Posts Tagged ‘Mike Mitchell’

THE LEGO MOVIE: THE SECOND PART: 2 ½ STARS. “A pure pop art blast.”

My desire to see 2014’s “The Lego Movie” was on par with my wish to step on a Lego brick in my bare feet. How could a movie starring plastic, singing mini figs possibly appeal to anyone who graduated Saturday morning cartoons decades ago? But I’m a professional so I put my bias of toy story movies aside and went to the screening.

Later, as I left the theatre humming “Everything is Awesome” I was own over. Directors and co-writers Phil Lord and Christopher Miller had pulled off something great, they made a movie with wide appeal using the Legos as a muse to do what the bricks have always done, light imaginations on fire.

Question is, five years later will everything be awesome in the sequel “The Lego Movie 2: The Second Part”?

The last movie ended with the revelation that the movie’s Lego Land frenetic action had actually taken place in 8-year-old Finn’s (Jadon Sand) imagination. The new one focuses on Finn’s sister Bianca (“The Florida Project’s” Brooklyn Prince) disrupting her brother’s carefully built world of fancy with her Duplo-Block creations.

In the make-believe world Duplo aliens, led by shape-shifting villain Queen Watevra Wa-Nabi (Tiffany Haddish) declare war on Bricksburg. Fast-forward five years. Optimistic construction worker Emmet (Chris Pratt) and Master Builder Lucy’s (Elizabeth Banks) home is now a smoking ruin called Apocalypseburg where if you show any weakness you will be destroyed. Dave is now called Chainsaw Dave and Sewer Babies live under the streets.

When Lucy, Batman (Will Arnett), Unikitty (Alison Brie), Benny (Charlie Day) and MetalBeard (Nick Offerman) are kidnapped and transported to the Systar System by General Mayhem (Stephanie Beatriz) Emmet and intergalactic archaeologist / Snake Plissken look-a-like Rex Dangervest (Pratt again) set off to rescue them. “Don’t worry Lucy,” says Emmett, “everything will still be awesome.”

“The Lego Movie 2: The Second Part” is a pure pop art blast as though designed by kids. A mix of non-sequiturs, silly jokes, attention deficit editing, CPDs (Convenient Plot Devices) and music it zips along but isn’t as awesome as the original. The first film was a powerhouse of imagination and adventure. “The Second Part” has its moments—like the “Catchy Song” sequence—but feels like a dim bulb that doesn’t burn as brightly as it once did.

Like the first film the mayhem of Lego Land is tempered with real life lessons. In this case it takes an existential turn in the last third, expanding the mini fig story to shine a light on the fraught relationship between Finn and Bianca and their struggle to find a way to play together. When they learn to be kind and tolerant of one another their lives improve, as do those of their plastic figures.

“The Lego Movie 2: The Second Part’s” convoluted third reel paints the screen with too much frenetic CGI action but maintains the lesson of the first film, that NOT putting away childish things, like Lego blocks, is the key to making everything awesome, no matter what age. That the message doesn’t feel like a commercial for the brightly coloured blocks is a pleasant plus even if the movie feels like diminished returns.

Metro Canada: Finally! Some (animated) Trolls You Can Root for!

screen-shot-2016-10-25-at-10-23-54-amBy Richard Crouse – Metro Canada

Anyone who grew up in the 1970s will remember The Trolls. The vinyl creatures with DayGlo Eraserhead coifs and big goofy smiles invaded pop culture, decorating everything from rear view mirrors to teen’s bedrooms. Unlike modern day internet trolls, these creatures were joyful, hug-happy little things with more personality than your average Pet Rock and a ubiquity that made them one of the symbols of a kinder and gentler time.

Then they, like other 70s fads like disco music, streakers and Gee Your Hair Smells Terrific shampoo, they faded into obscurity, banished forever to the Retro section of your local junk shop.

Now they’re back in Trolls, an animated adventure from the makers of Shrek Forever After and Mr. Peabody & Sherman that aims to spread some cheer amid a fraught election season.

Co-director Walt Dohrn says he hopes the film’s message of optimism in the face of adversity will be “an antidote to the madness of the world.”

“When Walt and I set out to make this film,” says co-director Mike Mitchell, “we did want to make a film about happiness because the news and the media is so scary. And not just for kids, adults too. The internet is so judgemental and snarky.”

“The world is kind of a difficult and dark place,” adds Dohrn, “so putting something out there that talked about happiness, where it comes from, what happens when you lose it…”

“…will get people discussing the power of a positive attitude and happiness,” says Mitchell, finishing his friend’s sentence. “I’m hopeful this will start a trend of, It’s OK to be happy. It’s cool. Especially with this clowny, weird election going on.”

Trolls the movie is as eye-popping as the psychedelic creatures that inspired it. Mitchell and Dohrn have made a movie that is possibly the weirdest and most colourful kid’s entertainment since H.R. Pufnstuf. They had the freedom to do so because the beloved 1970s toy Trolls came with no backstory.

“That’s what was cool about working on this,” says Mitchell. “Even though these Trolls had been around forever and ever, there was no story. No mythology to it so Walt and I got to make a whole world. We could create a whole new world you’ve never seen before, create whole new characters.”

They created a realm where the Trolls (voiced by Anna Kendrick, Justin Timberlake, Zooey Deschanel, Russell Brand, James Corden and Gwen Stefani) make a daring escape from the Troll Tree in Bergen Town. The Bergens are snaggletooth ogres, as miserable as the Trolls are joyful. True happiness for the glum townies only comes with eating Trolls, obviously a huge problem for our heroes.

“Walt and I are huge fans of old fairy tales,” says Mitchell on the inclusion of the Troll-eating Bergens, “and those stories always had someone going down, having their heart taken out.”

“We’re finding the younger viewers don’t have a problem with it,” says Dohrn. “It’s the parents trying to protect them.”

The cheerful co-directors finish one another’s sentences and have a camaraderie that suggests they have taken the movie’s messages of friendship to heart.

“He’s an optimist and I’m a pessimist,” says Mitchell. “That’s kind of how we approached directing this film. We had a balance. In making it I discovered the power of a positive attitude.”

TROLLS: 3 STARS. “weirdest kid’s entertainment since ‘H.R. Pufnstuf.’”

Anyone who grew up in the 1970s will remember The Trolls. The vinyl creatures with DayGlo Eraserhead coifs and big goofy smiles invaded pop culture, decorating everything from rear view mirrors to teen’s bedrooms. Unlike modern day internet trolls, these creatures were joyful, hug-happy little things with more personality than your average Pet Rock and a ubiquity that made them one of the symbols of a kinder and gentler time.

Then they, like other 70s fads like disco music, streakers and Gee Your Hair Smells Terrific shampoo, they faded into obscurity, banished forever to the Retro section of your local junk shop.

Now they’re back in a big screen adventure from the makers of “Shrek Forever After” and “Mr. Peabody & Sherman.”

In this new, updated story the Trolls make a daring escape from the Troll Tree in Bergen Town. The Bergens are snaggletooth ogres, as miserable as the Trolls are joyful. True happiness for the glum townies only comes with eating Trolls, obviously a huge problem for our heroes. Led by King Peppy (voice of Jeffrey Tambor) the colourful creatures relocate to a place with “clean air, freshwater and great acoustics” they truly live in harmony. On the 20th anniversary of their emancipation from Bergen Town they do what they do best, throw a wild, loud party that attracts the attention of the head Troll Hunter and cooker of Troll Treats (Christine Baranski). The Bergen party crasher stomps into Troll Town, making off with dozens of citizens, leading Princess Poppy (Anna Kendrick) to lead a rescue mission to deep into the heart of darkness, Bergen Town.

“Trolls” the movie is as eye-popping as the psychedelic creatures that inspired it. Possibly the weirdest kid’s entertainment since “H.R. Pufnstuf.” More sensory overload than narrative, “Trolls” is a fun ride but it is more concerned with entertaining the eye than the brain. In a blur of neon the story unfolds with a mix of kid friendly pop songs, supervised by Justin Timberlake, and psychedelic story telling that allows strange characters—like a stoner cloud (Walt Dohrn)—to inhabit a weird and wonderful place for eighty-five quick minutes.

“Trolls” doesn’t have the impact of “Frozen” or the messages of “Zootopia” but it is a brightly coloured, optimistic and chirpy way to spend a Saturday matinee with the kids.