Posts Tagged ‘Susanne Bier’

PRACTICAL MAGIC 2: 2 ½ STARS. “bound together with fan service and good will.”

SYNOPSIS: A story of secrets and sacrifice, “Practical Magic 2” reunites the above-the-title stars from the 1998 original as they attempt to break the curse that has plagued their family for generations.

CAST: Sandra Bullock, Nicole Kidman, Dianne Wiest, Stockard Channing, Joey King, Lee Pace, Maisie Williams, Xolo Maridueña, Solly McLeod. Directed by Susanne Bier.

REVIEW: Fans of the original film will welcome the return of the supernatural Owens sisters, but newcomers may find the sequel less than magical.

Set twenty-five years after the events of the first film, the Owens family of witches, sisters Sally and Gillian Owens (Sandra Bullock and Nicole Kidman) and eccentric aunts Frances (Franny) and Jet (Stockard Channing and Dianne Wiest), has expanded to include Sally’s daughters Kylie (Joey King, in the role originally played by Evan Rachel Wood) and Antonia (Maisie Williams). They are a tight knit group, but Sally hasn’t told her daughters that they have magical powers or about the family curse.

“No magic is stronger than sisterhood,” says Aunt Frances. “Cast by fate, tested by time, and never broken.”

When Kylie falls in love with “tall, dark and possibly cursed” Gideon (Xolo Maridueña), he becomes the latest victim of the family’s centuries old curse.

“Everyone we love dies,” says Sally. “It’s not great for the Tinder bio,” says Gillian. “We’re Owens women. Love is our undoing.”

Desperate to break the curse’s cycle, Kylie jets off to England, with Sally and Gillian in hot pursuit, to get to the bottom of their family history and the curse that has fated their loved ones to die. “I’m gonna go fix this,” she says.

A legacy sequel with one foot planted firmly in the past and the other in present day, “Practical Magic 2” offers callbacks to the original, a hint of romance, lighthearted humor, curses and witch’s spells. It’s a bit of a hodge podge that binds together the disparate elements with fan service and good will.

Bullock and Kidman effortlessly slip into their roles of the quarter century ago, recreating the same kind of chemistry that made the original film a hit, but it is Dianne Wiest as kooky Aunt Jet who finds the balance between warmth and comedy.

It’s a fine line in an unnecessarily complicated story that involves a missing daughter, a century’s old curse, and an innocent man in a coma because of the family hex. The very survival of the Owens family hangs in the balance, and yet, Sally and Gillian still find time to goof around. One minute they’re in tears, wondering if they’ll ever see Kylie again, the next Gilly is de-pantsing Sally and telling her to lighten up. The comedy doesn’t match the situation and Bullock’s sharp way with a line often breaks the film’s dramatic spell.

“Practical Magic 2” is bewitched with its characters. Perhaps a little too much. Even at just a titch over two hours, the film feels overlong, padded with character work, subplots and moments that don’t forward the story. By the time we get to the feel-good ending–with Sally and Gillian using their powers to make margaritas–it feels like the movie delivers more tricks than treats.

SERENA: 1 STAR. “everything about the movie verges on caricature.”

Even Oscar winners make mistakes. Meryl Streep starred in “She-Devil.” Daniel Day-Lewis camped it up in “Nine” and “All About Steve” was a career nadir for Sandra Bullock. Now its Jennifer Lawrence’s turn to appear in a movie that will one day be best remembered as an entry on IMDB’s Bottom 100 list.

Lawrence plays the title character, the ambitious wife of George Pemberton (Bradley Cooper), a lumber baron struggling to keep his business afloat in depression era North Carolina. A miscarriage drives a wedge between them, a rift exacerbated by financial trouble, betrayal and the arrival in town of a son George fathered by another woman.

“Serena” has all the makings of an epic story. Imagine “There Will be Blood” built on a base of timber instead of oil. Betrayal, jealousy, murder and money swirl around the central characters, but instead of combining to create a compelling narrative the elements collide in a big bang of schlock. From the broad southern accents to the dirt-smeared Rhys Ifans as Serena’s violent lap dog, everything about the movie verges on caricature.

The reteaming of Cooper and Lawrence after their “Silver Linings Playbook” and “American Hustle” success proves that lightening does not strike thrice. The duo had chemistry to burn in their previous pairings but fail to set off sparks here. As George and Serena they are ruthless and selfish, which should be the stuff of interesting characters, but the story throws so many hurdles their way that eventually it becomes one big, boring blur.

Add to that director Susanne Bier’s habit of shooting everything in intense close-up and you have a far too up-close-and-personal look at some of the least captivating characters to come down the pike in some time.

In the big picture “Serena” isn’t an all out disaster, but because of the above-the-title talent involved it is a major disappointment.