I join CTV Atlantic’s Todd Battis to talk about the epic “Avatar: Fire and Ash,” the absurd “The SpongeBob Movie: Search for SquarePants,” the feel-good divorce drama “Is This Thing On?” and the psychological thriller “The Housemaid.”
Watch the whole thing HERE!
I sit in with CKTB morning show host Steph Vivier to have a look at movies in theatres including the epic “Avatar: Fire and Ash,” rthe absurd “The SpongeBob Movie: Search for SquarePants,” the feel-good divorce drama “Is This Thing On?” and the psychological thriller “The Housemaid.”
Listen to the whole thing HERE!
SYNOPSIS: In “The SpongeBob Movie: Search for SquarePants,” the new animated comedy based on the popular kid’s show, and now playing in theatres, SpongeBob tries to prove his bravery by embarking on a perilous marine journey. “The Dutchman’s taken SpongeBob to the deepest, most dangerous part of the sea…” says Mr. Krabs (voiced by Clancy Brown), “the Underworld.”
CAST: Tom Kenny, Clancy Brown, Rodger Bumpass, Bill Fagerbakke, Carolyn Lawrence, Mr. Lawrence, George Lopez, Isis “Ice Spice” Gaston, Arturo Castro, Sherry Cola, Regina Hall, Mark Hamill. Directed by Derek Drymon.
REVIEW: Packed to the gills with silly visual gags and absurdist wordplay, “The SpongeBob Movie: Search for SquarePants” is aimed at kids and stoned adults.
The movie starts as many good stories do. “Once Upon a time,” says The Flying Dutchman (Mark Hamill), “the most pants wettingly pirate to ever roam the seven seas, “a long, long time ago…” With that the tale of how a curse doomed him to 500 years in an oceanic nightmare realm called The Underworld. The only way he can beat the curse, and return to his dry land home of Santa Monica, is to transfer the hex to someone pure of heart and innocent in mind. “Does such a soul even exist?” he asks.
Meanwhile, in the underwater city of Bikini Bottom, SpongeBob (voice of Tom Kenny) has grown half a barnacle taller, and now thinks he’s a “big guy.”
“I’ve never felt so respected before,” he says.
That feeling quickly fades when his boss, Mr. Krabs (Clancy Brown) tells him he’s not ready to be a Swashbuckler. To prove he’s not SpongeBob ScaredyPants, the innocent, kind-hearted SpongeBob embarks on a quest that puts him directly in The Flying Dutchman’s territory. But is SpongeBob brave enough to accept the Dutchman’s Deal?
Set at breakneck speed, “The SpongeBob Movie: Search for SquarePants” wastes no time in unfurling its hero’s surreal journey.
It’s whiplash fast and frenetic but never loses the underlying theme that has made the Nickelodeon show such a favorite for a quarter of a century, and that’s SpongeBob’s optimism, kindness and joyfulness.
The odd little character, originally designed as a tool to teach marine biology at California’s Ocean Institute, has the playful whimsey of Pee Wee Jerman, the energy of Jerry Lewis and naïveté of Stan Laurel, all wrapped up in a spongey, kid-friendly package. That’s been the bedrock of the television series and the other half dozen theatrical and streaming movies in the franchise, and that sweetness and comedic unpredictability remain at the core of “The SpongeBob Movie: Search for SquarePants.”
So don’t expect the new movie to break new ground. Like The Three Stooges, SpongeBob and Company deliver an easily identifiable brand of silliness all their own. From visual gags—like Mr. Krabs entering the Dutchman’s undersea world through Davey Jones’s Gym Locker or a literal showing of intestinal fortitude—to the dense ratio of jokes—it seems like every line is a laugh line—and hidden references to older movies—including a splendid tribute to Ray Harryhausen—it doesn’t feel new exactly, but is a welcome return to SpongeBob’s strange world.
The anti-rom com “Shortcomings,” a new film directed by Randall “Fresh Off the Boat” Park and now playing in theatres, is brave enough to center its story around an annoying twerp whose pretentiousness is matched only by his negativity and the ignorant remarks that fall so effortlessly from his lips.
Based on the 2007 graphic novel by Adrian Tomine (who wrote the script), Justin H. Min plays the antisocial Ben, a wannabe filmmaker and Berkeley arthouse theater manager. He has lots of personality, all of it bad. He says in school he was discriminated against, but not because he is Asian.
“It was because of your inherent bad personality,” says his BFF Alice (Sherry Cola).
“Exactly,” he says.
When his long-suffering girlfriend Miko (Ally Maki) accepts a temporary internship across the country in New York, he uses their “break” to selfishly dip his toe back into the dating pool. He pursues Autumn (Tavi Gevinson), a young performance artist who works at his theatre, and strikes up a relationship with Sasha (Debby Ryan), a friend of Alice who just broke up with her girlfriend.
When he realizes that he didn’t know what he had until it was gone, it’s may be too late. “Is this your rock bottom,” asks Alice. “High school was my rock bottom,” he replies unconvincingly.
“Shortcomings” does a great job of making, and keeping, its main character as toxic as possible. Director Park and Min make no attempt to shave down Ben’s rough edges, or make him more agreeable. But as unlikable as the self-loathing character is, he is compelling in his toxicity. Min is fearless in his portrayal of Ben’s foibles and flaws, and yet you feel empathy for him because he is so lost. As Alice says, “change is hard for assholes like us,” and it’s up in the air if Ben has it in him to put in the effort to embrace the change that will make his life better. It’s an unbending character you don’t normally find in movies with a romantic edge.
Clocking in at just under ninety minutes, Park’s economical film is stacked with ideas.
“Shortcomings” delivers laughs—Ben and Alice are a playful odd couple—and examines cultural expectations, but it really succeeds because of its uncompromising character study.
