Posts Tagged ‘Benjamin Evan Ainsworth’

PINOCCHIO: 3 STARS. “adds new technology to the story, but no new ideas. “

Following the introduction of the indeterminate intonations of his Col Tom Parker character in “Elvis,” Tom Hanks now goes Tuscan, continuing his exploration of world accents with “Pinocchio,” a live-action CGI hybrid musical, now streaming on Disney+.

Hanks is Geppetto, an Italian woodworker who carves a puppet named Pinocchio out of a block of white pine. The elderly, lonely man treats the marionette like a son, and lo-and-behold, after he wishes on a star, Pinocchio (voice of Benjamin Evan Ainsworth), with a little help from The Blue Fairy (Cynthia Erivo), comes to life.

But is he a real boy? Nope. “To be really real,” says the Fairy, “he must pass an ordeal. He must prove that he is brave, truthful and unselfish.

To point the puppet in the right direction, the Fairy appoints the wisecracking Jiminy Cricket (voice of Joseph Gordon-Levitt) to be his moral guide. It’s his job to teach the newbie right and wrong, to be his conscience. “Conscience,” he says, “is that little voice that most people choose not to listen to… and that’s what wrong with today.”

With good intentions and endless curiosity, the pair set off but are sidelined when Jiminy is imprisoned in a glass jar. Left to fend for himself, Pinocchio experiences the ups-and-downs of life as a puppet cut loose in the world. He first falls under the control of a cruel puppeteer named Stromboli (Giuseppe Battiston), meets Lampwick (Lewin Lloyd), a mischievous boy with an eye for trouble, and even gets eaten by a sea monster called Monstro the Whale.

Pinocchio is getting loads of life lessons, but is he learning life’s most important lesson? “The most important part of being real, isn’t what you’re made of,” said the Blue Fairy. “It’s about what’s in your heart.”

“Pinocchio,” directed by Robert Zemeckis, is a respectful retelling of Disney’s 1940 animated classic. The edgy details from that movie and the 1883 book by Carlo Collodi have been smoothed over—Pinocchio does not, for instance, smoke a cigar in this version—but visually, Zemeckis takes his lead from the classic Walt Disney Animation style. From the puppet’s yellow hat, blue tie and red lederhosen, this Pinocchio is strictly traditional.

It’s a vibrantly colored romp, an action adventure that, despite the up-to-the-minute technology involved, feels old fashioned, dare I say wooden, in its approach. Good messages about the importance of family and learning from your mistakes abound, the peril is kept to a family-friendly minimum and, like its main character, the movie is just a little naïve.

Following in the footsteps of other Disney live-action remakes like “Beauty and the Beast,” “The Lion King” and “The Jungle Book,” the latest version of “Pinocchio” adds new technology to the story, but no new ideas.

FLORA & ULYSSES: 3 ½ STARS. “Uplifting and charming, it avoids easy sentiment.”

“Flora & Ulysses,” the new Disney+ comedy-adventure based on the Newbery Award-winning book of the same name by Kate DiCamillo, is about what happens when a ten-year-old rescues Ulysses, a squirrel with a lot of personality who also just might have superpowers.

When self-described cynic and comic book fan Flora (Matilda Lawler), a lonely girl who lives with her romance writer mother (Alyson Hannigan), rescues a squirrel from a neighbor’s robotic vacuum, both their lives are transformed.

Flora, who pines for the days when her parents were together, finds a friend in her new pet. The rodent, who announces his powers by typing, “Squirrel. I am Ulysses. Born anew,” on mom’s old-school Smith Corona, chips away at Flora’s hardened exterior. “Maybe the best part of having a superhero around,” she says, “is how you start to feel like one too.” The unlikely duo, along with Flora’s father (Ben Schwartz), a failed-comic-book-writer who makes ends meet working retail, and temporarily blind neighbor William (Benjamin Evan Ainsworth) go on adventures despite mom’s disdain for having a squirrel in the house, even one who can write poetry.

“Flora & Ulysses” may be the only kid’s flick to quote intense German poet Rainer Maria Rilke. The film’s central message—Flare up like a flame and find your purpose—is paraphrased from Rilke’s abstract “Go to the Limits of Your Longing.” But don’t worry, there’s nothing terribly abstract or heady about the super squirrel story. Director Lena Khan has made a family friendly film that balances comedy, action and even some melancholy.

The superhero in this movie isn’t here to save the world or battle villains from other planets, but the stakes are just as high. Ulysses doesn’t wear spandex or have x-ray eyes, instead he’s a symbol of hope and the power of love in friendship and family. Those are nice messages, well delivered by a game cast, particularly Lawler, who nails her character’s droll humour.

“Flora & Ulysses” is a story about the small, heroic things we can do in day-to-day life. Uplifting and charming, it avoids easy sentiment and there’s even a good “Titanic” joke.