On the Saturday August 17, 2024 of the Richard Crouse Show we meet Michael Hirsh. He is a co-founder and the CEO of Nelvana, and one of the driving forces behind Canada’s animation dominance. His new book, “Animation Nation” is his behind-the-scenes account of working with such famous cartoon franchises as Babar, The Adventures of Tintin, Franklin, The Magic School Bus, and Beetlejuice, and larger-than-life personalities including Roseanne Barr, Mr. T., Deborah Harry, and Tim Burton.
The book is a frame-by-frame account of how creative talent and entrepreneurial zeal built a global cartoon empire.
Then, we meet Caroline Suh and Cara Mones, co-directors of a documentary Louis CK’s fall and return to the spotlight called “Sorry, Not Sorry.” The film, whoch is available on several streaming services, features interviews with fellow comedians and women who spoke up about his sexual misconduct.
Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Chris Pratt, Elvis Costello, Baz Luhrmann, Martin Freeman, David Cronenberg, Mayim Bialik, The Kids in the Hall and many more!
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“Flora and Son,” starring Eve Hewson as a Dublin single mom trying to make a connection with her son, is a rousing crowd-pleaser that breathes the same air as director John Carney’s other films, “Sing Street” and “Once.”
A look at a strained marriage through the lens of a public murder trial, “Anatomy of a Fall” is more concerned with human drama than the procedural aspects of the story. The result is a complex look at the search for truth in relationships and justice in court.
Jessica Chastain and Peter Sarsgaard bring raw intensity to “Memory,” a story that essays memories that torment and memories as they disappear. Almost overwhelmed by melodrama, it stays on the right side with committed performances and a bold love story.
The 4K “Stop Making Sense” restoration of the four-decade old movie is a joyful, high-energy revisiting of a classic concert film. A document of a band working at the top of their game, it captures the love of music and performance in a way few other have. And it’s got a good and you can dance to it.
Phoebe Dynevor and Alden Ehrenreich star in the financial drama “Fair Play’s” blistering exploration of workplace gender dynamics. A throwback to the erotic thrillers of the 1980s, its story of sabotage is smart, sexy and sharp, if a tad long.
“Perfect Days” is a contemplative movie that examines the simple pleasures in life. Music, literature and nature are showcased, but this poetic, profound film celebrates finding contentment in all aspects of life.
“Dumb Money” doesn’t get bogged down by the financial jargon, although it may be worth a trip to “short sell” Wikipedia page before buying a ticket. Instead, it’s the rousing David and Goliath story of leveling the playing field.
Using first hand sources, the documentary “Sorry/Not Sorry” examines the accusations of sexual harassment leveled against comedian Louis C.K, and his subsequent career come-back. Not ground-breaking in terms of style, but thought provoking in terms of its “judge the art or the artist” perspective.
Edgy and tense, “The Royal Hotel” is a slow burn story about sexual violence and intimidation, power dynamics and revenge, wrapped up in a story about two young women on a work/travel visit to Australia.
Richard Linklater’s “Hit Man” is in my top two at TIFF. Glen Powell and Adria Arjona earned a well-deserved applause break after the movie’s best and funniest scene. Their chemistry ignites the movie.
“Limbo’s” black and white photography lends a stark and stately field to the study of damaged people, disguised as a police procedural.
Errol Morris‘s latest film, “The Pigeon Tunnel,” is a look at the extraordinary life of David Cornwell a.k.a. prolific author John le Carré. It examines the very essence of truth, and how memory and manipulation play a part in how we shape our world and our perceptions.
Set an a remote, Newfoundland seaport, population thirty, “The King Tide” is an effective supernatural thriller. It takes place in a very specific area, but the story address is universal concerns about parenting and the dangers of isolationism.
“Mr. Dressup: The Magic of Make-Believe,” a look at the life and legacy of legendary children’s entertainer Ernie Coombs, has the same brand of low-key kindness and empathy that made “Mr. Dressup” appointment viewing for several generations of Canadians.
“Finestkind” begins as a slice of life drama about a man following his dream, but soon morphs into a credulity stretching story of antiheroes, drugs and fish poaching.
Amanda Seyfried hands in a career best performance as a director helming a production of “Salome” at the Canadian Opera Company. An ambitious meditation on the healing power of art, “Seven Veils” is a dense psychological thriller that examines toxic masculinity and eradicating the male gaze.
“Reptile” is a standard good cop in a bad situation drama, given oomph by Benicio del Toro’s badass and quirky performance.
On the Saturday August 17, 2024 of the Richard Crouse Show we meet Michael Hirsh. He is a co-founder and the CEO of Nelvana, and one of the driving forces behind Canada’s animation dominance. His new book, “Animation Nation” is his behind-the-scenes account of working with such famous cartoon franchises as Babar, The Adventures of Tintin, Franklin, The Magic School Bus, and Beetlejuice, and larger-than-life personalities including Roseanne Barr, Mr. T., Deborah Harry, and Tim Burton.
