Posts Tagged ‘Josh Gad’

BEAUTY AND THE BEAST: 3 STARS. “loves its car more than its dog.”

Poet Paul Éluard said that to understand Jean Cocteau’s 1946 version of “La Belle et la Bête”—“Beauty and the Beast”—you must love your dog more than your car. It’s a good line that suggests Cocteau’s adaptation values the organic elements of the film — even the special effects are handmade—while refusing to allow the technical aspects of the film to interfere with the humanity of the story.

The same can’t be said of the new, big budget live action Disney version of the story. Inspired by their classic 1991 animated story of belle and beast, the remake relies too heavily on computer generated splendour and too little on the innate charms of the story.

Emma Watson plays the bright and beautiful Belle, the independent-minded daughter of eccentric inventor Maurice (Kevin Kline). She is, as the townsfolk warble, “strange but special, A most peculiar mad’moiselle!” She has caught the eye of dimwitted war hero Gaston (Luke Evans) who unsuccessfully tries to win her hand.

Taking one of his new gizmos to market Maurice picks a rose as a present for Belle but runs afoul of the Beast (Dan Stevens). Once a self-centered prince, he was changed into a part-man, part-wolf, part Chewbacca creature by a witch as punishment for his hedonistic life. The only way to beak the spell, she cackles, is to find someone to love him before the last petal falls off an enchanted rose. “Who could love a beast?” he asks.

Enter Belle.

On the hunt for her father, she makes her way to the Beast’s remote castle only to find Maurice locked up for rose theft. She pleads with her hairy host for a moment with her father, and while giving him a hug pushes him out of the cell, slamming the door behind her. Trading her freedom for his, she is now the Beast’s prisoner. The staff—once human, now transformed into the enchanted candlestick Lumiere (Ewan McGregor), Cogsworth the clock (Ian McKellen), a teapot Mrs. Potts (Emma Thompson) and wardrobe (Audra McDonald) although it feels like a missed opportunity to not have Daniel Craig play a eavesdropping microwave—see Belle as just the person to look past his ghastly appearance and see the true princely beauty within and lift his curse and theirs.

Director Bill Condon has made a classic big screen musical with state of the art special effects. Up front is a perfectly cast Emma Watson, who brings more tenacity to the character than we’ve seen in past versions as well as a considerable amount of charm. She is the movie’s beating heart, the human presence in the midst of a considerable amount of pomp and circumstance.

Condon decorates the screen, over-dressing almost every scene with layers of pageantry and CGI. It entertains the eye, particularly in the Busby Berkeley style “Be Our Guest” sequence but overwhelms the film’s humanity. This is a movie that loves its car more than its dog.

“Beauty and the Beast” is a handsome, straightforward movie that adds little to the animated classic. Some of the details have changed. Belle and Beast mourn their deceased mothers and Gaston’s minion Le Fou (Josh Gad) is now gay but the dreamlike of the 1991 version is lacking. The story just seems less magical when built from a collection of pixels.

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY MAY 20, 2016.

Screen Shot 2016-05-20 at 3.53.30 PMRichard and CP24 anchor Nneka Elliot do a refresher on “Captain America: Civil War” and then talk about the weekend’s big releases, the seedy charm of “The Nice Guys” with Russell Crowe and Ryan Gosling, the kid’s cartoon “The Angry Birds Movie,” and the Seth Rogen sequel “Neighbors 2: Sorority Rising.”

Watch the whole thing HERE!

RICHARD’S “CANADA AM” REVIEWS FOR MAY 20 WITH MARCI IEN.

Screen Shot 2016-05-20 at 12.18.44 PMRichard and “Canada AM” host Marci Ien talk about the weekend’s three big releases, the shady charm of “The Nice Guys” with Russell Crowe and Ryan Gosling, the kid’s cartoon “The Angry Birds Movie,” and the Seth Rogen sequel “Neighbors 2: Sorority Rising” and the debauched “High-Rise” with Tom Hiddleston.

Watch the whole thing HERE!

Metro: Why Hollywood thought the world needed an Angry Birds movie

Screen Shot 2016-05-16 at 10.01.29 AMBy Richard Crouse – Metro In Focus

Are you among the 200 million people that play Angry Birds on your smartphone? If so you’re in good company.

Angelina Jolie, Jack Black and Jon Hamm are fans and British Prime Minister David Cameron has admitted to being “mildly addicted” to the game. Since December 2009, folks have been flinging flocks of birds at pig’s fortresses, downloading more than 3 billion versions of the app.

This weekend the Angry Birds game takes the next logical step, catapulting onto the big screen with their very own movie.

Jason Sudeikis, Josh Gad and Maya Rudolph star in The Angry Birds Movie, a story that tells us why the annoyed avians — like flock leader Red Bird, Bomb the Black Bird and Slingshot Stella the Cockatoo — are so angry. Turns out they feel betrayed by the tittering piggies that pretend to be their friends but are really only interested in stealing their eggs. Cue the catapults and mountains of TNT.

It’s a brand with a built-in audience, a combination Hollywood finds irresistible, and while it has colourful, easily marketed characters, the game itself doesn’t offer much in the way of story. But that has never stopped producers before.

Remember Super Mario Bros? Siskel & Ebert gave that one two thumbs down and star Bob Hoskins, who played Mario, called it “the worst thing I ever did.”

Despite brutal reviews and box office failure, Nintendo Power magazine praised the film, calling it a trailblazer in the genre of videogame movies.

Which leads us, 23 years after Mario and his brother Luigi stunk up movie theatres, to The Angry Birds Movie. Why is a game from a developer in Espoo, just outside Helsinki, Finland, popular enough to take flight as its own movie?
The success of Angry Birds has to do with something called schema formation, a five-dollar term for mentally grasping and embedding how the game’s interface works the first time you play it.

The addictive part comes in as the action of the game changes. In Play at Work, engineer Charles L. Mauro explains the appeal: “These little birds are packed with clever behaviours that expand the user’s mental model at just the point when game-level complexity is increased.”

The game’s genius is in adding playing details at just the right moment to increase user engagement. In other words, it’s fun. I guess that’s why gamers spend 200 million minutes a day flinging Angry Birds at various targets.

According to marketers AYTM, that’s “equal to 16 years of gameplay every hour of every day.” They also note that players have flung over 100 billion angry birds, a number equal to the amount of real birds on the planet. Those are the kind of statistics Hollywood can’t ignore.

One person unlikely to pass the time with Angry Birds is U.S. communications surveillance whistleblower Edward Snowden. In 2014 he claimed the app was “leaky,” and was vulnerable to the harvesting of information by outside groups.

Mikael Hed, CEO of Rovio Entertainment, the makers of Angry Birds, denied Snowden’s claims.

“We do not collaborate, collude, or share data with spy agencies anywhere in the world,” he said, which must have come as a relief to another of the game’s biggest fans, former Vice President of the United States Dick Cheney, who, apparently, also enjoys hurling a bird or two in his spare time.

THE ANGRY BIRDS MOVIE: 3 STARS. “as plot heavy as an app based movie can be.”

Screen Shot 2016-05-16 at 10.02.29 AM200 million people play Angry Birds on their smartphones every day. More fictional birds have been flung in the name of the game than there are real birds in the world. It’s the first app to sell movie rights to the movies and if just a fraction of the people who play the game everyday go see the movie it should be a rousing success. Keep in mind though, that if “The Angry Birds Movie” doesn’t lay an egg at the box office it is inevitable that “Candy Crush: The Saga” and “Fruit Ninjas” movies won’t be far behind. The choice is yours.

This weekend the furious feathered friends catapult onto the big screen accompanied by a classic rock score—this may be the only kid’s flick to feature Black Sabbath’s “Paranoid”—and plenty of bird puns—”Pluck my life,” says Red (Jason Sudeikis) when he is sentenced to anger management class.

Sudeikis, Josh Gad and Maya Rudolph star in “The Angry Birds Movie,” a story that tells us why the annoyed avians—like flock leader Red Bird, Bomb the Black Bird (Danny McBride) and Slingshot Stella the Cockatoo (Kate McKinnon)—are so angry. Turns out they feel betrayed when Bird Island is invaded by pigs—including one named John Ham—who arrive uninvited but soon win over the birds. “We mean no harm,” says Leonard the Pig (Bill Hader). “We saw your island from the sea and thought, I wonder what’s going on there?” Only Red who is suspicious of the porcine interlopers. “Something isn’t kosher with these pigs,” he says, “and it’s up to us to figure out what it is.” Seems the pigs are only pretending to be friendly. In truth they’re only interested in stealing all the eggs on the island. To save the eggs Red assembles the troops—“We’re birds were descended from dinosaurs,” he says, “we’re not supposed to be nice.”—the catapults and mountains of TNT.

“Angry Birds The Movie” is about as plot heavy as you’d imagine a movie based on an app would be. It’s an underdog tale with messages of never giving up and being true to yourself but mostly its an excuse for bad bird jokes—Free Rage Chicken anyone?—and lots of finely feathered action. Breezy in the extreme, it is padded out with frenetic chase scenes and music numbers. The colourful animation is designed to attract the attention of young eyes but for many adults the story will be as about as appealing as a case of bird flu.

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY JULY 24, 2015.

Screen Shot 2015-07-26 at 2.05.20 PMRichard’s CP24 reviews for “Southpaw,” “Pixels” and “Paper Towns.”

Watch the whole thing HERE!

Metro: Pixels could be Adam Sandler’s last chance after a string of flops

Screen Shot 2015-07-22 at 10.05.01 AMBy Richard Crouse – Metro In Focus

From a career point of view, Pixels may be the most important movie of Adam Sandler’s career. The big-budget action comedy sees the comedian help save the world from aliens who attack using classic video arcade games like PAC-MAN, Donkey Kong and Centipede as models for their assaults.

In real life, it’s not Donkey Kong Sandler needs to battle, but audience apathy. A string of box office flops, controversies and terrible reviews — critic Liam Maguren was so horrified by Sandler’s 2011 “comedy” Jack and Jill he wrote, “Burn this. This cannot be seen. By anyone” — have threatened to torpedo his career.

Even his own studio seemed to have turned against him. In last year’s Sony email hack, one employee complained, “we continue to be saddled with the mundane, formulaic Adam Sandler films.”

Movies like Billy Madison, Happy Gilmour and Big Daddy were hits that established his persona as the angry but sweet everyman, a misfit character he trotted out for two decades. Occasionally he’d get serious in pictures like Punch-Drunk Love or Reign Over Me and soak up some good reviews, but by and large, the Sandleronian oeuvre has been ripe with anger management issues and jokes of … how to put this delicately: a gastrointestinal nature.

Not highbrow, but that’s OK — not everything has to be Noel Coward — as long as audiences care.

But at some point, it seemed they stopped caring.

Perhaps it was the inconsistent nature of his movies. Just when you think he’s turned a corner with the excellent Reign Over Me into interesting adult roles he slaps you in the face with the zero-star rated follow-up I Now Pronounce You Chuck and Larry.

Or maybe it’s quality control issues. Last year Kevin Nealon told me about being offered a role in the Sandler-produced Grandma’s Boy.

“It was so lowball and crass,” said Nealon. “I thought it might be a little embarrassing to be in that one. So I told Sandler I’d probably pass on it and he called me and said, ‘I really hope you do this because if you don’t do it and it’s a big hit I’ll feel bad, but if you do it and it’s not a big hit, no one is going to see it anyway.’”

That attitude may be realistic but it doesn’t exactly speak to high standards. More than that, however, is the static nature of Sandler’s comedy. His everyman character hasn’t changed much throughout the years. Usually these days he lives in nicer houses or has more money but it’s the same old shtick.

The old saying, “He got bigger, but didn’t grow up,” perfectly applies to Sandler.

He may have matured (chronologically at least) but the urination gags and rageaholic jokes that characterize his comedy haven’t.

We don’t need to feel sorry for Adam Sandler. He has movies in the pipeline and a new deal with Netflix, but Pixels is still an important moment for him. Rolling Stone called his last film, The Cobbler, “beyond awful and beyond repair,” and it went on to become his biggest flop to date.

If Pixels is a hit, and it may be, the trailer generated 34.3 million views worldwide in its first 24 hours online, he will be redeemed — at least until his next movie’s new round of toilet humour and cleavage shots.

RICHARD’S “CANADA AM” REVIEWS FOR JULY 24 WITH MARCI IEN.

Screen Shot 2015-07-24 at 9.50.42 AMRichard’s “Canada AM” reviews for “Southpaw,” “Pixels” and “Paper Towns.”

Watch the whole thing HERE!

PIXELS: 1 ½ STARS. “There are Donkey Kong games with more laughs.”

Screen Shot 2015-07-22 at 10.06.02 AMIt’s Arcadegeddon.

Imagine Donkey Kong meets “War of the Worlds” and you’ll get the idea behind the new Adam Sandler comedy. Question is, Will it be the end of the world or the end of Sandler’s career?

The “Billy Madison” star plays Sam, a Nerd Brigade television installer who, as a teen was part of a gang of video game obsessed kids, Will (Kevin James), Ludlow (Josh Gad). While Sam’s dreams of becoming an international gaming star were crushed when he lost the 1982 worldwide arcade game championships to Eddie “The Fire Blaster” Plant (Peter Dinklage), his best friend Will went on to become the President of the United States. “I’m just a loser who’s good at old videogames,” he says.

Now it looks like all those hours spent saving the world from Galaga and Centipede may finally have some real life application. An alien race has misinterpreted old arcade video game signals for a declaration of war from earth. In retaliation they have created an army of invaders based on1980s style characters like PAC-MAN, Donkey Kong and, of course, Space Invaders. Sam’s plans for world domination in his “sport” may have been pushed aside, but when he gets a call from the President, he and his friends use their skills to save the world from the pixelated predators.

There might be some 1980s “Pac Man Fever” nostalgia for those who came of age during the Reagan years but as good-natured as the movie is, there’s not much here to recommend it as a comedy. There are Donkey Kong games with more laughs than “Pixels.” Sandler’s man-child with a heart of gold character is now as creaky as an arcade game joystick after a Battlezone binge.

There is an interesting story in how pop culture can have a massive impact on people’s lives, but the movie is content to stick to the Sandler template, using the inventive premise as a frame for another of the comedian’s tired romantic hook-ups. Predictable and not nearly heart warming enough to make you care about the characters, “Pixels” feels lazy, as though it was too much work to make the video game warrior aspect anything more than a sentimental gimmick. It’s Game Over for “Pixels.”