I sit in on the CFRA Ottawa morning show with guest host Andrew Pinsent to talk the new movies coming to theatres including the exciting smart phone drama “Blackberry,” the comedy “Book Club: The Next Chapter” and the Jennifer Lopez actioner “The Mother.”
Listen to the whole thing HERE!
It’s hard to remember now, but there was a time when we were not tethered to our smart phones. A new film, “BlackBerry,” starring Jay Baruchel and Matt Johnson, and now playing in theatres, vividly recreates the scrappy story of friendship, betrayal and hubris that began our obsession with our phones.
Baruchel and Johnson play Mike Lazaridis and Doug Fregin, founders of small tech company Research in Motion. When we first meet them it’s 1996 and they are about to pitch a new kind of pager to hotheaded executive Jim Balsillie (Glenn Howerton). He’s the kind of Art of War-style boss who snaps at an assistant who reaches for a bottle of water. “Thirst is a display of weakness.”
Too busy trying to backstab his way to the top of the corporate ladder to give the tech nerds his attention, he dismisses the awkward pitch before they even get to the end. But when his latest grab at a promotion gets him fired from his cushy corporate job, he reaches out to RIM with an offer.
Under his aggressive leadership, coupled with Lazaridis’s uncompromising search for perfection and Fregin’s clever engineering and heart, the Waterloo, Ontario storefront start-up soon debuts “the world’s largest pager.” Or is it “the world’s smallest email terminal?” Either way, it is a handheld game changer that combines a phone with the capabilities of a computer.
The odd little phone, with a QWERTY keyboard, encrypted messaging and low data cost, becomes a status symbol, used by some of the world’ most powerful people. In the hands of everyone from President Barack Obama and Justin Timberlake to Katy Perry and Vogue Editor-in-Chief Anna Wintour, the phones helped the world communicate in a whole new way.
The halcyon days of BlackBerry lasted a few years until shady business dealings, ambition and lack of vision relegated RIM’s products to the scrap heap; the “phone people had before they bought an iPhone.”
“BlackBerry” isn’t just a business story or the story of innovation. Instead, it is an underdog tale that emphasizes the human foibles that led to RIM’s downfall, not just the financial ones.
Baruchel and Howerton, as the characters who provide the story’s yin and yang, hand in strong performances.
Baruchel, topped with a shock of white hair, goes deep to play Lazaridis as a socially awkward man with a rich inner life, a perfectionist who can’t help himself from fixing a buzz on the office intercom in Balsillie’s office on the day of their big pitch.
As Balsillie, Howerton is all bluster, a thin-skinned man who covers his weaknesses with a thick veneer of bellicosity. From attempting to buy a hockey team after a rival slights the game to his wanton manipulation of RIM to suit his own ambitions, he is simultaneously the best and worst thing that ever happened to Lazaridis and Fregin.
As director and writer (as well as co-star), Johnson concentrates on the human side of the story, amping up the anxiety with a terrific sense of pacing and claustrophobic close-ups of his cast as their lives and business unwind.
“BlackBerry” is an interesting slice of recent history, made all the more interesting by the study of hubris that makes this tech story so human.
On this week’s Richard Crouse Show:
It’s hard to remember now, but there was a time when we were not tethered to our smart phones. A new film, “BlackBerry,” starring Jay Baruchel and Matt Johnson, and now playing in theatres, vividly recreates the scrappy story of friendship, betrayal and hubris that began our obsession with our phones.
Today, we going to focus on that story, courtesy of the film BlackBerry, which opens in theatres on May 12.
There was a time when the Canadian made, odd little phone, with a QWERTY keyboard, encrypted messaging and low data cost, was a status symbol, used by some of the world’ most powerful people. In the hands of everyone from President Barack Obama and Justin Timberlake to Katy Perry and Vogue Editor-in-Chief Anna Wintour, the phones helped the world communicate in a whole new way.
They were the original smart phones, which makes their Canadian creators Mike Lazaridis and Doug Fregin, visionaries, the men who gave us the future.
Recently I sat down with BlackBerry co-writer, co-star and director Matt Johnson, and Jay Baruchel who stars as the awkward genius behind the BlackBerry tech, Mike Lazaridis.
Matt is the director of The Dirties, which won Best Narrative Feature at the Slamdance Film Festival, Operation Avalanche, which premiered at the Sundance Film Festival and mockumentary television series Nirvanna the Band the Show.
You know Jay from his voice role as Hiccup Haddock in the How to Train Your Dragon franchise, and for roles in Knocked Up, Tropic Thunder, The Trotsky, Fanboys, She’s Out of My League, Goon, This Is the End, and the action-fantasy film The Sorcerer’s Apprentice. You can also see him as the host of We’re All Gonna Die (Even Jay Baruchel) on Crave.
BlackBerry is the story of the company Research in Motion, Jim Balsillie, the hotheaded businessman, played by Glenn Howerton, who was there for the rise and fall of the iconic company.
“BlackBerry” isn’t just a business story or the story of innovation. Instead, it is an underdog tale that emphasizes the human foibles that led to RIM’s downfall, not just the financial ones.
We began the interview with the idea of talking about the film, but were soon sidetracked by a discussion inspired by the lessons learned from the film, about what it means to be Canadian, why we don’t celebrate our own stories and much more. Stay tuned, it often doesn’t sound like an interview as much as a conversation we might have had over a drink or two. Like the movie we were supposed to concentrate on, before the conversation took a few left turns, the interview is passionate, patriotic, funny and not quite what you might expect.
Listen to the whole thing HERE!
Here’s some info on The Richard Crouse Show!
Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Chris Pratt, Elvis Costello, Baz Luhrmann, Martin Freeman, David Cronenberg, Mayim Bialik, The Kids in the Hall and many more!
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“The Song of Names,” based on Norman Lebrecht’s award-winning novel, is a story of two people sent off in different directions searching for lost family members.
The action begins in 1951. On the eve of his debut concert performance, for a packed house, including kings and queens, Polish musical prodigy Dovidl Rapoport (Jonah Hauer-King) disappears. His adopted English family, including brother Martin (Gerran Howell) is distraught. They first met Dovidl as a nine-year-old who, when he moved in with them to study violin, declared, “If I snore I snore in tune. I am a musician!” The family kept him safe from the Nazi threat and groomed him for greatness.
Cut to 1986. Martin, now played by Tim Roth, is adjudicating a music competition in Northern England when a contestant uses a technique that seems very familiar. Thoughts of his erstwhile brother have consumed Martin and this simple but unique method of rosining the bow sets Martin on a journey that will take him to Poland and finally New York City. His quest has one simple purpose, to find out why Dovidl (played as an adult by Clive Owen) left.
As a celebration of music “The Song of Names” is terrific. Legendary composer Howard Shore has written new music, including the “Song of Names,” a moving recitation of the names of all the Jewish people killed at Treblinka. It’s a powerful moment, solemn and heartrending, that is the film’s absolute high point. More playful is a violin duel in a London air raid shelter between the nine-year-old Dovidl and a teenage rival. Both scenes display the power of music to move us, whether it is to tears or to applause.
It’s the detective story that falls short. Clues that have eluded Martin for decades suddenly become obvious and the journey, such that it is, seems less like a mystery and more like a game of “Where’s Waldo.” More intrigue may have brought with it more emotional weight.
“The Song of Names” is a handsome, if somewhat dreary historical drama that does hit the emotional notes it needs to succeed.
This week on the Richard Crouse Show: Howard Shore has composed scores for over 80 films, including The Lord of the Rings and The Hobbit film trilogies. He has three Academy Awards, three Golden Globe Awards and four Grammy Awards on his shelves and was the original musical director for the American show Saturday Night Live from 1975 to 1980. He is also a consistent collaborator with director David Cronenberg, having scored all but one of his films since 1979. He has also composed a few concert works including one opera, The Fly, based on the plot of Cronenberg’s 1986 film.
Based on the award-winning novel by music scholar Norman Lebrecht, THE SONG OF NAMES is a bold journey through friendship, betrayal, and reconciliation.
SYNOPSIS: Martin Simmonds (Tim Roth) has been haunted throughout his life by the mysterious disappearance of his “brother” and extraordinary best friend, a Polish Jewish virtuoso violinist, Dovidl Rapaport, who vanished shortly before the 1951 London debut concert that would have launched his brilliant career. Thirty-five years later, Martin discovers that Dovidl (Clive Owen) may still be alive, and sets out on an obsessive intercontinental search to find him and learn why he left. An emotional story spread over two continents and half a century, the film shows that within the darkest of mysteries sometimes only music has the power to illuminate the truth, heal and redeem.
Listen to the whole thing HERE!
Here’s some info on The Richard Crouse Show!:
Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Ethan Hawke, director Brad Bird, comedian Gilbert Gottfried, Eric Roberts, Brian Henson, Jonathan Goldsmith a.k.a. “The most interesting man in the world,” and best selling author Linwood Barclay.
Click HERE to catch up on shows you might have missed!
