Richard speaks to “CTV News at 11:30” anchor Andria Case about movies on VOD to watch this weekend including the Disney+ talking animals movie “The One and Only Ivan,” the World War II drama starring Gemma Arterton “Summerland on VOD and the self explanatory documentary “Skin: A History of Nudity in the Movies.”
Watch the whole thing HERE! (Starts at 24:05)
Richard sits in on the CTV NewsChannel with host Jennifer Burke to have a look at the new movies coming to VOD, streaming services and theatres including the Disney+ talking animals movie “The One and Only Ivan,” the World War II drama starring Gemma Arterton “Summerland on VOD, the self explanatory documentary “Skin: A History of Nudity in the Movies” and the dreary drama “Euphoria.”
Watch the whole thing HERE!
Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres, VOD and streaming services including the Disney+ talking animals movie “The One and Only Ivan,” the World War II drama starring Gemma Arterton “Summerland on VOD, the self explanatory documentary “Skin: A History of Nudity in the Movies” and the dreary drama “Euphoria.”
Listen to the whole thing HERE!
A wartime British story driven by character and emotion rather than action, “Summerland,” now on VOD, is a showcase for its actors, Gemma Arterton, Gugu Mbatha-Raw and Tom Courtenay.
Arterton is Alice Bloom, a chainsmoking writer who lives alone in a quaint seaside cottage in Kent. She’s a loner, prone to castigating anyone who interrupts her work. Among her neighbors, who have frequently felt the sting of her tongue, rumors fly that she is a witch, or worse, a Nazi sympathizer.
When she’s not typing furiously her thoughts drift backwards in time to the defining moment of her life, a love affair Vera ((Gugu Mbatha-Raw). Alice was left heartbroken when Vera broke off the relationship, leaving for a man and the promise of a family. With bombs dropping on London, Alice becomes the unwelcoming host to Frank (Lucas Bond), a youngster evacuated from his city home as part of Operation Pied Piper.
She’s less than excited about having to care for the boy and Frank isn’t pleased either. Even less so when a school mate (Dixie Egerickx) warns him that Alice will “burn you and do sex things to you.” Over time and through tragedy, however, a bond unexpectedly forms between them.
“Summerland” is a feel-good movie that never digs too deep. It’s central life-is-not-fair theme is given a melodramatic treatment that leans toward the contrived but the relationships between the characters elevates the material. As Alice lets her guard down to accept and nurture Frank, and he, in turn embraces her, the story transcends the predictability of its plot to find a sweet, tender and pleasing spot. It’s aided by beautiful cinematography courtesy of Laurie Rose and lovely production design, but make no mistake, the heart of this story is the characters and the actors who bring them to vivid life.
Richard joins CP24 to have a look at the weekend’s new movies including the direct sequel to 1991’s “T2,” “Terminator: Dark Fate,” “Harriet,” the inspiring life story of American abolitionist and political activist Harriet Tubman and the Edward Norton noir “Motherless Brooklyn.”
Watch the whole thing HERE!
Richard sits in on the CTV NewsChannel with news anchor Lois Lee to have a look at the weekend’s big releases including the reunion of Linda Hamilton and Arnold Schwarzenegger in “Terminator: Dark Fate,” the biopic “Harriet” starring Cynthia Erivo and “Motherless Brooklyn” from star, director, producer and writer Edward Norton.
Watch the whole thing HERE!
Richard has a look at the new movies coming to theatres, including the direct sequel to 1991’s “T2,” “Terminator: Dark Fate,” “Harriet,” the inspiring life story of American abolitionist and political activist Harriet Tubman and the Edward Norton noir “Motherless Brooklyn” with CFRA morning show host Bill Carroll.
Listen to the whole thing HERE!
A weekly feature from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest and most interesting movies! This week Richard looks at the reunion of Linda Hamilton and Arnold Schwarzenegger in “Terminator: Dark Fate,” the biopic “Harriet” starring Cynthia Erivo and “Motherless Brooklyn” from star, director, producer and writer Edward Norton.
Watch the whole thing HERE!
Edward Norton spent twenty years trying to bring Jonathan Lethem’s bestselling novel “Motherless Brooklyn” to the big screen. Lethem set his detective story in the 1990s but Norton takes liberties, adding new characters and moving the action to the 1950s, lending a retro “Chinatown” vibe to the proceedings.
Norton, wrote, produced, directed and also stars as Lionel Essrog, a gumshoe with Tourette syndrome and an obsessive-compulsive eye for the little details that solve cases. “It’s like I got glass in my brain,” he says. When Frank Minna (Bruce Willis), his mentor and only friend, is killed while investigating a case no one is surprised. His colleagues, Tony (Bobby Cannavale), Gilbert (Ethan Suplee) and Danny (Dallas Roberts), accept that death is an almost inevitable part of the job but Lionel thinks there is more to the story. He is convinced Frank was about to blow the lid off a conspiracy involving Moses Randolph (Alec Baldwin), a ruthless politician who clears out African American communities to make way for redevelopment. “There’s something going down,” says Lionel, “and it’s big, and they were not happy about what he found.” His sleuthing leads him to Randolph’s hinky brother (Willem Dafoe), community activist Laura Rose (Gugu Mbatha-Raw), and a tale of corruption, lust and power where everyone is at risk.
Norton has created a detailed noir with “Motherless Brooklyn” that, while engaging, overstays its welcome in a long, drawn out conclusion. Terrific performances (there is some capitol A acting happening here), effective dialogue and anxiety-inducing music plus great 1950s era flourishes (even if Baldwin does smoke a recent vintage American Spirit cigarette in closeup) entertain the eyes and ears but as Lionel uncovers clues we are drawn further into a rabbit hole of murky motives, many of which are left dangling by the time the end credits roll. It’s an ambitious movie that feels meandering and overstuffed with plot.
It does, however, have its high notes. Norton is careful in his portrayal of a person with Tourettes and while he may have an extreme case of the syndrome it is never used as a gag or a gimmick. Instead it’s a sympathetic representation of a person with neurological tics making his way through life.
As for Baldwin, it’s hard to not see echoes of his Donald Trump impression in Moses Randolph. He’s an aggressive anything-to-win type who plays the power game to the disadvantage of anyone who gets in his way. It’s a big, blustery performance and one of the film’s pleasures.
Gugu Mbatha-Raw brings both vulnerability and steel to Laura, elevating her from a plot device to a living, breathing character.
“Motherless Brooklyn” is frustrating. It contains many interesting, thought provoking ideas on gentrification, some nicely rendered scenes and fine acting but errs on the side of self-indulgence to the point where the audience loses interest in its machinations.
