I join CP24 to talk about the big movies hitting theatres and streaming this week including the sweet body-swap movie “Freakier Friday,” the horrifying and hilarious “Weapons,” the family dramedy “Shook” and the action comedy “The Pickup.”
Watch the whole thing HERE!
Deb Hutton is off, so I sit in with host Jim Richards on NewsTalk 1010 to go over some of the week’s biggest entertainment stories and let you know what’s happening in theatres. We talk about Dean Cain, former Superman, becoming an ICE agent, james Cameron’s thoughts on AI could make “The Terminator” feel like a true story, the Criterion Cabinet coming to Toronto and a “Freakier Friday” review!
Listen to the whole thing HERE!
I joined CTV NewsChannel anchor Roger Peterson to have a look at new movies coming to theatres, including the sweet body-swap movie “Freakier Friday,” the horrifying and hilarious “Weapons,” the family dramedy “Shook” and the action comedy “The Pickup.”
Watch the whole thing HERE!
I sit in on the CFRA Ottawa morning show with guest host Andrew Pinsent to talk about the new movies coming to theatres including the sweet body-swap movie “Freakier Friday,” the horrifying and hilarious “Weapons,” the family dramedy “Shook” and the action comedy “The Pickup.”
Listen to the whole thing HERE!
Fast reviews for busy people! Watch as I review three movies in less time than it takes to make the bed! Have a look as I race against the clock to tell you about the sweet body-swap movie “Freakier Friday,” the horrifying and hilarious “Weapons” and the family dramedy “Shook.”
Watch the whole thing HERE!
SYNOPSIS: In the popular 2003 fantasy comedy “Freaky Friday” Jamie Lee Curtis and Lindsay Lohan played Tess and Anna, a mother daughter combo who switched identities. “Mom,” said Anna in Tess’s body, “you have to let me live my own life!” Twenty-two years later they’re back at it in the sequel, “Freakier Friday.” This time around they double the body swap chaos as Tess and Anna switch identities with their step granddaughter and teenage daughter respectively.
CAST: Jamie Lee Curtis, Lindsay Lohan, Julia Butters, Sophia Hammons, Manny Jacinto, Mark Harmon. Directed by Nisha Ganatra.
REVIEW: More sweet and nostalgic than funny, “Freakier Friday” milks the body-swapping premise for a few laughs, mostly courtesy of Jamie Lee Curtis and Lindsay Lohan who are clearly having a blast revisiting this material. There are a handful of big laughs, but Canadian director Nisha Ganatra is more interested in plucking your heartstrings than tickling your funny bone.
The gimmick that fueled the 2003 film is in place, but since this is a direct sequel, it’s been amplified. Just as “Jurassic World” upped the ante with the genetically engineered super-dinosaur Indominus Rex, and “Age of Ultron” introduced the massive, titular CGI villain, “Freakier Friday” increases the story’s scale by doubling up on the body switching—Tess Coleman (Curtis) switches bodies with her soon-to-be stepdaughter, Lily (Sophia Hammons), and Anna Coleman (Lohan) switches bodies with her daughter, Harper (Julia Butters). But like a stick of Spearmint gum—double the flavor and double the fun—instead of diluting the emotional stakes, as is so often the case when sequels get bigger and louder, the extended swapping amplifies the film’s message of learning about others by walking a mile in their Manolos.
It’s a blended-family journey of discovery, of getting a deeper understanding of one another, crammed into a story fed by a hodge-podge of misunderstandings and slapstick. Curtis is the MVP, embracing her inner teen, deftly playing a pouty Lily for much of the film’s running time. “I’m bloody decomposing,” she shrieks, as teenager Lily sees herself as Tess for the first time.
Lohan is more restrained. Her moments of physical comedy are overshadowed by Curtis’s uninhibited work, but she conjures up a misty sentimental feel in the film’s more heartfelt scenes.
The intergenerational jabs provide most of the humor. “I bent down and didn’t toot,” says an amazed Tess from her young body. Add to that some updated Pickleball and crypto gags, and you have an amiable family comedy that, while predictable, occasionally confusing and definitely overlong at 1 hour and 51 minutes, preserves enough of the original movie’s fairy tale charm to sell its story of fantasy and unconditional love.
By Richard Crouse – Metro Canada In Focus
The Spider-Man movies don’t skimp on the stuff that puts the “super” into superhero movies. There’s web-slinging shenanigans and wild bad guys galore, but The Amazing Spider-Man 2 director Marc Webb calls the relationship between Spidey and girlfriend Gwen Stacy, “the engine of the movie.”
The chemistry the real-life couple brings to the screen is undeniable, but it almost didn’t get a chance to blossom. Before Emma Stone landed the role of the brainiac love interest, Mia Wasikowska, Imogen Poots, Emma Roberts and even Lindsay Lohan were considered.
Stone won some of the best reviews of her career playing Gwen in The Amazing Spider-Man — Peter Travers said she, “just jumps to life on screen” — in a role that gave her the biggest hit of her career to date.
Smaller roles in Superbad and Zombieland hinted at her ability to be funny and hold the screen, but in 2010’s Easy A she turned a corner into full-on Lucille Ball mode, mixing pratfalls with wit while pulling faces and cracking jokes. Smart and funny, she’s the film’s centrepiece.
The movie begins with the voice over, “The rumours of my promiscuity have been greatly exaggerated.” It’s the voice of Olive (Stone), a clean-cut high school senior who tells a little white lie about losing her virginity. As soon as the gossip mill gets a hold of the info, however, her life takes a parallel course to the heroine of the book she is studying in English class — The Scarlet Letter.
Stone is laugh-out-loud funny in Easy A, but her breakout film was a serious drama.
In The Help, she plays Jackson, Miss. native “Skeeter” Phelan who comes home from four years at school to discover the woman who raised her, a maid named Constantine (Cicely Tyson), is no longer employed by her family. Her mother says she quit, but Skeeter has doubts. With the help of a courageous group of housekeepers she tells the real story of the life of the maids, writing a book called The Help.
The Flick Filosopher called her performance, “on fire with indignation and rage,” and she moved from The Help to a variety of roles, including playing a femme fatale in Gangster Squad opposite Ryan Gosling and Josh Brolin, and lending her trademark raspy voice to cave girl Eep in the animated hit The Croods.
The 25-year-old actress is living her childhood dream of being an actress but says if performing hadn’t worked out, she would have been a journalist, “because (investigating people’s lives is) pretty much what an actor does.
“And imagine getting to interview people like me,” she laughs. ‘’It can’t get much better than that.”
In the new dramedy from director Garry Marshall, Lindsay Lohan plays Rachel, a young foul-mouthed booze-hound with a rebellious streak. In other words, if you believe TMZ.com and the other gossip rags, it’s art imitating life.
Instead of shipping her off to a teen boot camp her mother (Felicity Huffman) does something much worse. She arranges for Rachel to stay with her grandmother (Jane Fonda) in the hopes that some good old fashioned common sense will do the girl some good. Grandma Georgia is a bit of a tyrant, a woman who lives by a very strict moral code, propped up with more rules than Carter has little liver pills.
At first Rachel doesn’t seem cut out for small town life. She seduces a local Mormon boy, is rude to everyone and dresses as though she’s about to go clubbing on the Sunset Strip, not to a potluck supper at the local church. When a dark secret is revealed about her past, we begin to understand why she is such a handful, but it could have serious repercussions for everyone in her life.
The trailer for Georgia Rule makes it look like a heart-warming comedy, but that’s a bit misleading. There are some laughs, but the dark subject matter, including alcoholism, nymphomania and child molestation, keep the tone of the movie on the heavy-duty side. Marshall has been down this road before, he did, after all make a feel-good movie about prostitution called Pretty Woman, but here his instincts let him down. The characters are all too shrill to bond with an audience; the cross generational relationships are way too two dimensional; the supporting characters are little more than plot devices to move the story from point “a” to point “b” and the all-is-well-that-ends-well final act rings false.
His best move was the casting of Lohan in the Lolita role. She plays off her tabloid image nicely, although overall her Rachel is a little one-note. To be fair, it’s not really her fault. The script gives her little to do other than play that old chestnut, the spoiled brat who is actually wise and wonderful underneath the heavy veil of her snotty attitude.
Huffman brings more to her role as a desperate mother, daughter and wife, trying to sort out the mess she’s made of her life, while at the same time trying to salvage what’s left of her shredded relationships with Rachel and Georgia. Fonda fares better as the cantankerous moral center of the film. In some scenes she seems to be channeling her father’s famous “old coot” role in On Golden Pond.
Ultimately though, Georgia Rule is Lohan’s movie, and while it doesn’t shed much light on the character in the film, it may offer a glimpse of what it’s like hang out with Lohan on a Saturday night.
Anyone over the age of thirty will remember the Herbie: The Love Bug movies—there were five of them, plus a 1997 TV movie—about a spunky little car with a mind of its own. Fully Loaded is an attempt to rev up the engine of this franchise and run it around the track at least one more time.
This Lindsay Lohan vehicle—pardon the pun, but there are more to come—sees her playing Maggie Peyton, the only girl in a family of NASCAR drivers. As a graduation gift her father (Michael Keaton) buys her an emotive Volkswagen Beetle named Herbie from a local junkshop. Luckily Herbie is a positive influence in Maggie’s life—this is the opposite of that other car-come-to-life movie John Carpenter’s Christine—and Lohan and Herbie bond—is it an auto-erotic relationship?—while she rekindles her love of racing after a near-fatal accident forced her father to ban her from the track. Before you can say Dude, Where’s My Car? she finds herself going wheel to wheel with NASCAR champ Trip Murphy (Matt Dillon).
Herbie: Fully Loaded is a simple, but likeable underdog story of two unlikely racers—there aren’t many female NASCAR racers and a Volkswagen on the track is the kind of thing that could only happen in the movies—that, while predictable, is a long way from the junkyard.
