On the Saturday October 12, 2024 edition of The Richard Crouse Show we meet Paul Gilligan. He writes and draws the syndicated comic strip Pooch Café with Andrews McMeel, which runs in over 250 newspapers around the world and has been twice nominated by the National Cartoonist Society for best strip. He is also the author-illustrator of Pluto Rocket: New in Town, King of the Mole People and its sequel, Rise of the Slugs. Today we’ll talk about his new book the graphic memoir “Boy vs. Shark.” In the book, ten-year-old Paul is terrified of sharks, but when he forces himself to see the movie Jaws to keep up with his more daring friends, he is traumatized into imagining a shark living in his bedroom.
Then, we’ll spend some time with Victor Garber. On the big screen, you know the London, Ontario born actor from his roles in Godspell, Titanic, Sleepless in Seattle, The First Wives Club, Legally Blonde and many others. On television, he is best known as Jack Bristow in the ABC series Alias, and he originated roles in the Broadway productions of Sweeney Todd: The Demon Barber of Fleet Street, Noises Off, Lend Me a Tenor, Arcadia and Art. This month he will receive a Lifetime Achievement in Entertainment Award from The Forest City Film Festival in his hometown.
Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Chris Pratt, Elvis Costello, Baz Luhrmann, Martin Freeman, David Cronenberg, Mayim Bialik, The Kids in the Hall and many more!
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Bradley Cooper and Jennifer Lawrence first paired off in Silver Linings Playbook — he was a divorced substitute teacher, jailed for beating his wife’s boyfriend half to death; she was a troubled widow who needed his help to win a dance competition — and sparks flew.
Next they shared scenes, but no romance, in American Hustle. And, this weekend, they make it a trifecta with the release of Serena. Based on the novel by Ron Rash, Cooper and Lawrence play husband and wife lumber barons whose marriage becomes strained after she suffers a miscarriage. Despite having shared love scenes in movies, Cooper says they have kept the romance onscreen.
“I mean, first of all, I could be her father,” he says.
The re-teaming of Cooper and Lawrence in Serena proves that lightning does not always strike thrice.
The “it” couple had chemistry to burn in their previous pairings but fail to set off sparks here. As George and Serena they are ruthless and selfish, which should be the stuff of interesting characters, but the story throws so many hurdles their way that eventually it becomes one big, boring blur.
Some onscreen couples, however, have managed to keep the flame alive through several films.
After a 16-year separation, Tom Hanks and Meg Ryan — the pre-eminent cinema sweethearts of the 1990s — will reunite in the World War II drama Ithaca.
The three rom coms that made them superstars, Joe Versus the Volcano, Sleepless in Seattle and You’ve Got Mail, were fuelled by the platonic chemistry they share in real life.
“He makes me feel less alone,” says Ryan.
Kate Winslet and co-star Leonardo DiCaprio are so close in real life that her children refer to him as Uncle Leo. As Titanic’s star-crossed lovers Jack and Rose, they defined romantic tragedy for a whole generation before recoupling 11 years later in the feel-bad love story Revolutionary Road.
Despite what fans thought, their friendship never turned romantic off-screen. “He always saw me as one of the boys,” said Kate.
Despite falling in love over and over again in movies like The Wedding Singer, 50 First Dates and Blended, Drew Barrymore says she and Adam Sandler have exchanged nothing more than a “church kiss.”
“That’s probably why we’ve been able to stick together all these years,” she says, “because there never was that awkward moment.”
The lesson learned is that chemistry off-screen often leads to good results on the screen, but not always. Tony Curtis and Marilyn Monroe fogged up the lens in Some Like It Hot, but reportedly did not like one another.