Facebook Twitter

TICKET TO PARADISE: 3 ½ STARS. “cinematic equivalent to a beach read.”

Nuptial disruption has played a major role in Julia Roberts’s career. From “The Runaway Bride” to “My Best Friend’s Wedding,” making a walk down the aisle for Roberts is no walk in the park and should be its own sub-genre on her IMDB page.

After a layoff of almost twenty-five years, she’s back at it, attempting fresh matrimonial mayhem in “Ticket to Paradise,” a new rom com co-starring George Clooney, and now playing in theatres.

Roberts and Clooney are Georgia and David, college sweethearts whose short-lived marriage dissolved into acrimony two decades ago. “When it started out,” David says, “it was unreal, then it got real.”

On the odd time they see one another they make the Bickersons look like a happy, loving couple.

The only good thing that came out of their time together is daughter Lily (Kaitlyn Dever), a twenty-something who abandons her promising law career in Chicago to marry Balinese seaweed farmer Gede (Maxime Bouttier). “It’s like I looked up for thew first time and realized everything I ever wanted was right in front of me,” Lily says.

Despite their differences, the only thing Georgia and David agree on is that Lily is making a misake. “I won’t let her throw her life away,” says Georgia on the flight to Bali. “We need to trick her into dumping him.”

You don’t need a degree in advanced scriptology to know where “Ticket to Paradise” is headed. Firstly, it’s a rom, com, which always guarantee a happy ending. Secondly, it’s called “Ticket to Paradise,” not “Ticket to Misery.” But, no matter. Good rom coms should offer an interesting journey on the way to the predetermined ending, and that’s exactly what Clooney and Company do.

This is a good-natured romantic comedy that exists to showcase the considerable charisma of its leads. Roberts and Clooney have great chemistry and use every trick in their collective book to sell their snappy banter and screwball comedy.

“Ticket to Paradise” isn’t destined to become a classic, but it is a diverting watch, kind of like a cinematic equivalent to a beach read.


Comments are closed.