New to Netflix this week is “Love Wedding Repeat,” a what-if rom com fantasy that examines one event, a fancy wedding celebration, from several different angles based on a shifting seating arrangement and a nomadic sedative.
Set in an opulent Italian party palace, the action centers around Jack (Sam Claflin), the protective older brother of the bride. It is meant to be Haley’s (Eleanor Tomlinson) big day but as everyone knows, wedding days rarely ever go as planned. Every little detail is important, most of all, if you believe this movie, the seating arrangement. A simple shift of a name or two from table to table changes the dynamic and can lead to chaos. Of course, a simple mix-up of names will only be made worse by the presence of angry exes, a sedative that never finds its intended target, an embarrassing men’s room incident and the proverbial ‘one that got away’ (Olivia Munn).
“Love Wedding Repeat,” has all the trappings of a classic farce. Big personalities and misunderstandings are the name of the game here but the unhurried pace feels more like a rom com than it does “Noises Off.” Dean Craig, the screenwriter behind the 2007 Frank Oz comedy “Death at a Funeral,” finds humour in the shifting-same-day narrative but places the romance front and centre, mostly leaving the screwball antics for another day.
An appealing cast makes the most of this thin but unique twist on romantic time loop farce. Claflin, best known for playing British Union of Fascists leader Oswald Mosley “Peaky Blinders,” is the stabilizing force that keeps the fantasy aspect of the story earthbound. Revolving around him are a cast of characters whose actions bring the flights of fancy. As Jack’s angry, headbutting ex Frieda Pinto brings both fire and warmth while Tim Key convincingly plays the most socially awkward wedding guest ever. Joel Fry, as a desperate actor trying to impress a famous director, who happens to be seated at the next table, shows a different side from the work he did on “Game of Thrones.”
“Love Wedding Repeat” could have used a little more door slamming to amp up the farcical nature of the story but provides a diversion in these strange times, an unusual, if somewhat predictable, rom com with (NO SPOILER HERE, YOU KNEW THIS WAS COMING) a happy ending.
In Office Christmas Party T.J. Miller plays Clay, a scattered office manager with a “mind like a drunk baby.” In a last ditch effort to save his branch from closure he tries to woo a lucrative client by throwing a no-holds-barred Christmas party.
“This is the way we close Walter,” says Clay. “We throw the best Christmas party he’s ever seen. We could save everybody’s jobs.”
Miller leads an ensemble cast featuring heavy-hitters like Jason Bateman, Olivia Munn, Kate McKinnon and Jennifer Aniston but he doesn’t want to talk about that. Not right away, anyway.
Instead he begins the interview with, “Let’s talk comedy in a time of tragedy.”
OK, lets.
“Basically I have a political obstacle to my social mission statement,” he says. “The social statement was, tragedy permeates our everyday lives, people are lonely, they’re scared, they have death anxiety, they don’t know how to attribute meaning to their own existence, so through comedy we can provide an opiate or distraction that permeates our everyday lives. Through satire we can hopefully frame the world in a way that people can laugh at.
“Also I aim to help people, through my stand up, to release the death anxiety. I aim to help people not take themselves so seriously.”
When Miller, who also currently plays Erlich Bachman on Silicon Valley, finally gets around to talking about Office Christmas Party, he’s still on message.
“It’s very easy to promote a comedy during the apocalypse,” he says.
The Christmas film, which features a greedy pimp, a sexually repressed head of HR and an office load of drunk, disgruntled employees, is a mix and match of sentimentality and debauchery that Miller thinks is perfect for the season.
“What better way to spend the holidays?” he asks. “First of all you don’t have to talk to your family for an hour-and-a-half during the holidays. That’s a bonus. If the movie is funny, you talk about how funny it was for half-an-hour. How dynamic Jenifer Aniston, Jason Bateman and Courtney B. Vance are. How strange I look in a Santa suit for that long. That my facial hair is still abrasive and arresting. That’s two- and-a-half to three hours towards a stress free holiday. That’s what we’re pitching you.
“It’s a funny movie. It’s a laugh a minute. Well, it’s a laugh every minute-and-a-half to two minutes. We wanted to give you a break. It’s exhausting to laugh every minute.”
Miller, who once worked as a legal secretary in the same Chicago office building seen in the film, says the movie is silly and fun but shares his core comedy philosophy.
“Workplace environments have become so sterile and corporations have become so much about profit and not the people they work with that we’ve lost the fun of work. We don’t have cool office Christmas parties anymore. We are saying, ‘You spend so much time with the people you work with, why not have a night or two a year where you can kind of just relax? Take a night off from worrying about offending someone or giving ‘tude.’
“That is our message to North America. Take the holidays, drink way too much eggnog, laugh, relax and know that we’ve got a lot of work to do in 2017.”
Jennifer Aniston and Jason Bateman appeared in the edgy “Horrible Bosses” films so you’d expect their new movie, “Office Christmas Party” to be holiday fare more naughty than nice. But you’d be wrong. Their latest suffers from not being too vulgar, but from being not vulgar enough.
Aniston runs Zenotech Data Storage Systems, a tech company she inherited from her late father. Dad left her the company but gave the main branch to her party animal brother Clay (T.J. Miller). She’s a strict by–the-book business person the Grinch who cancels all branch Christmas parties to save money and gives Clay until the end of the quarter, just two days away, to turn things around or she will lay off 40% of the staff and cancel all bonuses.
Clay is scattered with a “mind like a drunk baby,” but determined to protect his branch and his staff. To that end he recruits head programmers Josh (Jason Bateman) and Tracey (Olivia Munn) to woo a lucrative client (Courtney B. Vance) by throwing a no-holds-barred office Christmas party. “This is the way we close Walter, we throw the best Christmas party he’s ever seen,” says Clay. “We could save everybody’s jobs.”
Despite Clay’s warning, “When I drink a lot bad things happen,” they proceed with the party. Add in a greedy pimp, $300,000 in cold hard cash, a sexually repressed head of HR (Kate McKinnon) and an office load of drunk, disgruntled employees and you have a Bacchanalia that would make would make Caligula blush.
Given the premise “Office Christmas Party” is not nearly as wild as a movie about and out of control party should be. Despite the excess of flesh and booze the movie often opts for sentimentality over debauchery. It most certainly doesn’t put the ‘X’ in Xmas.
Tone wise it should feel like anything could happen; like the movie could go off the rails at any second. Instead it’s as sweet and gooey as a (slightly soiled) Hallmark Christmas card.
Packed with comedy heavy hitters like Aniston, Bateman, McKinnon and Miller, it’s the supporting cast who garner most of the laughs. Fortune Feimster, a comic best known for her work on “The Mindy Project” livens things up as a motor mouth Uber driver and Randall Park’s take on a shy-but-kinky office worker has its charms but it is Courtney B. Vance who steals the show. The velvet-voiced character actor who specializes in playing lawyers—think “Law & Order” and his Johnnie Cochran in
“The People v. O.J. Simpson: American Crime Story”—unexpectedly lets his freak flag fly and the results are glorious. If it was his movie it might have been more fun.
Your enjoyment of “Ride Along 2” will be directly linked to your enjoyment of Kevin Hart. The follow up to the wildly successful 2014 buddy cop comedy once again pairs Hart and Ice Cube but it is the comedian who dominates.
Ben Barber (Hart) is a beat cop one month out of the academy. He seems to have learned more about being a cop from playing video games than from the Academy, but nonetheless, he is determined to shadow his soon-to-be-brother-in-law James Payton (Ice Cube) when the Atlanta vice cop travels to Miami to track down a hacker (Ken Jeong). Ben thinks the Miami run will prove to everyone he should be a detective and while James doesn’t want the young cop tagging along, he agrees in the hope that the trip will prove Ben isn’t ready to move up the chain. In Miami they team up with a homicide cop (Olivia Munn) as the case takes a new and dangerous turn.
At the “Ride Along 2” screening I was at I sat across the aisle from a man who must be the world’s biggest Kevin Hart fan. He giggled and guffawed throughout. I’m glad he enjoyed the movie and hope Hart continues to delight him for years to come. Me, I didn’t find his antics quite as funny. He’s a whirling dervish, a nonstop bundle of energy who will do anything to get a laugh. He’s like a Jack Russell puppy that is always happy to see you and jumps in your lap all the time. At first its cute but as time goes by it gets annoying.
I admire his commitment but think he’s caught a bad case of Will Ferrellitus, a disease that affects famous comedians who have no self-control in the urge to get a giggle. The only cure is a director who understands that often less is more. Tim Story is not that director.
Ice Cube, on the other hand, is used well, displaying his trademark scowl with menace and humour. It’s a shame that Maya, film’s primary female character played by Olivia Munn, isn’t given more to do. Her presence here adds marquee value but little else.
“Ride Along 2” is a simple movie that relies on the A.B.C.’s of buddy cop movies: A.) Action. B.) Broad comedy. C.) Cleavage. All three are on display, although the action is by-the-book except for one sequence that blends video game action with real life. If more of the movie had this same kind of inventive spirit it might have been more fun.
