Richard chats with “The BFG” giants Chris Gibbs (Gizzardgulper), Daniel Bacon (Bonecruncher), Jonathan Holmes (Childchewer), Michael Adamthwaite (Butcher Boy) and Paul Moniz de Sa (Meatdripper) on working with Steven Spielberg and bringing the bigger-than-life giants to reel life!
Richard sits in on the CTV NewsChannel to talk about the big releases in theatres, including “The Legend of Tarzan,” starring Alexander Skarsgård as the Lord of the Jungle and Margot Robbie as Jane, Steven Spielberg’s latest, “The BFG” and the John le Carré thriller “Our Kind of Traitor,” starring Ewan McGregor, Naomie Harris, Stellan Skarsgård and Damian Lewis.
From marilyn.ca: “If you love going to the movies, but you’re never sure what to see, Richard Crouse has the answer! Check out these sure-to-be blockbusters to keep you entertained all summer!” They argue about “Finding Dory” and preview “The BFG,” “The Secret Life of Pets,” “Jason Bourne,” “Suicide Squad” and “Ghostbusters.”
“The BFG,” new kid’s film from Steven Spielberg and based on a much-loved book by Roald Dahl, has so little to do with today’s kids entertainment it feels as though it’s a relic from another time, a singular holdover from a day before Minions gurgled and everything was awesome.
The story begins at a London orphanage. Insomniac Sophie (Ruby Barnhill) is a preteen urchin awake at 3 AM when she hears a noise in the street. Rather than stay safe in her bed the youngster breaks her three rules. “Never get out of the bed. Never go to the window. Never look behind the curtain.” Looking out into the street she locks eyes with a giant (Mark Rylance), a taller-than-tall man with a shock of white hair and hands the size of bulldozer scoops.
Realizing he has been seen, he grabs the girl, taking her back to Giant Country before she can tell anyone about his existence. “There’d be a great rumpus dumpus,” he says, “if you went on the tele-tele bunkum box and the radio squeakers.” Sophie soon gets that he isn’t going to harm her, that he is The BFG, Big Friendly Giant. “You think because I’m a giant that I’m a man eating canny-bal?” Unfortunately in Giant Land the neighbours are less friendly. Goliaths with names like Butcherboy and Gizzardgulper have a taste for young humans, and it soon becomes BFG’s job to keep Sophie safe. When the threat becomes too great this odd couple asks the most powerful person in Britain for help.
“The BFG” is a fantastical story that respects its audience. Spielberg understands not every second of the movie needs to be tweaked to a high, irritating squeal. Instead he immerses the audience in a new world, taking his time to set the scene and introduce the characters. Frenetic it is not. The director goes for a more classic approach, gently and methodically laying out the story. State of the art effects mix-and-mingle with old-fashioned storytelling to produce a beguilingly imaginative tale of friendship, family and flatulence. That’s right, like all great kid’s movies “The BFG” is a gas, including inventive and funny flatulence jokes.
Small children may find the film’s opening moments to be the stuff of bad dreams. The image of BFG’s giant hand coming through the window to snatch Sophie from her bed is memorable. It’s a timeless image of nightmarish terror, but may keep the kids awake at night.
The young’uns, however, will likely love The BFG’s unusual way of speaking. A Giant patois that sounds like Pig Latin filtered through Olde English, it’s addictive so expect the kids to be buckswashling and sqiubbling around the house for weeks to come. I’ve already introduced the term veggiterrible into my daily routine.
Rylance and Barnhill are an engaging pair—for much of the film they are onscreen alone—but the star of “The BFG” is Spielberg whose sense of wonder is infused in every frame.
Richard talks Cannes and Xavier Dolan with the Canadian Press.
“I think he’s got probably a pretty good shot certainly at being taken seriously as a contender, even thought he’s up against the who’s who of international filmmakers like Ken Loach, Pedro Almodovar, Paul Verhoeven, Sean Penn,” says Toronto-based film reviewer Richard Crouse.
“There are a lot of people here that are working at a very high level, but I’d suggest that Xavier Dolan is working at just as high a level.”