Posts Tagged ‘Michael Gambon’


Richard joins CP24 to have a look at the weekend’s new movies including Renée Zellweger as Judy Garland in the biopic “Judy,” and the animated Yeti movie “Abominable” and the music doc “Linda Ronstadt: The Sound of My Voice.”

Watch the whole thing HERE!



Richard sits in on the CTV NewsChannel with news anchor Marcia MacMillan to have a look at the weekend’s big releases including Renée Zellweger’s tour de force, soon-to-be-Oscar-nominated portrayal of “The Wizard of Oz” star in the biopic “Judy,” the animated homesick Yeti movie “Abominable” and the music doc “Linda Ronstadt: The Sound of My Voice.”

Watch the whole thing HERE!



Richard has a look at the new movies coming to theatres, including Renée Zellweger as Judy Garland in the biopic “Judy,” and the animated Yeti movie “Abominable” and the music doc “Linda Ronstadt: The Sound of My Voice” with CFRA morning show host Bill Carroll.

Listen to the whole thing HERE!


A weekly feature from! The Crouse Review is a quick, hot take on the weekend’s biggest and most interesting movies! This week Richard looks at Renée Zellweger as Judy Garland in the biopic “Judy,” and the animated Yeti movie “Abominable” and the music doc “Linda Ronstadt: The Sound of My Voice.”

Watch the whole thing HERE!


Richard sits in on the CJAD Montreal morning show with host Andrew Carter to talk the new movies coming to theatres including Renée Zellweger’s soon-to-be-Oscar-nominated portrayal of Judy Garland in the biopic “Judy,” and the animated homesick Yeti movie “Abominable.”

Listen to the whole thing HERE!

JUDY: 4 STARS. “doesn’t shy away from darker aspects of Garland’s life.”

A powerhouse performer packed into a frail body and even frailer psyche Judy Garland left behind a legacy that is equal parts Hollywood history and cautionary tale. “Judy,” a new film directed by Rupert Goold, examines the declining days of “The Wizard Of Oz” star as she arrives in London to perform a series of concerts.

The year is 1968. Stateside Garland (Renée Zellweger) is at a low ebb. She lives in hotels she can’t afford, is fighting for custody of her children and playing in nightclubs for $150 a show, a fraction of her former superstar salary. She is an unemployable legend. “Unreliable and uninsurable,” she says. “And that’s what the ones who like me say.”

When she’s offered a five-week run at the ritzy Talk of The Town at the Palladium in London, England, she’s reticent. She doesn’t want to be separated from her kids for that long, but she’s broke. She decides to leave her children so that she can make enough money to return and put a roof over their head.

in London she is treated like royalty, packing the club night after night but her insecurities eat at her. “What if I can’t do it again,” she says after her wildly successful opening night. Drink, pills, self-doubt, on-stage meltdowns and a quickie marriage make for an eventful but uneven series of shows. In the press parlance of the time she is often “exhausted and emotional.”

Flashback to young Judy (Darci Shaw) on the MGM backlot set the stage for the tragedy that follows.

“Judy” often veers into sentimentality—the finale clumsily documents the moment when the singer finally got the kind of support she always needed from an audience—but doesn’t shy away from darker aspects of Garland’s life. Bringing the story to vivid life is Zellweger in a career best performance. She looks and sounds enough like Garland to be convincing, but this isn’t just mimicry. The actress digs deep, finding the humour and humanity in a person often regarded as a tragic figure. “I am Judy Garland for an hour a night,” she says. “I want what everybody else wants but I seem to have a harder time getting it.” Zellweger makes us understand how and why Garland spent a lifetime trying to please people who repaid her by always asking for more.

“Judy” is at its strongest when Zellweger is onscreen. Off stage she captures Garland’s complexity; on stage, in numbers like “I’ll Go My Way by Myself” or “The Trolley Song” she is a musical tour de force. The flashbacks, while nicely done, feel like information we already know and don’t add much to the overall movie. We learn just as much about Garland’s psychological unrest from Zellweger nuanced performance as we do from the broadly written flashbacks. This is, after all, a character study, not a history lesson.


Screen Shot 2015-01-16 at 2.04.04 PM“Canada AM” film critic Richard Crouse has a look at “American Sniper,” Paddington,” “Blackhat” and “The Wedding Ringer.”

Watch the whole thing HERE!

PADDINGTON: 4 STARS. “Funny & as eccentric as a talking bear movie should be.”

big-screenThere are eight million stories in the naked city, and the story of Paddington the cuddly, orphaned Peruvian bear is one of them.

Based on the much-loved children’s books by Michael Bond, “Paddington” begins in “darkest Peru” as jaunty English explorer Montgomery Clyde (Tim Downie) discovers Lucy and Pastuzo (voices of Imelda Staunton and Michael Gambon), a family of super intelligent, anglophile bears. Before heading back to old Blighty Clyde teaches them the Queen’s English, introduces them to marmalade, gifts them a floppy bright red hat and an invitation to stop by should they ever find themselves in London.

Cut to decades later. In the grand tradition of kid’s stories, an orphaned child (voice of Ben Whishaw)—in this case the marmalade-obsessed grandson of Lucy and Pastuzo—is forced to take a great journey to safety. The cub, armed only with a “worrying marmalade problem” and the distinctive red hat, lands at Paddington Station in London. Instead of the warm welcome he expected, he’s met with indifference.

“Keep your eyes down, there’s some sort of bear over there.”

After a long wait, Mr. and Mrs. Brown (“Downton Abbey’s” Hugh Bonneville and Sally Hawkins) and kids Judy and Jonathan (Madeleine Harris and Samuel Joslin) take pity on the polite little bear and bring him home, but only for one night. Of course, one night turns into a longer stay as the Browns learn to love the little bear, even though chaos follows his every step. Adding drama to the story is an ursophobic neighbor (“Doctor Who’s” Peter Capaldi) and a crazed taxidermist (Nicole Kidman).

Warm, funny and as eccentric as a movie about a talking bear should be, “Paddington” is great family entertainment. Director Paul King keeps up the pace—this is not a teddy bore!—but never allows the film to become frenetic. The action scenes are fun, yet gentle, amusing and inventive. Paddington’s unintentional takedown of a pickpocket is a wonderful, silly gag that captures and updates the spirit of the old “Paddington” books with an up-to-date look and feel for a new generation.

Laugh out loud funny—for kids and parents—“Paddington” also offers up a message of tolerance. “In London everyone is different,” says Paddington, “so everyone can fit in.” It’s a big idea, washed down with a giant melting-pot of marmalade, but also a timely one.