Richard sits in on the CTV NewsChannel with news anchor Marcia MacMillan to have a look at the weekend’s big releases including the actioner “Angel Has Fallen,” the future cult classic “Ready or Not,” the sweetly silly “The Peanut Butter Falcon” and the documentary “Fiddler: Miracle of Miracles.”
Watch the whole thing HERE!
Richard has a look at the new movies coming to theatres, including more-explosions-than-story action flick “Angel Has Fallen,” the cult classic to be “Ready or Not” and the sweetly silly “The Peanut Butter Falcon” with Dakota Johnson and Shia LeBeouf with CFRA morning show host Bill Carroll.
Listen to the whole thing HERE!
A weekly feature from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest and most interesting movies! This week Richard looks at the latest from Gerard Butler “Angel Has Fallen,” the future cult classic “Ready or Not” and the sweetly silly “The Peanut Butter Falcon” with Dakota Johnson and Shia LeBeouf.
Listen to the whole thing HERE!
Richard sits in on the CJAD Montreal morning show with host Andrew Carter to talk the new movies coming to theatres including the blow ’em up good “Angel Has Fallen,” the future cult classic “Ready or Not” and the sweetly silly “The Peanut Butter Falcon” with Dakota Johnson and Shia LeBeouf.
Listen to the whole thing HERE!
If action movies are the heavy-metal of the film world then “Angel Has Fallen,” starring Gerard Butler in his third turn as Secret Service Agent Mike Banning, is the Ywengie Malsteen of the genre. It’s too loud, too frenetic with too many notes.
After years on the job Banning is starting to feel the wear and tear of protecting the president. Concussions have given him with migraines and insomnia. Getting knocked around by bad guys has left him with painful compressed discs, and his doctor is not hopeful. “You’re a disaster waiting to happen.”
Things aren’t much better at work. According to President Trumbull (Morgan Freeman) the White House is, “leakier than a submarine with a screen door,” with top level info somehow making its way into the hands of nosy reporters. “I don’t know who to trust anymore,” says Trumbull. Of course, he trusts Banning, so much so he chooses him to head the massive security team accompanying him on a fishing trip. Out on the water it’s chilly, but idyllic until the hundreds of drones swoop in, wiping out the entire POTUS security detail except for Banning.
Later, in the hospital Banning is grilled by an FBI agent. “The president is in a coma and your whole team is dead. Tell me how that happened.”
Trouble is, he doesn’t remember and the FBI, who have discovered his DNA on launch controls, encrypted folders and a $10 million in an offshore bank, look at him as the sole suspect. “President Trumbull’s top guardian angel has fallen tonight,” screams a news report.
Banning has saved cities, rescued presidents but can he save himself? Cue the explosions and a rather memorable cameo from Nick Nolte as, what else, a grizzled old man.
“Angel Has Fallen” plays its hand at every turn, telegraphing the obvious, making sure the audience, who likely aren’t paying attention to the dialogue in anticipation of more explosions, get every detail. That means no suspense, just loud noises. Lots of them. Former stuntman-turned-director Ric Roman Waugh loves to blow things up, filling the screen with flames and your ears with booms. It’s the stuff of action movies, but when coupled with dialogue that sounds like it was run through the Cliché-O-Matic—”I’m not going to stop until I prove you really did this!”—the action is more of a distraction from the story than a compliment to it.
The film has under currents of social commentary. A bad guy bets on “making America strong again” and Danny Houston’s character, a war dog named Wade Jennings, ushers in a conversation on private soldiers, but neither are explored in any depth.
“Angel Has Fallen” has its pleasures. Nolte is a gas and fans of pyrotechnics will be satisfied but it feels more like a direct to steaming actioner than a big screen experience.
Richard joins CP24 anchor Nathan Downer to have a look at the weekend’s new movies including Melissa McCarthy’s literary drama “Can You Ever Forgive Me?,” the “Hunt for Red October” copy cat “Hunter Killer,” the highfalutin hostage story “Bel Canto,” the comedic cautionary tale “Room for Rent,” the family drama “What They Had” and the operatic documentary “Maria by Callas.”
Watch the whole thing HERE!
Richard has a look at Melissa McCarthy’s dramatic turn in “Can You Ever Forgive Me?,” the family drama “What They Had” and Gerard Butler’s action-adventure “Hunter Killer” with CFRA Morning Rush host Bill Carroll.
Listen to the whole thing HERE!
If there was ever more proof need to put Pablo Picasso’s remark, “good artists borrow, great artists steal,” to bed it’s the new Gerard Butler film. “Hunter Killer” borrows and out right steals elements from any number of movies, “The Hunt for Red October” chief among them, but is neither good nor great.
“Hunter Killer” takes place on land, on sea and on the phone. Based on the 2012 novel “Firing Point” by Don Keith and George Wallace “Hunter Killer” sees Butler as an unconventional US submarine Commander Joe Glass. He’s on a mission to find and rescue a missing U.S. sub when he stumbles across a popular 1990s plot twist—a Russian coup that threatens to demolish world order.
Stealthily cruising through enemy waters he becomes part of a three-pronged mission to rescue the Russian president, being held hostage in Russia by rogue Defence Minister Dmitri Durov (Mikhail Gorevoy). At sea level are Navy Seals led by Bill Beaman (Toby Stephens), National Security Agency analyst Jayne Norquist (Linda Cardellini), Rear Admiral John Fisk (Common), and, back home in America, Admiral Charles Donnegan (Gary Oldman in post-Oscar pay cheque mode) who barks orders at minions and into phones. It’s American-Russian collusion that could change the course of history!
Throw in a craggy-faced Russian submarine captain, Sergei Andropov (the late Michael Nyqvist)—we’re not enemies, we’re brothers—and you have a run-of-the-mill World War III scenario that was better the first few times we saw it. “It’s not about your side or my side,” Glass says to Andropov, “it’s about the future.”
“Hunter Killer” is so cheesy it should come with a side of saltines. Much of the dialogue sounds cribbed from the “Tough Guy ‘R Us” manual circa 1986—“He’s gonna play the hand he was dealt!”—spoken by characters so wooden they could easily double as buoys in the above water scenes.
At almost two hours ”Hunter Killer” is a waterlogged thriller, a sopping wet excuse for Butler to grunt his way through another film that is beneath his talent.
Richard sits in on the CJAD Montreal morning show with host Andrew Carter to talk about Melissa McCarthy’s literary drama “Can You Ever Forgive Me?,” the “Hunt for Red October” wannabe “Hunter Killer,” the highfalutin hostage story “Bel Canto,” the comedic cautionary tale “Room for Rent” and the Alzheimer’s dramedy “What They Had.”
Listen to the whole thing HERE!
