Posts Tagged ‘The Legend of Ochi’

CTV ATLANTIC: RICHARD AND TODD BATTIS ON NEW MOVIES IN THEATRES!

I join CTV Atlantic anchor Todd Battis to talk about the action comedy “The Accountant 2,” the David Cronenberg movie “The Shrouds,” the stoner documentary “Cheech & Chong’s Last Movie” and the family fantasy film “The Legend of Ochi.”

Watch the whole thing HERE!

 

RICHARD’S CP24 WEEKEND REVIEWS & VIEWING TIPS! FRIDAY APRIL 25, 2025.

I joined CP24 Breakfast to have a look at new movies coming to theatres, including Ben Affleck in “The Accountant 2,” David Cronenberg’s “The Shrouds,” the documentary “Cheech & Chong’s Last Movie” and the family fantasy “The Legend of Ochi.”

Watch the whole thing HERE!

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

I sit in on the CFRA Ottawa morning show with host Bill Carroll to talk about the new movies coming to theatres including Ben Affleck in “The Accountant 2,” David Cronenberg’s “The Shrouds,” the documentary “Cheech & Chong’s Last Movie” and the family fantasy “The Legend of Ochi.”

Listen to the whole thing HERE!

YOU TUBE: THREE MOVIES/THIRTY SECONDS! FAST REVIEWS FOR BUSY PEOPLE!

Fast reviews for busy people! Watch as I review three movies in less time than it takes to roll a joint! Have a look as I race against the clock to tell you about David Cronenberg’s “The Shrouds,” the documentary “Cheech & Chong’s Last Movie” and the family fantasy “The Legend of Ochi.”

Watch the whole thing HERE!

THE LEGEND OF OCHI: 3 STARS. “a magical story that feels delightfully handmade.”

SYNOPSIS: The new family fantasy film “The Legend of Ochi,” starring Willem Dafoe and an adorable puppet, tells the story of a young girl who learns that everything she’s been taught is a lie. “I am strong, and I am cool,” she writes in a note to her father, “and I don’t believe what you say.”

CAST: Helena Zengel, Willem Dafoe, Finn Wolfhard and Emily Watson. Directed by Isaiah Saxon.

REVIEW: “The Legend of Ochi” feels like an arthouse “How to Train Your Dragon” or a 1980s Amblin movie without the lens flares but with a Dr. Doolittle twist.

Set in the mountains of Carpathia, the story of Yuri (Helena Zengel), teenage daughter of her village’s head Ochi hunter Maxim (Willem Dafoe), unfolds as she discovers these woodland creatures aren’t the terrible beasts of her people’s folktales.

These creatures, who like a Gremlin and Baby Yoda had a child, are under constant threat from Maxim who believes they pillage the village, kill livestock and, years ago, kidnapped his wife. When Yuri learns the truth, that her father’s stories are more myth than truth, she goes all “E.T. the Extraterrestrial” and attempts to reunite one of the big-eyed creature with its mother.

Shot on location in Romania’s Carpathian Mountains—where apparently, they had trouble keeping bears from eating the sets at night—“The Legend of Ochi” has the look of a medieval fantasy. Although set in modern (ish) day there is a magical feel to the film’s scenery. The Frank Frazetta-esque backdrop is enhanced by a dramatic, mostly orchestral score by David Longstreth that does as much as the locations to set the stage for Yuri’s adventure.

Against this are a striking human cast. As Maxim, Willem DaFoe takes an over-the-top character who says things like, “I saw the devil dancing in the goblin’s eyes,” and still manages to make him human and not simply a flowery caricature of a mountain man on a mission.

Emily Watson, as Maxim’s ex with a wooden hand, is true grit personified, living life on the side of a mountain, alone, save for her research into the Ochi and their connection with nature.

As Yuri, Helena Zengel hands in a retrained performance, fueled by her concern for the Ochi. If Spielberg still made movies like this, she would be expecting a call.

The themes of connection, resilience and eco-responsibility wouldn’t mean much if we didn’t care about the Ochi, but the animatronic creatures are not only adorable but also bring real emotional appeal. Hand operated puppets, they have an organic, artisanal vibe that sets them apart from so many of their CGI counterparts. They are, at once, a nostalgic throwback to the days of rubber ETs and a charming new presence that gives the movie an emotional core.

“The Legend of Ochi” has much to recommend it but suffers from pacing issues and a predictable ending. Still, as new, stand-alone kid’s fantasy goes, it delivers a magical story that feels definitely and delightfully handmade.