Posts Tagged ‘Kate Winslet’

YOU TUBE: THREE MOVIES/THIRTY SECONDS! FAST REVIEWS FOR BUSY PEOPLE!

Watch as I review three movies in less time than it takes to unload the dishwasher! Have a look as I race against the clock to tell you about the eye-popping “Avatar: The Way of Water,” the self-reflective “Bardo, False Chronicle of a Handful of Truths” and the dark comedy “I’m Totally Fine.”

Watch the whole thing HERE!

AVATAR: THE WAY OF WATER: 4 STARS. “James Cameron shoots for the moon.”

“Avatar: The Way of Water” harkens back to a time when Hollywood bigshots thought, “If a picture is worth a thousand words, a 3D picture is worth a million words.” The original film, 2009’s “Avatar” was director James Cameron’s grand experiment in the audience’s tolerance for 2 hours 42 minutes of images popping off the screen.

Thirteen years ago, the million words theory worked. “Avatar” was a massive hit, grossing almost 3 billion dollars worldwide, as rumors of a series of sequels hung in the air. Delay after delay kept the blue people off screens for so long, four presidents came and went while Cameron tinkered with the story and the technology to bring his vision to life.

The tinkering is finally over. Cameron returns to theatres with the first of four planned sequels, “Avatar: The Way of Water,” an epic 3D sequel that mixes astonishing visuals with eye-rolling teenagers, a character with the b-movie name Z-Dog and a 3 hour and 12-minute tale of colonialism.

Set on Pandora, an Earth-like habitable extrasolar moon from the Alpha Centauri System populated by the Na’vi, the 9 to 10 feet tall Indigenous peoples, the movie picks up the action more than a decade after the events of the first film. Former Marine Jake Sully (Sam Worthington), who left his human body behind to permanently become Na’vi, lives on the peaceful planet with wife Neytiri (Zoe Saldaña) and children.

Their idyll is interrupted with the return of the Sky People, humans who want to“pacify the hostiles” and takeover Pandora.

“Earth is dying,” says General Frances Ardmore (Edie Falco). “Pandora is the new frontier.”

Despite having been killed off in the original, the Pandora-bound team is led by the ruthless Colonel Miles Quaritch (Stephen Lang), a genetically engineered “recombinant” or avatar version of the late Marine, implanted with his mind and emotions. “We have been brought back in the form of our enemy,” he says of he and his team. He plans on taking Pandora at any cost, and getting revenge on Sully, who he sees as a traitor.

Forced into hiding with Tonowari (Cliff Curtis), Ronal (Kate Winslet) and the reef people clan of Metkayina, Sully and his family learn the way of water—”no beginning and no end”—and fight to defend their world.

So, the big question is: Was “Avatar: The Way of Water” worth the wait?

As a technical achievement, yes, unquestionably. The visuals are stunning, particularly in the underwater scenes. Cameron’s camera has a nimbleness often missing in 3D films, which often feel locked-down. His fluid camera roams, on land and sea, capturing some of the most eye-popping, breathtaking scenes of this, or any other, season. Each and every frame is carefully considered, and most could be cut out, framed and hung on the wall to great effect.

The visuals facilitate Cameron’s world building, providing tantalizing views of the forest land of Pandora and the wet ‘n wild world of Metkayina, complete with giant whale-like creatures that could have sprung from the imagination of Ray Harryhausen, and lush, colorful flora and fauna.

It does not look like any other 3D film—even the original “Avatar”—and will engage the eye and stimulate the brain.

Unfortunately, the same cannot be said about the story, which is as simple as the images are complex. Essentially, Cameron continues the colonialization themes of the first film, while adding in mysticism, traditional medicine, poachers and even a nod to Jonah and the Whale.

Most of all, it is a story of family, of parents and children. Apparently, Pandorian kids behave sort of like Earth teens, eye rolls, attitude and all. The family relationships add an intimate element to the epic story, but the visuals often get in the way of the storytelling.

Long action sequences, like a spectacular sea creature attack, take away from the movie’s main thrust, pushing the running time upwards, but not advancing the story. Perhaps they are scheduled in to accommodate bathroom breaks. Whatever the reason, they showcase Cameron’s mastery of the form but often feel spectacular simply for the sake of spectacle.

Loud and proud, “Avatar: The Way of Water” can be, by times, overwhelming, but it’s also the kind of grand scale movie that demands to be seen on the biggest, most immersive screen possible. Cameron shoots for the moon, but goes even further, to a place called Pandora.

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY NOVEMBER 27, 2020.

Richard and CP24 anchor Jamie Gutfreund have a look at the animated comedy “The Croods: A New Age” (theatrical), the David Bowie biopic “Stardust” (In theatres and digital and on-demand platforms), a pair of docs, “Belushi” (Crave) and “Zappa” (Apple TV app and everywhere you rent movies), the new one from Mel Gibson “Fatman” (VOD) and a remake of “Black Beauty” (Disney+).

Watch the whole thing HERE!

RICHARD’S CTV NEWSCHANNEL WEEKEND MOVIE REVIEWS FOR NOVEMBER 27!

Richard sits in on the CTV NewsChannel with host Marcia MacMillan to have a look at the new movies coming to VOD, streaming services and theatres including the animated comedy “The Croods: A New Age” (theatrical), the David Bowie biopic “Stardust” (In theatres and digital and on-demand platforms), the new one from Mel Gibson “Fatman” (VOD) and a remake of “Black Beauty” (Disney+).

Watch the whole thing HERE!

CP24: WHAT MOVIES AND TV SHOWS TO WATCH TO THIS WEEKEND!

Richard and “CP24 Breakfast” host Pooja Handa have a look at some special streaming opportunities and television shows to watch over the weekend including the CBC Gem documentary “Fear of Dancing,” the HBO thriller “The Flight Attendant,” Disney+’s remake of “Black Beauty” and “Belushi,” the in-depth look at the life and times of comedian John Belushi.

Watch the whole thing HERE!

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres, VOD and streaming services including the animated comedy “The Croods: A New Age” (theatrical), the David Bowie biopic “Stardust” (In theatres and digital and on-demand platforms), a pair of docs, “Belushi” (Crave) and “Zappa” (Apple TV app and everywhere you rent movies), the new one from Mel Gibson “Fatman” (VOD) and a remake of “Black Beauty” (Disney+).

Listen to the whole thing HERE!

BLACK BEAUTY: 3 STARS. “family-friendly take on a girl and a horse story.”

Anna Sewell’s timeless classic “Black Beauty,” now streaming on Disney+, is given an update in a gentle, family-friendly take on a girl and a horse who “share the same Mustang spirit.”

The titular character is a wild horse, born to roam free until she is rounded up, taken from her family and sent to Birtwick Stables where she is to be trained and sold off to the highest bidder. Meanwhile, Jo Green (Mackenzie Foy of “Twilight” and “The Conjuring”) has lost her immediate family and is sent to live with her horse trainer Uncle John (Iain Glen). Feeling lost, she’s unhappy and unfamiliar with life at the stables. Soon though, a bond forms between her and the Mustang named Black Beauty. Somehow, they see themselves reflected in one another. “You’ve gotten closer to that filly in days than I have in weeks,” says Uncle John. “They say a horse picks you.”

Later, when it’s time for Black Beauty to move along top a new owner, Jo protests. “If I fought for every horse I ever loved,” Uncle John says, “I’d have a hundred of them.”

“I don’t want a hundred horses,” Foy responds. “I just want one.”

And so it goes, the connection between a girl and her horse remains unbroken, despite the ups and downs in both their lives.

This version of “Black Beauty” features a first, two female leads, Foy and Kate Winslet. The Oscar winning Winslet supplies the voice of Black Beauty in narration, in calm, measured tones that suggest she’s reading the inside of a schmaltzy Hallmark greeting card. “A true mustang never gives up on hope and love,” she whinnies.

It has also dialed back much of the rough stuff—there’s no enforced labor pulling London cabs for instance—that younger viewers may have found distressing in the original story but there are still some emotional scenes that will pull at the heartstrings of young and old.

“Black Beauty” errs on the side of sentimentality, favoring uplift over real edge, but while the smoothed down version has changed some of the details of Sewell’s story but the underlying messages of loyalty and kindness to animals remain the same.

CTV NEWS AT 11:30: MORE MOVIES AND TV SHOWS TO STREAM THIS WEEKEND!

Richard speaks to “CTV News at 11:30” anchor Andria Case about movies on VOD and in theatres to watch this weekend including the childhood fantasy “Come Away,” the romance of “Ammonite” and “Freaky,” a body switch slasher flick starring Vince Vaughn.

Watch the whole thing HERE! (Starts at 24:08)

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY OCTOBER 30, 2020.

Richard and CP24 anchor Courtney Heels have a look at “Ammonite” (in theaters 11/13, premium on demand 12/4), the horror comedy mash-up of “Freaky” (in theatres), the kid’s movie for adults “Come Away” (EST) and the serious slacker comedy “Saint Frances.”

Watch the whole thing HERE!