Set on the Italian Riviera, “Luca,” the new film from animation giants Pixar and now streaming on Disney+, is a fantasy story about sea monsters with a beating, human heart.
Jacob Tremblay is 13-year-old Luca Paguro, a shy sea monster with a typical teenager’s curiosity. When he discovers items that have floated down from the surface he wonders what the world outside the sea has to offer. Despite the stories his parents, Daniela (Maya Rudolph) and Lorenzo (Jim Gaffigan), have told him of fisherman and the horrors of dry land, his free-spirited best friend Alberto Scorfano (Jack Dylan Grazer) has been above the water line and convinces the shy Luca to check out the terra firma,
On land, Luca and Alberto, who look like a cross between the Creature from the Black Lagoon and Sigmund Ooze of 1970s Saturday morning television fame, transform from underwater creatures to human form. Blending in, they explore the seaside town of Portorosso, discovering the pleasures of pasta, gelato and most of all, the Vespa. The town bully Ercole Visconti (Saverio Raimondo) sets his sights on them but a young girl, Giulia Marcovaldo (Emma Berman) befriends them and has an idea that may help them get their very own Vespa.
“Luca” is a fanciful coming of age story. The very specific story of sea monsters who aspire for more in their lives, has universal messages about find commonalities not differences, anti-bullying and never giving up. The morals are a bit on the nose—”Some people will never accept him, and never will, but he seems to be able to find the good ones.”—but they are kept afloat with imaginative animation and a simple story that zips along.
At its cold-blooded little heart though, “Luca” is about friendship. The kind of bond that happens between kids who are just figuring out the world and its possibilities. Director Enrico Casarosa, who directed Pixar’s 2011 Oscar nominated short “La Luna,” aided by fun voice work from Tremblay and Grazer, captures the youthful exuberance needed to make the story work.
“Luca” doesn’t have the emotional resonance of classic era Pixar—think “Up,” “WALL-E” and “Ratatouille”—but what it lacks in gut punch sentiment, it makes up for in imagination, action and the good-natured look at finding a place to belong, above and below sea level.
This week on the Richard Crouse Show Podcast we meet Deanna Marigliese, the Canadian character art director for Pixar Animation Studios. Today we’ll talk about “Luca,” a movie many families will enjoy together this weekend on Disney+.
Then, comedian, host of CBC Radio’s The Debaters he’s a Dad to Scarlett and Norah, Steve Patterson joins us to talk about his first book, “Dad Up!” It’s getting great reviews… Denise Donlan said it should come with ‘READ BEFORE PARENTING’ sticker and Brent Butt, creator of Corner Gas, called it a touching and very funny read.
Finally, Dan Robson is the author of numerous books about sports, like biographies of former Toronto Maple Leafs coach Pat Quinn and legendary player Johnny Bower but has now turned the focus on his own life, specifically his relationship with his late father Rick. “Measuring Up: A Memoir Of Fathers And Sons” is a tender memoir of fathers and sons, love and loss, and learning to fill boots a size too big.
Listen to the whole thing HERE! (Link coming soon!)
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Richard joins CP24 to have a look at the weekend’s new movies including the “kids say the darndest things” flick “Good Boys,” the mystery-comedy “Where’d You Go, Bernadette” and the crowd-pleasing ode to Bruce Springsteen “Blinded by the Light.”
Richard sits in on the CTV NewsChannel with news anchor Marcia MacMillan to have a look at the weekend’s big releases including the raunchy coming-of-age flick “Good Boys,” the mystery-comedy “Where’d You Go, Bernadette,” the crowd-pleasing ode to Bruce Springsteen “Blinded by the Light” and the claustrophobic mining disaster movie “Mine 9.”
A weekly feature from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest and most interesting movies! This week Richard looks at the “kids say the darndest things” flick “Good Boys,” the mystery-comedy “Where’d You Go, Bernadette” and the crowd-pleasing ode to Bruce Springsteen “Blinded by the Light.”
Richard has a look at the new movies coming to theatres, including the raunchy coming-of-age flick “Good Boys,” the mystery-comedy “Where’d You Go, Bernadette,” the crowd-pleasing ode to Bruce Springsteen “Blinded by the Light” and the claustrophobic mining disaster movie “Mine 9” with CFRA morning show guest host Matt Harris.
Raunchy yet innocent. Naïve but course. Whichever you want to say it “Good Boys” is a “Superbad” riff on one of life’s rites of passage. Starring Jacob Tremblay, Keith L. Williams and Brady Noon, none of whom are old enough to buy a ticket to see their own movie, it’s an R-rated but sweet film that has more going for it than the novelty of foul-mouthed preteens.
It all begins with a kiss. Or at last the promise of a kiss. Sixth-grader Max (Tremblay) has been invited to his first kissing party, where he has plan to plant one on his crush Brixlee (Millie Davis). “Tonight is our first middle school party. There’s going to be girls there. You know what that means?”
Trouble is, he’s never actually spoken to her or kissed a girl. His pals Lucas (Williams) and Thor (Noon), the Beanbag Boys, can’t offer any practical advice in that regard but are game to help their friend get some smooching experience. “We need to see real people kissing. That’s the only way we’ll learn what we’re doing!”
Googling porn doesn’t illuminate anything. “They didn’t even kiss!” “Not on the mouth, anyway!” They use Max’s dad’s (Will Forte) drone to try and spy on the girls next door (Midori Frances and Molly Gordon) but they catch on before the boys learn anything useful. Desperate for information the hormonal hombres hit the road—literally, dodging traffic on a bustling six lane highway—that sees them encounter a sex doll they assume is a CPR practice dummy, vitamins that are actually MDMD and a frat house filled with bros. “You let us run around with drugs, fight with frat guys, and lock a cop in a convenient store with what I now suspect is a d*ldo,” Lucas says to Max.
“Good Boys” is best summed up by its rough ‘n ready Red Band trailer. The kids swear, a lot—Art Linklater would be shocked by the potty mouths on these darned kids—and find themselves in adult situations that often veer over into slapstick, and yet, there’s a real sweetness to the proceedings. They are at that very specific time in life between childhood and adolescence, just on the cusp of not wanting to put away childish things but speeding toward a hormonal future they don’t quite yet understand. That leads to very funny misunderstandings and an escalating series of events.
At its raunchy little heart, however, “Good Boys” is about growing up and growing apart. The Beanbag Boys may think they’ll be friends forever, but as the girls next door explain, they’re probably really only friends because they live close together, have parents who are friends and are in the same class. It’s a bittersweet realization in a movie that succeeds because of the chemistry between the three leads.
I have a few people to thank today! Firstly, Sunday night I hosted the Facebook Fishbowl Lounge at the Canadian Screen Awards red carpet. Really fun. Thanks to Marc Dinsdale for shooting and posting everything we did and thanks to everyone who stopped bvy the booth to answer questions from my Facebook Random Question Generator. It was a fun way to get things started last night.
Then I moved on to host the Press Room. We had great guests down there and I’d like to offer thanks to everyone who asked questions.
Set on the Italian Riviera, “Luca,” the new film from animation giants Pixar and now streaming on Disney+, is a fantasy story about sea monsters with a beating, human heart.
