RICHARD’S “CANADA AM” REVIEWS FOR AUGUST 7 WITH BEVERLY THOMSON.
Richard’s “Canada AM” reviews for “Fantastic Four,” “Shaun the Sheep Movie” and “The Gift.”
Watch the whole thing HERE!
Posts Tagged ‘The Gift’
THE GIFT: 3 ½ STARS. “sophisticated European flavoured scene spinner.”
Jason Bateman shares a first name with one of modern horror’s most famous villains, but as an actor he’s best known as a comedic actor. In “The Gift,” however, he explores the dark side of his horror icon namesake.
Simon (Bateman) and Robyn (Rebecca Hall) are a married couple recently relocated back to Simon’s Los Angeles hometown. Work prospects are good, they live on one of those airy, open concept houses that rich movie characters often own and are even trying for a baby to complete their perfect Southern Californian life.
Things change when the past, in the form of Gordo (Joel Edgerton, who also wrote the script and directed), an old school mate of Simon’s, becomes a little too pushy in rekindling their acquaintance. Unwelcome encounters and unexpected “gifts” bring to light a decades old slight and expose cracks in Simon and Robyn’s relationship.
A study in allowing bygones to be bygones, “The Gift” is a tightly wound psychological thriller that takes it time getting to the surprises. Instead of delivering quick thrills Edgerton concentrates on character. He weaves a linear but complex story that will leave some viewers pointing the finger of blame for all the trouble at Gordo, some at Simon. It’s rich storytelling that sees both sides of the argument and burrows itself under the audience’s skin.
Much of the success of the film is due to Bateman’s startling performance. Years of comedic roles have labelled him the good-natured everyman, long on charm, short on malice. “The Gift” effectively turns that persona on its head, giving Bateman the chance to get dramatic as the heavy, a man content to ruin people’s lives to get what he wants. Bateman is perfect as Simon, presenting him as a caring, giving man before he taking a bone-chillingly sinister shift.
Hall adds to an already impressive resume, evolving the character of Robyn from naïve to gritty. Caught in limbo between Simon and Gordo, she is the film’s emotional core, showing apprehension, betrayal and anger in equal measures.
In front of and behind the camera Edgerton shows a steady hand doling out character and story information in small doses. Each revelation builds tension until the climax, which packs a mighty psychological wallop. No spoilers here, but near the end the thriller aspect of the story gives way to an unsettling Machiavellian revenge angle, but not a Tarantino style bloodbath. Instead it’s a high-minded stab at the heart that cuts deeply to the core of what the movie is really about—should facts get in the way of a good rumour?
“The Gift” is a sophisticated European flavoured scene spinner with fine performances that will have you asking, Who is the real villain?
Hollywood’s many bad feelings In Focus by Richard Crouse METRO Published: August 10, 2011
When the first Final Destination movie was released in 2000, no one could have predicted the success of the horror franchise. No one that is, except for maybe Devon Sawa, the Canadian-born actor who played Alex Browning, the film’s character gifted with second sight.
At the bloody heart of each of these gory horror movies is a character with premonitions of the future. Usually he or she has forewarning that all his/her good-looking friends will die in the most terrible way imaginable. When the vision comes true—usually preceded by the tell tale line, “Something’s wrong!”—whoever survives ends up dying anyway, in increasingly complicated ways. With Final Destination 5 opening this weekend it seemed like an appropriate time to look back at other movie characters that have had creepy visions.
In The Gift, the movie Sam Raimi directed just before spinning the web for his Spider-Man trilogy, Cate Blanchett plays a psychic who helps the police locate a missing girl.
Billy Bob Thornton, Blanchett’s co-star and the movie’s screenwriter, based the character on his mother, Virginia Thornton Faulkner. Like the character in the movie, the psychic Mrs. Faulkner was a widow who raised three boys and used her extra sensory ability to make extra money.
In the hauntingly surreal Don’t Look Now, John Baxter (Donald Sutherland in a curly wig) has a premonition that something awful is about to happen to his daughter. Sure enough, seconds later she falls in a pond and drowns. Later in Venice, John and his wife (Julie Christie) meet an elderly psychic who claims to see apparitions of the dead daughter which triggers John’s own otherworldly visions.
Adapted from a short story by Daphne Du Maurier, the psychic thriller has become a cult classic since its release in 1973, inspiring filmmakers like Danny Boyle, who cites it as one of his favorite movies and E=MC2 a Top Twenty hit by Big Audio Dynamite.
Finally, some call these premonitions ESP, others, like author Stephen King, call them The Shining. In King’s novel, Stanley Kubrick’s film and the television movie of the same name, both Danny Torrance, the telepathic son of the winter caretakers of the remote Overlook Hotel and chef Dick Hallorann (Scatman Crothers) have visions and premonitions. King says the title was inspired by the Plastic Ono Band’s song, Instant Karma which features the chorus, “We all shine on.”
