I appear on “CTV News at 11:30” with anchor Andria Case to talk about the best movies and television to watch this weekend. This week I have a look at Arnold Schwarzenegger ‘s new Netflix series “FUBAR,” the family drama “Sisters” on Crave and “Queer Eye” season seven on Netflix.
Richard’s CP24 reviews for “Star Wars: the Force Awakens”–is it worth your theatre going dollar (even if you could buy a ticket for this weekend)?–or if you should check out the comedy “Sisters” with Tina Fey and Amy Poehler.
Tina Fey and Amy Poehler have such great chemistry together it’s almost as if they’re sisters from different misters. I guess that’s why their new movie, “Sisters” feels like a natural fit. Seeing the pair together it feels inevitable that one day they would move beyond sharing the stage at award shows and on to playing siblings.
They play Jane and Maura Ellis, middle-aged sisters at different places in their lives. Jane is a single mom who can’t hold on to a job. Maura is a nurse who always tries to help people… even if they don’t want her help.
When their parents (Dianne Wiest and James Brolin) decide to simplify their life, sell the family home and move into a senior’s complex in Orlando, the girls are called home to clean out their rooms. Being in the house dredges up memories of the past so they decide to revisit their glory days by throwing one last blow out before they turn the house over to the new owners.
“Sisters” feels a bit like a “Saturday Night Live” reunion. Ex-SNLers Maya Rudolph, Kate McKinnon, Rachel Dratch and Bobby Moynihan all make appearances in a movie that has about as much story as the average SNL skit. The laughs are there, particular when the action heats up midway, but “The Blind Assassin” this ain’t. It’s a simple comedic premise squeezed for giggles by a likeable cast.
At the helm of “Sisters” are Fey and Poehler, comic actors who play the material broadly but still manage to ground Jane and Maura in reality. On the other hand Moynihan goes full bore into a part Chris Farley might have played and while the movie is more fun when the cast run out of control, it’s Fey and Poehler’s rare quiet moments that humanize the story.