Posts Tagged ‘Niki Caro’


Richard speaks to “CTV News at Six” anchor Andria Case about television and movies to watch this weekend including the Disney reboot of “Mulan,” the anti-hero series “The Boys” and the inspiring documentary “Rising Phoenix.”

Watch the whole thing HERE! (Starts at 34:26)


Richard sits in on the CTV NewsChannel with host Marcia MacMillan to have a look at the new movies coming to VOD, streaming services and theatres including the new Disney+ look at the classic story of “Mulan,” the cerebral thrills of “I’m Thinking of Ending Things” and the hockey movie “Odd Man Rush.”

Watch the whole thing HERE!


Richard and “CP24 Breakfast” host Pooja Handa have a look at some special streaming opportunities and television shows to kill time over the weekend including the Disney+ live action reboot of “Mulan,” the truth is stranger than fiction documentary “Class Action Park” on HBO Max and the “Beastie Boys Story” on Apple TV+.

Watch the whole thing HERE!


Richard sits in on the CFRA Ottawa morning show with guest host Matt Harris to talk the new movies coming to theatres, VOD and streaming services including the live-action remake of the animated “Mulan,” now on Disney+, the cerebral Netflix head-scratcher “I’m Thinking of Ending Things,” the Pepe the Frog VOD documentary “Feels Good Man” and the hockey flick “Odd Man Rush.”

Listen to the whole thing HERE!

MULAN: 4 STARS. “plays like a grown-up version of the animated film.”

The last time we saw the story of Mulan, a young woman who disguised herself as a man to enlist herself in the Imperial Army in place of her ailing father, it was in the form of an action musical that was Disney’s animated film to feature an Asian heroine.

Twenty-two years later Disney has dropped the songs and upped the body count in “Mulan,” a live action remake, featuring an all-Asian cast and “Crouching Tiger, Hidden Dragon” producer Bill Kong behind the scenes, that premiers this week on the Disney+ streaming service.

Based on a sixth century legend called “Ballad of Mulan,” the new film lets go of many of the stereotypes that marred the animated version, hewing more closely to the tradition tale. Set in China during the Han dynasty in a quiet village, the story follows Hua Mulan (Liu Yifei), the martial arts-trained eldest daughter of famed warrior Hua Zhou (Tzi Ma).

When the Emperor of China (Jet Li), fearing a threat from the invading Rouran army, led by   Bori Khan (Jason Scott Lee), a skilled warrior fueled by anger over his father’s death and shape-shifting witch Xian Lang (Gong Li), he orders the conscription of one man from every household in the land to form a mighty militia.

As the father of all daughters Fa Zhou volunteers but is in no shape to go to war. Unbeknownst to him, Mulan disguises herself as a man and enrolls, risking her life and the dishonor of her family if she is discovered.

“Mulan” doesn’t feel like the other recent Disney live action do-overs. It is different enough in style, emotional content and tone from the animated movie to be a stand-alone with only a tenuous connection to the past. Director Niki Caro drags the story into the twenty-first century, emphasizing themes of female empowerment, allowing Mulan find her own inner-strength and potential and not rely on a Disney prince. The sparks that flew between Li Shang and Mulan in the original are mostly absent—as her commanding officer the power imbalance was deemed inappropriate for 2020—replaced by platonic love interest Chen Honghui (Yoson An).

The reported budget of $200 million is very much evident on the screen. The gorgeously shot Wuxia style action scenes are epic, and for the family audience, relatively bloodless considering how many people are dispatched by Mulan’s deadly blade. Occasionally they fall prey to a heavy hand from editor David Coulson but the sheer size and scope of them, even on the scaled down Disney+ television presentation, are eye-popping. A more intimate climax with life-or-death consequences for Bori Khan, Mulan or the Emperor, is a nicely rendered showdown that effectively delivers a good, exciting mix of action and character dynamics.

“Mulan” is a welcome addition to the Disney remake roster. It plays like a grown-up version of the animated film, bringing the story into the modern age, while keeping the family appeal intact.

CTVNEWS.CA: “THE CROUSE REVIEW FOR ‘The Boss Baby,’ ‘Ghost in the Shell’ AND More!

A new feature from from! The Crouse Review is a quick, hot take on the weekend’s biggest movies! This week Richard looks at “Ghost in the Shell,” “The Boss Basby” and “The Zookeeper’s Wife.”

Watch the whole thing HERE!


Richard and CP24 anchor George Lagogianes have a look at the weekend’s new movies, the reimagined sci fi classic “Ghost in the Shell,” Alec Baldwin as a bossy tot in “The Boss Baby” and Jessica Chastain in “The Zookeeper’s Wife.”

Watch the whole thing HERE!


Richard sits in with CTV NewsChannel anchor Marcia MacMillan to have a look at the big weekend movies, the reimagined sci fi classic “Ghost in the Shell,” Alec Baldwin as a bossy tot in “The Boss Baby” and Jessica Chastain in “The Zookeeper’s Wife.”

Watch the whole thing HERE!

THE ZOOKEEPER’S WIFE: 3 STARS. “a handsome movie about a harrowing time.”

Based on the true story of Jan and Antonina Zabinski, Warsaw Zookeepers played by Johan Heldenbergh and Jessica Chastain, “The Zookeeper’s Wife” is the tale of a couple who followed their conscience, rescuing more than 300 Jews during World War II.

The action begins in 1939, months before the German invasion of Poland. The zoo is a sanctuary, run by Jan and Antonina, who treat the animals almost like family. “Good morning sweetheart,” Antonina says, greeting a tiger before giving CPR to a baby elephant later in the day. Then Nazi bombs fall, scattering the animals, effectively shutting down the zoo. When Nazi zoologist Lutz Heck (Daniel Brühl) offers to move the zoo’s surviving animals to Germany for safe-keeping and selective breeding in the hope of bringing back from extinction one of Europe’s most imposing creatures, the aurochs, the Zabinskis make a counter offer. They propose running the facility as a pig farm, using garbage from the Warsaw Ghetto as feed. Their selling point? It will provide food for German soldiers. Their motive? To create a secret safe haven for Warsaw Ghetto Jews, a “human zoo,” as Antonina wistfully calls it.

“The Zookeeper’s Wife” is a simply but effectively told hero’s journey. To her credit director Niki “Whale Rider” Caro has made a handsome movie about a harrowing time. It looks and feels like a big budget period piece, befitting the gravity of the story, but despite some memorable scenes the film feels like it left much of the drama unplumbed. It’s an important story but we don’t spend enough time with the rescued people to truly get a sense of their lives and the movie feels incomplete without as a result.

Chastain holds the centre of the story, providing a steely, compelling—although distractingly accented—character. She shines in her scenes opposite Brühl, a series of cat-and-mouse meetings where she feigns friendship, bonding over a shared love of animals, with the Nazi to keep her hidden dependants safe.

Despite narrative flaws “The Zookeeper’s Wife” contains unforgettable images. The shots of children being comforted by their teacher as they are loaded onto Nazi trains are as memorable as they are heart wrenching. It also contains many instances of animal cruelty. I’m sure no animals were actually harmed during the making of this movie but it doesn’t make the killing of the zoo animals any easier to watch.