Posts Tagged ‘Olivia Colman’

RICHARD’S CTV NEWSCHANNEL REVIEWS FOR JAN. 09 WITH LOIS LEE.

Richard and CTV NewsChannel host Angie Seth have a look “The Tender Bar” (Amazon Prime), the Olivia Coleman drama “The Lost Daughter” (on Netflix) and the heartwarming “June Again” (VOD/Digital).

Watch the whole thing HERE!

NEWSTALK 1010: BOOZE AND REVIEWS WITH RICHARD CROUSE ON THE RUSH!

Richard joins hosts Jay Michaels and Jim Richards of the NewsTalk 1010 afternoon show The Rush for Booze and Reviews! Today we ask, “To Lick, Shoot and Suck, or NOT to Lick, Shoot and Suck?” and review the Ben Affleck coming-of-age story “The Tender Bar” (Amazon Prime), the Olivia Coleman drama “The Lost Daughter” (on Netflix) and the heartwarming “June Again” (VOD/Digital).

Listen to the whole thing HERE!

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY JANUARY 7, 2022.

Richard joins CP24 to pay tribute to Sidney Poitier and have a look at new movies coming to VOD, streaming services and theatres including “The Tender Bar” (Amazon Prime), the Olivia Coleman drama “The Lost Daughter” (on Netflix) and the heartwarming “June Again” (VOD/Digital).

Watch the whole thing HERE!

RICHARD’S CTV NEWSCHANNEL REVIEWS FOR JAN. 7 WITH MARCIA MACMILLAN.

Richard joins CTV NewsChannel and anchor Marcia MacMillan to have a look at new movies coming to VOD, streaming services and theatres including the Ben Affleck coming-of-age story “The Tender Bar” (Amazon Prime), the Olivia Coleman drama “The Lost Daughter” (on Netflix) and the heartwarming “June Again” (VOD/Digital).

Watch the whole thing HERE!

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres, VOD and streaming services including the Ben Affleck coming-of-age story “The Tender Bar” (Amazon Prime), the Olivia Coleman drama “The Lost Daughter” (on Netflix) and the heartwarming “June Again” (VOD/Digital).

Listen to the whole thing HERE!

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY MARCH 19, 2021.

Richard joins CP24 to have a look at new movies coming to VOD, streaming services and theatres including the Oscar nominated “The Father” (in theatres), the kid friendly “Yes Day” (Netflix), the true life crime drama “Above Suspicion” (EST, VOD, DVD, Blu-ray) and the Danish feel-good flick “Food Club” (VOD/Digital).

Watch the whole thing HERE!

THE SHOWGRAM WITH JIM RICHARDS: Does Richard Crouse like these movies?

Richard joins NewsTalk 1010’s Jim Richards coast-to-coast-to-coast late night “Showgram” to play the game “Did Richard Crouse like these movies?” This week we talk about the Anthomny Hopkins tour-de-force “The Father” (in theatres), the kid friendly “Yes Day” (Netflix), the true life crime drama “Above Suspicion” (EST, VOD, DVD, Blu-ray).

Listen to the whole thing HERE!

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

Richard sits in on the CFRA Ottawa morning show with guest host Matt Harris to talk the new movies coming to theatres, VOD and streaming services including the Oscar nominated “The Father” (in theatres), the kid friendly “Yes Day” (Netflix), the true life crime drama “Above Suspicion” (EST, VOD, DVD, Blu-ray) and the Danish feel-good flick “Food Club” (VOD/Digital).

Listen to the whole thing HERE!

THE FATHER: 4 ½ STARS. “a sensitively made portrait of a failing mind.”

“The Father” is a family drama about taking care of a loved one with dementia that manipulates reality to tell the story from two very different points of view, the caretakers and the patient.

Anthony (Sir Anthony Hopkins) is an eighty-year-old former engineer with a luxurious London apartment filled with art and music. What’s missing is a carer, someone to make sure he eats, takes his pills and is comfortable as dementia makes his behavior increasingly unpredictable. By times charming, other times angry, confused and controlling and always convinced someone has stolen his prized wristwatch, he’s scared away a series of caretakers. “I don’t need anyone,” he bellows in denial. His daughter Anne (Olivia Colman) moved in to run the house, but she’s relocating to Paris and needs to find someone to look after her father.

That is the set-up. From here director Florian Zeller, who co-wrote the script with Christopher Hampton, artfully toggles between realities, Anne’s story and the way Anthony sees what’s happening in his beloved apartment. It is a disorienting technique that switches perspectives without warning, creating a knotty drama where nothing is as it seems in a carefully crafted depiction of dementia.

“The Father” is a sensitively made portrait of a failing mind anchored by a towering, emotional performance from Hopkins. The Oscar winner has made a career playing characters etched in ice; cool and collected. Here we see the vulnerable side, the lion in winter slowly losing himself to the vagaries of disease. It’s a tour de force of a performance that is often a difficult watch but his control of the character, particularly in the film’s final heartbreaking moments, as Anthony’s real and illusory lives intersect, is astonishing.

Coleman brings subtlety and warmth to the long-suffering Anne, but it’s Imogene Poots who makes the most of her small but wonderfully written scene. In the course of just a few minutes she falls prey to Anthony’s charm only to feel the bite of his poison tongue, navigating a range of emotions and reactions like a character on the run from an Edward Albee play.

The success of “The Father” isn’t the structurally complex storytelling but the performances that traverse the trickery of the telling to find the humanity of the situation.