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SHORTCOMINGS: 3 ½ STARS. “economical film is stacked with ideas.”

The anti-rom com “Shortcomings,” a new film directed by Randall “Fresh Off the Boat” Park and now playing in theatres, is brave enough to center its story around an annoying twerp whose pretentiousness is matched only by his negativity and the ignorant remarks that fall so effortlessly from his lips.

Based on the 2007 graphic novel by Adrian Tomine (who wrote the script), Justin H. Min plays the antisocial Ben, a wannabe filmmaker and Berkeley arthouse theater manager. He has lots of personality, all of it bad. He says in school he was discriminated against, but not because he is Asian.

“It was because of your inherent bad personality,” says his BFF Alice (Sherry Cola).

“Exactly,” he says.

When his long-suffering girlfriend Miko (Ally Maki) accepts a temporary internship across the country in New York, he uses their “break” to selfishly dip his toe back into the dating pool. He pursues Autumn (Tavi Gevinson), a young performance artist who works at his theatre, and strikes up a relationship with Sasha (Debby Ryan), a friend of Alice who just broke up with her girlfriend.

When he realizes that he didn’t know what he had until it was gone, it’s may be too late. “Is this your rock bottom,” asks Alice. “High school was my rock bottom,” he replies unconvincingly.

“Shortcomings” does a great job of making, and keeping, its main character as toxic as possible. Director Park and Min make no attempt to shave down Ben’s rough edges, or make him more agreeable. But as unlikable as the self-loathing character is, he is compelling in his toxicity. Min is fearless in his portrayal of Ben’s foibles and flaws, and yet you feel empathy for him because he is so lost. As Alice says, “change is hard for assholes like us,” and it’s up in the air if Ben has it in him to put in the effort to embrace the change that will make his life better. It’s an unbending character you don’t normally find in movies with a romantic edge.

Clocking in at just under ninety minutes, Park’s economical film is stacked with ideas.

“Shortcomings” delivers laughs—Ben and Alice are a playful odd couple—and examines cultural expectations, but it really succeeds because of its uncompromising character study.


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