The world was shocked when Chadwick Boseman passed away in 2020 at the tender age of forty-four, just two years after finding superstardom as King T’Challa in “Black Panther.” His passing left the future of the “Black Panther” franchise in flux. Would it be possible to make a “Black Panther” movie without the Black Panther?
The second film in the series, “Black Panther: Wakanda Forever,” answers the question. The new film has all the action you expect from a blockbuster Marvel movie, but also acts as a eulogy of a sort to the late actor and his most famous character.
“Wakanda Forever” begins on a sombre note, acknowledging the passing of T’Challa. “Your brother is with the ancestors,” Queen Ramonda (Angela Bassett) tells daughter Shuri (Letitia Wright). After a grand funeral fit for a king, director Ryan Coogler moves the action forward by one year.
Queen Ramonda, still healing from the wound left by T’Challa’s passing, is forced to defend her kingdom from international poachers intent on stealing their most valuable resource, a rare metallic ore with energy-manipulating properties called Vibranium. “We mourn the loss of our king,” she informs the United Nations, “but don’t think for a moment that Wakanda has lost its ability to protect her resources.”
Meanwhile, the U.S. military discovers a cache of Vibranium, previously thought to only exist in Wakanda, at the bottom of the ocean. But before you can say “Wakanda Forever,” the expedition is attacked by sea people, led by Namor (Tenoch Huerta), “feathered serpent god” of an ancient race of teal-skinned underwater people who look like they could have been extras in James Cameron’s “Avatar.”
Namor’s kingdom of Talokan also has Vibranium, and now that Wakanda has made the ore’s awesome power public knowledge, his nation is under threat from people who want what they have. That puts Wakanda at odds with an enemy unlike any they’ve fought before, an army outfitted with Vibranium weapons.
With a 2-hour-and-41-minute runtime, “Black Panther: Wakanda Forever” takes on a lot. It’s a study in loss and grief mixed with big time Marvel action set pieces. In addition, Coogler and co-screenwriter Joe Robert Cole have woven an indictment of colonialism into both the history of Wakanda and the Mayan-influenced backstory of Talokan. It makes for rich subtext in the storytelling, even if the movie occasionally has a rough time balancing all its elements.
If those missteps can be forgiven, its simply because “Wakanda Forever” isn’t a typical Marvel film. It exists outside Marvel Cinematic Universe. That means there is no connection to the other Avengers films, and it is better for it. Instead of feeling as if it is a puzzle piece of a larger picture, it is its own thing, a movie able to walk a different path and get away from the increasingly rigid structures of the late period MCU movies. The mix of the intimate and epic is what makes this movie work, both as a tribute to Boseman and as blockbuster entertainment.
The ensemble cast is very strong, but it is Bassett who leaves a mark. As Queen and T’Challa’s mother, she is majestic and melancholy, a woman attempting to balance duty with grief. “I am Queen of the most powerful nation in the world,” she says in anguish, “and my entire family is gone. Have I not given everything?” It’s a powerful moment and a poignant exploration of the weight that comes with loss coupled with obligation.
“Black Panther: Wakanda Forever” has a few draggy moments, but its determination to be its own thing makes for compelling viewing.
On this week’s Richard Crouse Show Martin Freeman stops by. You know the Emmy, a BAFTA and Screen Actors Guild Award winning actor from playing Tim Canterbury in the original British series of “The Office.” He was Dr. John Watson in the British crime drama series “Sherlock” opposite Benedict Cumberbatch, Bilbo Baggins in “The Hobbit” film trilogy and will soon be seen in “Black Panther: Wakanda Forever,” reprising the role of Everett K. Ross. Today we’ll talk about his newest project, the critically acclaimed police series “The Responder,” now playing on Brit Box.
Then, we meet Emmy-award winning documentary filmmakers Dan Geller and Dayna Goldfine who have created a fascinating look at iconic Canadian singer and poet Leonard Cohen called “HALLELUJAH: Leonard Cohen, A Journey, A Song” that uses one of his most famous songs as a starting point. We’ll find out why one of Cohen’s most famous songs was rejected by his record company and more.
Later in the show we’ll meet Gregory Sestero, star of a new found footage film called “Infrared.” In the film he plays the creepy caretaker of an abandoned schoolhouse. If Greg’s name rings a bell, it’s likely because you’ve attended one of the midnight madness screenings of “The Room,” a movie so deliciously awful, it has become a cult favorite since its release in 2003. Gregory turned the experience of making the so-bad-it’s-a-hoot movie into a book, which eventually went on to become the Oscar nominated movie The Disaster Artist, starring James Franco and Seth Rogen. We talk about “Infrared” and whether or not, twenty years on, if “The Room” is an embarrassment or a source of pride.
Listen to the whole thing HERE! (Link coming soon)
Here’s some info on The Richard Crouse Show!
Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Chris Pratt, Elvis Costello, Baz Luhrmann, Martin Freeman, David Cronenberg, Mayim Bialik, The Kids in the Hall and many more!
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This week on the Richard Crouse Show we meet Elamin Abdelmahmoud. He is the host of CBC’s weekly pop culture podcast POP CHAT, co-host of CBC’s political podcast PARTY LINES, and a frequent culture commentator for CBC News. He’s a culture writer for BuzzFeed News, and now adds author to his list of cr4edits with the release of a memoir called “Son of Elsewhere: A Memoir in Pieces.” In this interview we discuss moving to Canada from Sudan at age twelve, in addition to wrestling, turn of the century metal bands and the influence of TV shows like “The O.C.”.
Then we’ll meet Martin Freeman. You know the Emmy, a BAFTA and Screen Actors Guild Award winning actor from playing Tim Canterbury in the original British series of “The Office.” He was Dr. John Watson in the British crime drama series “Sherlock” opposite Benedict Cumberbatch, Bilbo Baggins in “The Hobbit” film trilogy and will soon be seen in “Black Panther: Wakanda Forever,” reprising the role of Everett K. Ross. Today we’ll talk about his newest project, the critically acclaimed police series “The Responder,” now playing on Brit Box.
Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Ethan Hawke, director Brad Bird, comedian Gilbert Gottfried, Eric Roberts, Brian Henson, Jonathan Goldsmith a.k.a. “The most interesting man in the world,” and best selling author Linwood Barclay.
Listen to the show live here:
C-FAX 1070 in Victoria
SAT 5:00 PM to 6:00 PM
SUN 10:00 AM to 11:00 AM
CJAD in Montreal
SAT 8 PM to 9:00 PM
CFRA in Ottawa
SAT 8 PM to 9:00 PM
NEWSTALK 610 CKTB in St. Catharines
Sat 8:00 PM to 9:00 PM
NEWSTALK 1010 in Toronto
SAT 8 PM to 9:00 PM
NEWSTALK 1290 CJBK
SAT 8 PM to 9:00 PM
AM 1150 in Kelowna
SAT 11 PM to Midnight
BNN BLOOMBERG RADIO 1410
SAT 8 PM to 9:00 PM
Click HERE to catch up on shows you might have missed!
“Black Panther is on track to make $165 million this weekend, so we will be seeing more of that character, we’ll be seeing more of films that stretch the dimensions of what a big superhero movie can be,” said film critic Richard Crouse… Read the whole thing HERE!
For those who complain that the recent spate of superhero movies aren’t about anything other than bombast and reaching into your wallet, I give you Black Panther. Directed by Ryan Coogler and starring Chadwick Boseman in the title role, it’s a movie that delivers wham-bam action but serves it up with compelling sides of mythology and social awareness.
“Part of my frustration that led me to write,” says playwright of the Tony Award-winning play Eclipsed and Black Panther star Danai Gurira, “was that I didn’t see stories that allowed truths to be told about the continent and about our potential and our power and our dimensionality and our perspective and our personality and our languages. What was really exciting to me was to see all of that embodied in what Wakanda and the Black Panther narrative bring with the African perspective. It is completely unprecedented.”
The film starts with a quick origin story, detailing the introduction of vibranium to the small (fictional) African nation of Wakanda. This mysterious metal is a wonder. Near indestructible, it can absorb kinetic energy and has imbued a Wakandan flower called the Heart-Shaped Herb with a supercharge that gives superpowers when ingested.
Cut to modern day. After his father’s death T’Challa (Boseman) is crowned king but just as he is ordained a rare Wakandan artifact made of vibranium is lifted from a London museum by two very bad men, Ulysses Klaue (Andy Serkis) and Erik “Killmonger” Stevens (Michael B. Jordan).
To retrieve the precious metal, T’Challa, a.k.a. Black Panther, along with spy Nakia (Lupita Nyong’o) and warrior Okoye (Gurira), travel to Korea where the artefact is about to be sold to CIA agent Everett K. Ross (Martin Freeman).
A wild battle leads to a power struggle that may not only compromise the throne of Wakanda but also threaten the safety of the world.
“I loved the idea of being able to enact a nation that was never colonized,” says Gurira, who also plays the katana-wielding Michonne on The Walking Dead. “I grew up in post-colonial Africa. There is a lot of work that goes into reclaiming who you are, how you define your place in the world and what your power potential truly is when you have been colonized.
“One thing that colonized people don’t have is that part of their history that tells them who they would have been had they never been colonized. The beauty of Wakanda is that is shows us something. It’s a celebration. So many things are pulled from actual stories and narratives. The costumes, the language are actually African. It is a celebration of a place that often gets distorted or misrepresented or presented as something deficient, which we all know, Africa is so not.”
Black Panther takes place in a couple of time frames (NO SPOILERS HERE!) but at its heart it is a timely story about social responsibility — a wealthy nation state must confront its role in the world — that pulsates with smart commentary about race and revolution. It takes a well-known comic book character, the first Black standalone superhero in the Marvel Universe, and delivers a movie ripe with subtext. Black Panther is not only capable of fighting the bad guys but is also a vessel for the film’s study of legacy and identity.
For those who complain that the recent spate of superhero movies aren’t about anything other than bombast and reaching into your wallet, I give you “Black Panther.” Directed by Ryan Coogler and starring Chadwick Boseman in the title role, it’s a movie that delivers wham-bam action but serves it up with compelling sides of mythology and social awareness.
The film starts with a quick origin story, detailing the introduction of vibranium to the small (fictional) African nation of Wakanda. This mysterious metal is a wonder. Near indestructible, it can absorb kinetic energy and has imbued a Wakandan flower called the Heart-Shaped Herb with a supercharge that gives superpowers when ingested.
Cut to modern day. After his father’s death T’Challa (Boseman) is crowned King but just as he is ordained a rare Wakandan artefact made of vibranium is lifted from a London museum by two very bad men, Ulysses Klaue (Andy Serkis) and Erik “Killmonger” Stevens (Michael B. Jordan).
To retrieve the precious metal T’Challa, a.k.a. Black Panther, along with spy Nakia (Lupita Nyong’o) and warrior Okoye (Danai Gurira), travel to Korea where the artefact is about to be sold to CIA agent Everett K. Ross (Martin Freeman).
A wild battle ensues to a power struggle that may not only compromise the throne of Wakanda but also threaten the safety of the world.
“Black Panther” takes place in a couple of time frames—NO SPOILERS HERE!—but at its heart it is a timely story about social responsibility—a wealthy nation state confronting its role in the world—that pulsates with smart commentary about race and revolution.
“The world is going to start over,” Killmonger declares, “and this time we are on top!” It’s the kind of thing movie bad guys have been saying for years but this time around the villain is so multi-layered and interesting it packs an extra punch. Jordan isn’t just evil—although he is pretty bad; covered in scars for every person he’s ever killed—he’s a villain with a purpose. His motivations are personal—AGAIN: NO SPOILERS HERE!—but when he suggests arming the, “two billion people who look like me all over the world,” with vibranium he’s not just speaking as a revolutionary but as someone hungry for representation and recognition. It’s a powerful message and Jordan brings it home in a performance that is both intense and very emotional.
Letitia Wright plays T’Challa’s sixteen-year old sister Shuri and steals most every scene she appears in. Imagine James Bond’s Q with a snappier wit and more brains than Tony Stark. She has some of the movie’s best lines and is destined to become a featured player in future instalments.
Boseman has made a career of playing iconic characters on screen. As sports legend Jackie Robinson in “42” or James Brown, the Godfather of Soul, in “Get on Up,” or Thurgood Marshall, the first African-American Supreme Court Justice in “Marshall,”: he has breathed new life into characters we thought we already knew. Here he takes a well-known comic book character, the first black standalone superhero in the Marvel Universe, and delivers a performance ripe with subtext. His Black Panther is not only capable of fighting the bad guys but is also a vessel for the film’s study of the importance of legacy and identity.
“Black Panther” pushes the Marvel Universe past the typical Avengers style bombast fests like “Age of Ultron.” This is a breath of fresh air, a warm breeze along the lines of “Ant-Man” or “Doctor Strange,” films that transcend the superhero genre, pushing the form into new, unexplored territory. It may be a tad too long and slightly uneven in it’s first hour but with its strong female characters—who work together rather than as opponents—an Afrocentric story and social commentary it feels like the perfect movie for right now.
“To be a good journalist you have to be a bit of a chameleon,” says Kim Barker. “You have to be accepting of different cultures, different languages and different situations. I have always been the kind of person who feels like they can go into any situation and fit in.”
In real life, Barker is a journalist who worked at the Chicago Tribune as a reporter and volunteered to become a foreign correspondent in Afghanistan and Pakistan. In reel life, she’s played by Tina Fey in Whiskey Tango Foxtrot as an expatriate television journalist addicted to the rush of living and working in a war zone.
Whiskey Foxtrot Tango plays like Animal House with warlords, or maybe Fear and Loathing in Afghanistan, but Barker describes the reality of her time there in more poetic terms.
“In Afghanistan everything looks like a picture,” says Barker. “Everything is so beautiful. The people are beautiful. The landscape is beautiful. You are surrounded by mountains when you’re in Kabul. (The people) are very friendly, very direct with very good sense of humour. Also Afghanistan has men with long beards and pick up trucks and guns who hate the government. That is familiar to me. I grew up in Montana.”
At the beginning of her time abroad Barker was a fish out of water but soon learned to culturally adapt and love the country.
“I remember on my second trip there meeting a guy who asked if I wanted to go fishing with him. I grew up fishing but fishing in Afghanistan is a little bit different because it usually involved throwing a grenade into the lake and stunning the fish or blowing them out of the water or using generator wires to electrocute them. That just doesn’t seem very sporting to me.”
Barker’s book, The Taliban Shuffle came to Tina Fey shortly after a New York Times review mentioned Barker’s similarity to the comedic actress.
“Tina Fey saw it,” Barker says. “I think her people probably showed it to her or my people. I don’t really have people but my agent sent it over to her people. She read the book and within two weeks of that review coming out she pushed Paramount and Lorne Michaels (who produced the movie) to option the book and make it into a movie.
“(People) said, ‘Who’s going to play you?’ I said, ‘A smart funny woman in Hollywood,’ and everybody was like, ‘Tina Fey?’ It was everybody’s first answer.”
Barker describes having her life turned into a film as surreal.
“It’s hard to even think about,” she says, “people seeing this in a theatre. They are going to equate me with Kim Barker even though (that) Kim Barker is a version of me. It’s fictionalized.”
She says the film screenwriter Robert Carlock told her early on that they would have to “Hollywood this up.” Changes to the basic story were made, and when they sent her a final copy of the script in 2014 she couldn’t bring herself to read it. Finally her best friend read the script “to make sure it is not going to embarrass you.”
“She read it and said, ‘It’s fine. It’s good. It’s really good. You’re probably not going to like parts of it because it makes you seem more heroic than you think of yourself.’ She was absolutely right. I’m not that brave.”
