-life drama from director Clark Johnson now playing in select theatres, is a David and Goliath story with a universal message of standing up for what you believe in. Christopher Walken plays septuagenarian Percy Schmeiser, a small-town farmer from Bruno, Saskatchewan, who refuses to be bullied by a giant agrochemical corporation.
Schmeiser and his family have been canola farmers for generations. His cash crop is planted the old-fashioned way, with “the most virile seeds” saved from previous harvests. That’s why it is a shock to be accused by agrochemical Goliath Monsanto Canada of illegally growing their patented canola seed without a license.
“There’s got to be a mistake,” Schmeiser says. “I got my own seeds.”
Determined to prove his innocence, Schmeiser hires a lawyer he can’t afford, Jackson Weaver (Zach Braff), and vows to fight back. When Monsanto legally outguns Weaver, threatening to bury the lawyer under piles of motions, along comes agricultural activist Rebecca Salcau (Christina Ricci) with a way forward. “what you are doing is heroic,” she tells him. “You should be recognized.”
“Percy” is the story of not bowing down to corporate greed. A restrained Walken leaves behind his trademarked vocal tics to bring the principled Percy to life, and Johnson keeps the focus on him. There are courtroom scenes and some legalese but this isn’t “A Few Good Men on a Farm.” It’s about a man struggling to maintain his family farm in the face of an agricultural revolution, a very real and hot button topic across North America and the world. As Percy reluctantly becomes a spokesman for the cause screenwriters Garfield Lindsay Miller and Hilary Pryor find authentic and humanistic ways to illustrate the plight of farmers like the title character. “Farmers know the land. They know their plants,” Percy says. “Monsanto knows winning and losing and profits.”
It is a classic underdog story, one designed to make your blood boil at the disregard corporations have for the little guy.
“Percy” isn’t a flashy movie, although the landscape shots of Saskatchewan’s open skies and fields are often breathtaking. Instead it’s a low-key story of the fight to maintain the integrity of the food we put in our mouths.
Richard and CP24 anchorGeorge Lagogianes have a look at the weekend’s new movies including the new Chris Hemsworth war flick “12 Horses,” Christian Bale’s period piece “Hostiles,” Gerard Butler’s cop drama “Den of Thieves” and Jessica Rothe in “Forever My Girl.”
A weekly feature from from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest movies! This week Richard looks at the new Chris Hemsworth war flick “12 Horses,” Christian Bale’s period piece “Hostiles,” and the Gerard Butler’s cop drama “Den of Thieves.”
Richard sits in with CTV NewsChannel anchor Marcia MacMillan to have a look at the new Chris Hemsworth war flick “12 Horses,” Christian Bale’s period piece “Hostiles,” Gerard Butler’s cop drama “Den of Thieves” and Jessica Rothe in “Forever My Girl.”
When you think of Christian Bale what picture do you conjure up in your mind’s eye? Is it as American Psycho’s square-jawed investment banker Patrick Bateman? Or is it as the gaunt whisper of a man from The Machinist? Perhaps it’s as 3:10 to Yuma’s scruffy cowboy Dan Evans or the cowled Caped Crusader of the Batman films.
The point is Bale recreates himself from film to film. “It’s helpful not to look like yourself,” he recently told The Guardian. “If I look in the mirror and go, ‘Ah, that doesn’t look like me,’ that’s helpful.”
He could make a fortune playing superheroes in action movies but instead chooses to shake things up. Since his breakthrough performance in 1987’s Empire of the Sun, he has been a chameleon, losing 60 pounds to play the skeletal lead in The Machinist and gaining a beer gut and a combover for his role in American Hustle.
Creating the “Olympian physique” of serial killer Patrick Bateman in American Psycho took some discipline. “I’m English,” he said, “we don’t have many gyms around. We’d rather go to a pub instead.” A trainer and a protein diet took off the pounds.
As boxer and former drug addict Dicky Ecklund in The Fighter he dropped 30 pounds and used makeup and prosthetics to age himself. How did he lose the weight? “Usually I always say, ‘Oh, I do a lot of coke whenever I lose weight.’ I’m not sure if it’s so funny for this movie, to say that.” In reality he trained with the real-life Ecklund and boxed the pounds off.
In Velvet Goldmine he plays a London journalist looking into the life and faked death of glam rock singer Brian Slade (Jonathan Rhys Meyers). Once again he had to physically transform, but not in the traditional way.
When his mom saw that he was working out and running at 6 a.m. she said, “Christian, what are you doing? You’re doing a film about sex, drugs and rock ’n’ roll. Why don’t you do it the way they did it? They weren’t out running. They drank a helluva lot and lived unhealthily.” “I took that to heart,” he said.
This weekend he appears in Hostiles as the elaborately moustachioed Joseph J. Blocker, an 1892-era U.S. Army captain approaching retirement, grappling with the anguish and regret that has scarred his soul. The impressive ’stache may be his biggest physical transformation for this role — the AV Club joked “Christian Bale’s moustache is the best thing about Hostiles” — but he says the biggest change here was spiritual.
To create the character’s contemplative demeanour he spent a lot of time “sitting in a room quietly staring at a wall.” He says he likes to get as “distant as possible” from his own personality. Imagining Blocker’s life journey before filming allowed him to internalize the character and “feel like you’re trying very hard by the time you get to be working.”
Next up for Bale is the biopic Backseat. He shaved his head and packed on pounds — “I’ve just been eating a lot of pies,” he says — to play former U.S. vice-president Dick Cheney. “I’ve got to stop doing it,” says the 43-year-old actor of the extreme weight gain. “I suspect it’s going to take longer to get this off.”