Another is a pre-show in which Crouse goes behind the scenes to explore the history of selected films, including a recorded conversation with Guillermo Del Toro before the Pan’s Labyrinth (2006) screening.
“The word masterpiece is thrown around rather casually these days, but in the case of Pan’s Labyrinth, I think it applies,” Crouse says.
“It’s a dark adult fairy tale set against the backdrop of the Second World War, creating a contemporary fable that is emotionally complex and as satisfying as the age-old fairy tales that inspired it…” READ THE WHOLE THING HERE!
Cineplex Entertainment’s Great Digital Film Festival is no doubt going to delight geeks, nerds and cinema buffs starting January 30th all across Canada. This year has a lot of comic book properties being played out and that shows where the direction of pop culture cinema is headed. With movies ranging from Dick Tracy to the X-Men, the latter is going to be a mega-marathon that will start from the latest film, Days of Future Past, and go backwards to the original — all happening on Saturday. For Dick Tracy, this year marks its 25th anniversary!
“The best way to see any movie, no matter what hands-down, is to see it in the theatre,” said Canada AM film journalist, Reel to Real co-host and author Richard Crouse. “I like seeing movies on the big screen — the way the director intended it…” READ THE WHOLE THING HERE!
Film buffs who missed “Blade Runner,” “Alien” and the “Rocketeer” in theatres the first time around are getting a long-delayed chance for a do-over. Cineplex is bringing its national Great Digital Film Festival to Ancaster’s SilverCity from Jan. 30 to Feb. 5, showing 16 popular films released between 1979 and last year, at a ticket price of $6.99.
The festival’s roster hones in on action, sci-fi and cult favourites, most of them shot on celluloid film, before the industry began its ongoing transition to digital cinematography.
Festival programmer and film critic Richard Crouse says the trouble with showing older movies in theatres is that the film itself breaks down with time and use. By selecting older films that have since been released digitally, viewers get to see a picture that is as sharp as when it was first released.
“Often it’s difficult to find really crisp prints,” Crouse told The Spec on Thursday. “These films have been remastered. You’ll see them as they were meant to be seen…” READ THE WHOLE THING HERE!
“The focus is to show great movies that haven’t been seen on the big screen for a long time — kind of in the way that they are best seen,” Richard Crouse, a film critic responsible for choosing the films screening at the festival, said. “The best way to see movies is to see them in the theatre with the picture and the sound that the director wanted you to see, and be surrounded by strangers who are laughing and crying and gasping and doing whatever it is that they do.”
The festival will bring a wide-selection of movies back into cinemas, including the entire X-Men series, Blade Runner, Alien and Aliens, Kill Bill and Pan’s Labyrinth… READ THE WHOLE THIKNG HERE!
This year, St. John’s will be participating in Cineplex’s annual Great Digital Film Festival. 2015 marks the sixth year of the festival, in which certain Cineplex theatres all over Canada screen a set of films spanning a variety of genres and years. This year’s lineup, playing from January 30 to February 5, includes selections from Alien all the way to X-Men: Days of Future Past. Behind the selections are Matt DeVuono and well-known film critic Richard Crouse, who spoke with the Muse before the festival.
Award season is a busy time for Crouse. When it comes to perhaps the most popular award show, the Oscars, Crouse believed there were certain notable snubs. In terms of the best picture nominees, he felt that The Lego Movie was overlooked. Crouse also noticed an underrepresentation of female directors… READ THE WHOLE THING HERE!
Like most movie critics, Richard Crouse has strong and fairly predictable views of how to best watch films.
“The best way to see a movie is in a big dark room surrounded by strangers, watching it as big and loud as possible, they way that the director intended you to see it and hear it,” says Crouse, in an interview from Toronto. “I love sitting in a crowd of strangers, hearing them laugh or hearing them scream at something that scares them. Whatever the reaction might be, I really like being part of the community of all that.”‘
Which is a guiding principle for Cineplex’s Great Digital Film Fest, which will start on Friday at Scotiabank Theatre Chinook.
Crouse, an author and film critic who appears on CTV’s Canada AM and CP24, co-programmed the sixth annual festival with a focus on films that beg to be seen on a giant screen… READ THE WHOLE THING HERE!
THUNDER BAY — Movies are meant to be seen on the big screen.
“For me the best way to see a movie is to see it on the big screen surrounded by strangers so you can listen as they laugh all at the same time or as they gasp in horror or whatever reaction they have,” said film expert Richard Crouse.
Crouse, who is Canada AM’s regular film critic, is participating in Cineplex’s sixth annual Great Digital Film Festival from Jan. 30 to Feb. 5 by interacting with fans on Twitter, answering questions and engaging in conversation on the classic and fan-favourite films chosen for this year’s lineup.
Thunder Bay’s SilverCity is one of the theatres that will be hosting the festival.
As a reviewer, Crouse has every closet and cupboard in his house filled with DVDs and Blu-rays, but he finds he doesn’t watch them that often.
“Given the choice, I’d always rather see something on the big screen,” he said, adding this festival is a way for him to see some of these films the way they were meant to be seen…” READ THE WHOLE THING HERE!
Diane Keaton’s latest film, the romance And So It Goes, brings the star back to her roots.
As a beginner, long before she won an Academy Award for Annie Hall, or starred in the controversial Looking for Mr. Goodbar or inspired romantic rivalry between her Reds leading men, Warren Beatty and Jack Nicholson, Keaton dreamed of being a singer.
“I had a fantasy of being a nightclub singer that I carried through even into my early 20s,” she says.
“I sang a couple of gigs, as they call them, but I was not very good. I began to understand that I was not going to be a singer. I’ve always loved to sing but I’m aware of the limitations of my voice. It was always a disappointing voice. I took singing lessons for years, but it was a very small voice. It’s worse than it ever was. It’s smaller than ever. But I have this love of it. I love music. I love singing ballads and sad songs, it’s just so much fun.”
And sing she does in the new film, a romance co-starring Michael Douglas — “He couldn’t be any more charming,” she says — about Leah, a woman who gets a second chance at a career and love.
“I never thought I’d ever sing again. I had some songs intermittently in some movies but to have it come up again and have the possibility of singing four songs and one song all the way through was a dream come true.”
Keaton describes Leah, a lounge singer who bursts into tears at the mere thought of her late husband, as a woman, “who has had a lovely life but has lost the love of her life. She’s my age, in her late 60s.”
The 68-year-old Oscar winner says playing Leah was “a joy,” but adds, “getting old is a great levelling experience. You really do see the truth, which is that your expression and your goals don’t really mean much in the grand scheme of things.
“With that in mind you start seeing life in a different way. You don’t see it so much as the goals for the future; it’s just now. You live in the moment, in the present. This is what you have.
“So I really feel you’re more grateful, you’re more filled with awe, you’re more amazed because it is a huge, giant question mark this life we live in.
“It’s a huge gift and you need to see yourself for what you are and appreciate what you have while you have it now.”
“Waiting for Ishtar” is a documentary by John Mitchell & Jonathan Crombie about the Elaine May comedy, Ishtar, starring Dustin Hoffman & Warren Beatty. Help support it via its indiegogo campaign! Find out about the kick-starter campaign HERE!
See Richard talking about the legendary flop “Ishtar” here:
By Michael D. Reid / Times Colonist
