Posts Tagged ‘Hungry Hearts’


Screen Shot 2015-06-05 at 2.35.00 PMRichard’s CP24 reviews for “Spy,” “Entourage,” “Hungry Hearts” and “Insidious: Chapter 3.”

Watch the whole thing HERE!


Screen Shot 2015-06-05 at 2.38.03 PMRichard’s “Canada AM” reviews for “Spy,” “Entourage” and “Hungry Hearts.”

Watch the whole thing HERE!


HUNGRY HEARTS: 3 ½ STARS. “don’t marry a person you meet in a public washroom.”

Screen Shot 2015-06-02 at 3.43.16 PMPerhaps the overriding lesson learned from “Hungry Hearts,” a new thriller starring Adam Driver and Alba Rohrwacher, is that it may not be a great idea to marry a person you meet in a public washroom. From that opening scene—the “meet cute”—that brings these two twenty-somethings together, director Saverio Costanzo takes the audience on a ride that is part “She’s Having a Baby,” part “Rosemary’s Baby.”

It’s a whirlwind romance for Jude (Driver) and Mina (Rohrwacher) after their initial lavatory love-in. They marry, move to New York and soon enough are expecting their first child. After giving birth Mina starts to exhibit strange, controlling behaviour. Concerned about pollution she refuses to take the child outside and her attitude toward doctors and vaccinations makes Jenny McCarthy seem tolerant. When the baby’s health is compromised Jude knows he must take steps, but how do you tell someone they are killing their child with too much care?

“Hungry Hearts” isn’t a traditional horror film, it’s a slow burn look at the fragile nature of the love of an over protective mother. Director Costanzo gradually builds the tension, visualizing Mina’s claustrophobic world with subtle visual tricks that create a sense of unease. The stale air of the apartment becomes palpable as the story of Mina’s suffocating love continues.

What sets “Hungry Hearts” apart from typical horror is Costanzo’s refusal to treat Mona like a monster. She is killing her child, but Jude still loves her, so Mina’s actions can be interpreted as a whirlwind of desperation and hysteria rather than evil. Rohrwacher’s mix of fragility and steely resolve brings Mina’s neurosis to vivid life. Driver’s Jude is all controlled anger and frustration, often seen up-close-and-personal through Costanzo’s super tight close-ups. Both give remarkable performances in a film that reverberates with themes first explored by Roman Polanski and Alfred Hitchcock but given a new surreal twist here.


This Is Where I Leave You - Adam Driver WallpaperBy Richard Crouse – Metro Canada

Like a lot of young people in the aftermath of 9/11 Adam Driver joined the marines. “Being in the military,” says the This Is Where I Leave You star, “believe it or not, is very different than being in an acting school.”

An injury during a training exercise cut short his military career just shy of three years.

“With the military I grew up very fast,” he says. “Suddenly I was responsible for things that aren’t typical for eighteen or nineteen year olds. Other people’s lives and things like that. It ages you. I loved being in the military but when I got my freedom and could be a civilian again I was interested in perusing acting. I had tunnel vision but there was a big learning curve of learning to be a civilian again; it’s not appropriate to yell at people, people are people and I can’t force my military way of thinking on them. There were a lot of things going on. I am better adjusted now.”

Post marines he studied at Julliard, became one of the breakout star of Girls, worked with Spielberg, the Coen Brothers and has a movie coming soon with Martin Scorsese.

His This Is Where I Leave You co-star Jane Fonda calls him, “our next Robert De Niro plus Robert Redford.”

He plays Fonda’s youngest son Phillip, a young man who arrives home for his father’s funeral with a much older finance (Connie Britton) and a chip on his shoulder because his siblings don’t take him seriously.

“I understood Phillip,” he says. “Similar to the military, you leave and grow into a different person. You experience things that obviously people weren’t with you when you experienced them, and you come back and want people to view you differently and acknowledge this man you’ve become.

“It’s like being a civilian when you have rank and are used to a certain level of respect. You’re Lance Corporal and you go to a Starbucks and somebody who probably went to college, and you’re jealous that you didn’t go to college, tells you to move and suddenly you’re angry. You don’t know who I am! I was a Lance Corporal! It means nothing. That kind of dynamic was really relatable to me.”

Driver has a host of projects on the way, including Hungry Hearts, a film that won him the Volpi Cup for Best Actor at the 71st Venice International Film Festival and a little thing called Star Wars Episode VII.

“Star Wars is a big thing,” he says. It’s huge but what [director] J. J. Abrams and [screenwriter] Larry Kasdan have written, the way they have decided to approach the project is how you approach anything. From the very beginning it is all about story and character. Effects and the spectacle, as in the original, won’t take a back seat because it is very much part of the story but the story dictates that instead of vice versa. Yes, this a long time ago in a galaxy far away, but at the same time it’s about loves and friendship, those universal things that gave the original movies such a long life and resonance. It’s all about just playing this moment and the next moment and hopefully at the end we’ll have a movie.”