I appear on “CTV News at 11:30” with anchor Andria Case to talk about the best movies and television to watch this weekend, including the coming-of-age movie “My Old Ass” in theatres, the reboot of “Matlock” with Kathy Bates on Paramount+ and “The Tragically Hip: No Dress Rehearsal” on Amazon Prime.
On the Saturday September 28, 2024 episode of The Richard Crouse Show we get to know Mike Downie, director of “The Tragically Hip: No Dress Rehearsal,” the definitive four-part documentary series about the band who, as the programmers of TIFF noted earlier this year, “went on to make music that defined Canada to the world and, more importantly, Canada to Canadians.”
The four-hour Amazon Prime docuseries combines never-before-seen archival footage with new interviews with the band, family, friends, and famous fans including Will Arnett, Dan Aykroyd, Jay Baruchel and Geddy Lee, to create a joyful and moving look at The Tragically Hip, their music and the personal tragedies that defined the band.
It’s the story of a band of brothers, produced and directed by Mike Downie, brother of the band’s frontperson Gord Downie.
Then, we meet Maisy Stella and Megan Park, the star and director respectively of “My Old Ass,” a wonderful coming-of-age story about a free-spirited teen whose birthday mushroom trip brings her face-to-face with her 39-year-old self, played by Aubrey Plaza, who delivers some choice advice and words of warning that transform her relationships with her family and friends.
Finally, Divesh Subaskaran stops by. He’s the star of “Life of Pi” currently on stage at the CAA Ed Mirvish theatre in Toronto. Based on the best-selling novel, this story of adventure and discovery is an epic journey about a young man who survives a disaster at sea and forms an unexpected connection with another survivor: a fearsome Bengal tiger. We’ll find out what it is like to do this demanding show night after night and why his acting teacher at RADA—the Royal Academy of Dramatic Arts—told him he should behave like a rockstar.
Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Chris Pratt, Elvis Costello, Baz Luhrmann, Martin Freeman, David Cronenberg, Mayim Bialik, The Kids in the Hall and many more!
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I join CP24 to have a look at the animated “The Wild Robot,” Francis Ford Coppola’s “Megalopolis,” the drama “A Different Man” and the coming of age story “My Old Ass.”
SYNOPSIS: “My Old Ass,” a coming-of-age dramedy starring Maisy Stella and Aubrey Plaza, and now playing in theatres, asks a simple question: Would you like a sneak peak of your adult life complete with all the good, the bad and the ugly the future will offer? Maisy Stella plays Elliott, an eighteen-year-old whose future self guides her through the landmines of growing up and falling in love with one vital piece of advice, “Avoid anyone named Chad.”
CAST: Maisy Stella, Percy Hynes White, Maddie Ziegler, Kerrice Brooks, Aubrey Plaza. Written and directed by Megan Park.
REVIEW: Despite a title that suggests a 1990s teen comedy, “My Old Ass” is a surreal coming-of-age story that stays anchored to reality with natural, heartfelt performances and a great deal of humor. In her second feature film, writer/director Megan Park displays an empathetic hand as the movie morphs from a standard(ish) teen comedy opening to a heartfelt finale.
The appearance of 39 nine-year-old Elliott suggests “My Old Ass” will be a fantasy, a “Peggy Sue Got Married” style riff on growing up, but it stays earthbound as an examination of the first blushes of new love touched by melancholy.
The film’s heart is Stella, who, as young, optimistic Elliott wrestles with real life situations and feelings about her sexuality, her future and the notion of leaving her teen years in the rear-view mirror. Her charismatic presence gives “My Old Ass” a bittersweet but never sentimental edge that elevates its love story above and beyond a Nicolas Sparks style romance, or a teen comedy trope.
As older, world-weary Elliott, Plaza, who only appears in three scenes but whose presence informs the entire movie, uses her trademark snark like a sword, but here her sarcasm feels like the shield that protects her from the ups and downs of a complicated life. It’s great work, and while the two actors don’t resemble one another, they share an energy that binds the two halves of the character together.
“My Old Ass” is an entertaining, and often funny look at the importance of embracing life fully, in all its joy as well as its disappointments and agonies.