Posts Tagged ‘Juan Pablo Raba’

FREELANCE: 2 STARS. “attempts to pay tribute to the direct-to-DVD genre.”

In “Freelance,” a new action comedy now playing in theatres, John Cena plays a man fighting back against a life of quiet desperation, a feeling audiences will be familiar with by the time the end credits roll.

Cena is Mason Pettits, a do gooder trying to find his place in the world. After few miserable years of practicing law left him wanting more—”I thought it would make me feel normal,” he says, “but it made me hate myself.”—he joins the Special Forces. Fulfilled, he says the job allows him to find a much-needed purpose to his life.

That is, until a mission to assassinate dictator Juan Arturo Venegas (Juan Pablo Raba) goes south. Wounded and disillusioned, he leaves behind the life of adventure, and settles down, returning to law and marriage and a safe suburban life.

Bored and unhappy, he accepts a job from Sebastian (Christian Slater), a former Special Forces colleague now running Contractual Defense Industries, a one stop shop-and-shoot mercenary business. “We sell security,” he says.

The job is sounds simple but there is a catch. He will accompany journalist Claire Wellington (Alison Brie) to South America and keep her safe as she interviews Juan Arturo Venegas, the very dictator at the heart of the mission that ended Pettits’s Special Forces career.

“Freelance” is the kind of movie that once gathered dust in direct-to-DVD bins at Blockbuster.

Not even the considerable charm of the leads, Cena and Brie, can overcome the generic action, the weird shifts in tone from bloody gun battles to light comedy, a forgettable villain (played by the usually reliable Marton Csokas) and a goofy dictator who, on one hand speaks about the exploitation of poor countries by corrupt international corporations, while on the other delivering silly lines like, “I believe when one encounters danger, one must sing to it.”

With very few exceptions, “Freelance” feels very been-there-done-that, as if director Pierre Morel tried to pay tribute to the direct-to-DVD genre, but forgot to bring the fun.

THE MARKSMAN: 2 STARS. “a series of competently staged set pieces.”

“The Marksman,” a new Liam Neeson action pic now on VOD, doesn’t aim quite high enough to hit the mark.

Neeson is Jim Hanson, a former Marine, now living on the Arizona border with Mexico. He’s fond of a drink and calling the border patrol when he sees migrants entering the country on foot. His life changes when he gets up close-and-personal with a woman (Teresa Ruiz) and her son Miguel (Jacob Perez) who are on the lam from a drug cartel. Despite his police officer daughter’s (Katheryn Winnick) warnings to stay put, he hits the road, going head-to-head with Mauricio (Juan Pablo Raba), a blood thirsty cartel soldier with a personal score to settle. Why does Jim do it? “I don’t scare easy,” he says.

Director Robert Lorenz made his bones working as an assistant or first unit director for Clint Eastwood and it shows. “The Markman” feels like Eastwood Lite; a grizzled tough guy with a special set of skills thriller that sat on Clint’s slush pile for years. All that’s missing is a cool take-away quote like, “Get off my lawn.”

Neeson has the gravitas to make you believe he doesn’t scare easily but the story feels inert, like a series of competently staged set pieces held together by the leading actor’s presence and not much else. What’s missing is forward momentum. “The Marksman” is a road movie but one that takes the meandering back roads to get where it is going.