I join the CTV NewsChannel to talk about the Bob Dylan biopic “A Complete Unknown,” the epic “The Brutalist,” the sports drama “The Fire Inside,” the unrelenting evil of “Nosferatu,” the office romance of “Babygirl” and the wild biopic “Better Man.”
Watch the whole thing HERE!
Fast reviews for busy people! Watch as I review three movies in less time than it takes to do a high five! Have a look as I race against the clock to tell you about the Bob Dylan biopic “A Complete Unknown,” the epic “The Brutalist” and the sports drama “The Fire Inside.”
Watch the whole thing HERE!
I join CTV NewsChannel anchor Scott Hirsch to talk about the Bob Dylan biopic “A Complete Unknown” and the vampire drama “Nosferatu.”
Watch the whole thing HERE!
SYNOPSIS: Timothée Chalamet stars as Bob Dylan in “A Complete Unknown,” an intimate portrait of four tumultuous years in the life of the “Blowin’ in the Wind” singer.
CAST: Timothée Chalamet, Edward Norton, Elle Fanning, Monica Barbaro, Boyd Holbrook, Scoot McNairy, Dan Fogler, Norbert Leo Butz, P. J. Byrne, Will Harrison and Eriko Hatsune. Directed by James Mangold who also co-wrote the screenplay with Jay Cocks.
REVIEW: From the surreal “Rocketman,” that turned Elton John’s life into pop art and the self-congratulatory “Bohemian Rhapsody” to the monkey business of the Robbie Williams biopic “Better Man” and Brian Wilson’s introspective “Love & Mercy,” music bios come in all envelope pushing shapes and sizes.
So, it’s a surprise that “A Complete Unknown,” the new film chronicling four years in Bob Dylan’s eventful life, from Greenwich Village newbie to the enigmatic superstar who was booed off the stage at the Newport Folk Festival for playing an electric guitar, is so straightforward.
A story about the man who wrote, “The ghost of electricity howls in the bones of her face,” could reasonably be expected to take some stylistic risks à la “I’m Not There,” Todd Haynes’s metaphoric retelling of the “Like a Rolling Stones” singer’s life.
Instead, “A Complete Unknown” is more “Walk Hard: the Dewey Cox Story” than “I’m Not There” or “Inside Llewyn Davis.” The storytelling is efficiently linear (although not all together factual) without the kind of flourishes that Dylan regularly applies to his songs.
But the back-to-basics approach benefits the movie, allowing Timothée Chalamet’s tour de force performance to shine.
Dylan is one of the most documented people of the twentieth century, a man who has inspired a million nasally impressions, and influenced generations of musicians, and yet remains somewhat unknowable.
As a result, “A Complete Unknown” lives up to its name. When we first meet Dylan, he’s an unknown commodity. Four years later he’s the voice of a generation, the most famous export of the folk scene, but in many ways, he remains an enigma.
Chalamet captures the voice and the physicality of young Dylan but isn’t weighed down by the superstar’s legend. Despite his documented life, Dylan, the man, the myth, the legend, is basically unknowable. He’s a cipher; a dancer to a song only he can hear. Chalamet plays him as a mysterious, sometimes imperious guy and most importantly, gets the essence of what made Dylan the voice of a generation. It’s the It Factor, the Rizz, the elusive quality that is impossible to define, but easy to spot.
Instead of attempting to unwind Dylan’s mystique director James Mangold, who co-wrote the screenplay with Jay Cocks, wisely opts for a portrait of the time, the America and, in microcosm, the Greenwich Village folk era, that produced the singer. The Cuban Missile Crisis and the battle for civil rights indirectly hang heavy over the film, completing the portrait of the time that fuelled Dylan’s early work.
The songs, and there are plenty of them, most performed by Chalamet, are the product of these influences and act as a commentary on that chaotic period.
“A Complete Unknown” may not be revelatory in terms of its biography of Dylan, but it places the singer in context of his times, revealing a rich vein of history, personal and otherwise.
Robbie Robertson passed away today at the age of 81. Here is my “Pop Life” interview with him from September of 2019.
On the season five opener of “Pop Life” the panel, Kelsey Miller, author of “I’ll Be There For You: The One About Friends,” Steve Jordan, founder and Executive Director of the Polaris Music Prize and Wesley Williams (aka Maestro Fresh Wes), the “godfather of Canadian hip hop,” discuss how to define a disruptor in the arts and what it means to be a game changer. Then legendary musician Robbie Robertson talks about his earliest musical inspirations, how he was booed by Bob Dylan’s audience and how he once almost turned to a life of crime when he couldn’t get gigs.
Watch the whole thing HERE!
Film critic and pop culture historian Richard Crouse shares a toast with celebrity guests and entertainment pundits every week on CTV News Channel’s talk show POP LIFE.
Featuring in-depth discussion and debate on pop culture and modern life, POP LIFE features sit-down interviews with celebrities from across the entertainment world, including rock legends Sting, Meat Loaf and Robbie Robertson, musicians Josh Groban, Shania Twain and superstar jazz pianist Diana Krall, You Tube superstar Gigi Gorgeous, comedian Ken Jeong, writer Fran Lebowitz, stand-up comedian and CNN host W. Kamau Bell, actors Danny DeVito and Jay Baruchel, celebrity chefs Bobby Flay, Gail Simmons and Nigella Lawson, and many more.
Over the next few months Richard and Retrontario raid Richard’s archives to spotlight some of his older telephone interviews with fascinating local characters. The third in the series features a vintage chat with rockabilly legend Rompin’ Ronnie Hawkins.
Watch the whole thing HERE! (audio only on YouTube)
Depending on your age, the name Jimmy Carter can conjure up a variety of images. There’s the elderly man, hammer in hand, leading a construction team for the Habitat for Humanity charity. Older folks may recall him as the president who pardoned all Vietnam War draft evaders on his second day in office or the man who famously admitted, “I’ve looked on a lot of women with lust. I’ve committed adultery in my heart many times.”
What is lesser known is that, despite his strait-laced image, the peanut farmer from Plains, Georgia who became the 39th president of the United States was also a music fanatic. A new documentary, “Jimmy Carter Rock & Roll President,” which actually might have more appropriately called “Jimmy Carter Rock & Roll, Gospel, Jazz, and Country President,” is now playing in theatres and on-line in virtual cinemas (see list below). It charts the connection between Carter and the likes of Bob Dylan, Willie Nelson and the Allman Brothers. “There were some people who didn’t like my being involved with Bob Dylan and Willie Nelson and disreputable rock and rollers,” he says in his distinctive drawl, “but I didn’t care because I was doing what I really believed.”
In the film’s opening minutes we see Carter, now in his nineties, at home in Plains. He sits in his comfy chair, a record player at his side. He talks about visitors to the home. Bob Dylan hasn’t been but the Allman Brothers, Willie Nelson and Johnny Cash have all stopped by. He lowers the needle on an LP—that’s a long player for you Spotifiers—and grins with joy as the opening notes of “Hey Mr. Tambourine Man” fill the air. The film could have stopped there, as his love of the music is so apparent, but history demands more.
What follows is a collection of newsreel footage, talking head interviews with family and admirers and some incredible music. Archival film of Ray Charles singing “Georgia on My Mind,” Mahalia Jackson performing “Down by the Riverside” and Boomer faves like Dylan and the Allmans are worth the price of admission. Carter reminisces that Bob Dylan’s songs permeated the governor’s mansion. “My sons and I were brought closer together by Bob Dylan’s songs,” he says.
More importantly it’s a portrait of a deeply principled and decent man who rose from a boyhood home with no electricity of plumbing to the highest office in the land. Director Mary Wharton has made an affectionate film about a time when decency reigned; a movie that seems, these days, like ancient history.
It’s a study in soft power, the ability to attract and co-opt, rather than coerce the electorate. Carter’s genuine love of music, and habit of throwing concerts on the White House lawn, helped shape the public’s opinion of him. That love of music put everyone at ease, including Bob Dylan. The singer says that when Carter quoted his song lyrics to him, “it was the first time that I realized my songs reached into the establishment world. I had no experience in that realm. Never seen that side. It made me a little uneasy but he put my mind at ease.”
Alongside the musical memories are the political high and low lights from carter’s term as president. The two sit side-by-side uneasily. The Iran hostage crisis section, for instance, is followed by a performance of “The Devil Went Down to Georgia” by the Charlie Daniels Band. In Carter’s case the political and the artistic two sides of the same coin but the mix and match give the film a disjointed feel.
Despite its flaws “Jimmy Carter Rock & Roll President” is a worthy film about a worthy man.
Find the movie in theatres and on virtual cinema here:
Cinecenta (Victoria, BC)
In-Cinema Screening
17-Nov-2020
19-Nov-2020
Vic, The (Victoria, BC)
In-Cinema Screening
30-Oct-2020
05-Nov-2020
Vic, The (Victoria, BC)
Watch via Virtual Cinema
30-Oct-2020
22-Nov-2020
Ted Rogers Hot Docs Cinema (Toronto, ON)
Watch via Virtual Cinema
29-Oct-2020
22-Nov-2020
City Cinema (Charlottetown, PEI) – Film Circuit)
In-Cinema Screening
29-Oct-2020
01-Nov-2020
Vancity (Vancouver, BC)
In-Cinema Screening
23-Oct-2020
29-Oct-2020
https://viff.org/Online/default.asp
Vancity (Vancouver, BC)
Watch via Virtual Cinema
23-Oct-2020
22-Nov-2020
https://viff.org/Online/default.asp
On the season five opener of “Pop Life” the panel, Kelsey Miller, author of “I’ll Be There For You: The One About Friends,” Steve Jordan, founder and Executive Director of the Polaris Music Prize and Wesley Williams (aka Maestro Fresh Wes), the “godfather of Canadian hip hop,” discuss how to define a disruptor in the arts and what it is like to be a game changer.
“Coming out of Toronto, you know, we knew anything we did was going to be groundbreaking,” says Wes Williams on his influential hit “Let Your Backbone Slide,” “within the parameters of Toronto and within the parameters of hip hop which was at our time was Toronto, New York City, New Jersey and then there was a guy named Ice-T on the west coast. That was it really, so we thought within our parameters we thought whoever comes out with a hit first is going to be the one. I remember the first day I heard my song played in the club. Oh my goodness. They mixed it in with Heavy D and The Boyz. Me my man Farley Flex, we just jumped around the club like like idiots because we finally reached the final destination. We were considered innovators and we were disrupting what was known at the time.”
Watch the whole thing HERE!
Film critic and pop culture historian Richard Crouse shares a toast with celebrity guests and entertainment pundits every week on CTV News Channel’s talk show POP LIFE.
Featuring in-depth discussion and debate on pop culture and modern life, POP LIFE features sit-down interviews with celebrities from across the entertainment world, including rock legends Sting, Meat Loaf and Robbie Robertson, musicians Josh Groban, Shania Twain and superstar jazz pianist Diana Krall, You Tube superstar Gigi Gorgeous, comedian Ken Jeong, writer Fran Lebowitz, stand-up comedian and CNN host W. Kamau Bell, actors Danny DeVito and Jay Baruchel, celebrity chefs Bobby Flay, Gail Simmons and Nigella Lawson, and many more.
This week on the season five opener of “Pop Life” legendary musician Robbie Robertson talks about his earliest musical inspirations, how he was booed by Bob Dylan’s audience and how he once almost turned to a life of crime when he couldn’t get gigs.
“It was a revelation to me,” Robertson says of visiting his relatives on the Six Nations Reserve, “because I grew up between Toronto and Six Nations, and when we would go to Six Nations it seemed to me as a young kid that everybody played an instrument or sang or danced. I thought, ‘I just have to join this club.'”
Watch the whole thing HERE!
Film critic and pop culture historian Richard Crouse shares a toast with celebrity guests and entertainment pundits every week on CTV News Channel’s talk show POP LIFE.
Featuring in-depth discussion and debate on pop culture and modern life, POP LIFE features sit-down interviews with celebrities from across the entertainment world, including rock legends Sting, Meat Loaf and Robbie Robertson, musicians Josh Groban, Shania Twain and superstar jazz pianist Diana Krall, You Tube superstar Gigi Gorgeous, comedian Ken Jeong, writer Fran Lebowitz, stand-up comedian and CNN host W. Kamau Bell, actors Danny DeVito and Jay Baruchel, celebrity chefs Bobby Flay, Gail Simmons and Nigella Lawson, and many more.
