Posts Tagged ‘Jonathan Majors’

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres, VOD and streaming services including the much anticipated sci fi epic “Dune” and the neo-Western “The Harder They Fall” starring Jonathan Majors, Idris Elba and Regina King. They also discuss the tragic incident on the set of “Rust” that took the life of director of photography Halyna Hutchins.

Listen to the whole thing HERE!

 

 

THE HARDER THEY FALL: 3 ½ STARS. “stylised spaghetti western action.”

In the annals of the lore of the American West the names of Black cowboys like Nat Love and Rufus Buck don’t loom as large as Billy the Kid or Wyatt Earp. A new movie, “The Harder They Fall,” starring Jonathan Majors and Idris Elba, and now playing in theatres, aims to change that.

“While the events of this story are fictional,” reads an opening title card, “These. People. Existed.”

In real life Nat Love (Majors), Rufus Buck (Elba), Bill Pickett (Edi Gathegi), Cherokee Bill (LaKeith Stanfield), Stagecoach Mary (Zazie Beetz), Jim Beckwourth (RJ Cyler) never crossed paths, but writer, director Jeymes Samuel imagines a revenge story that brings them all together in wild and increasingly violent ways.

The film’s story is put into motion when Love, as a child, sees Buck kill his parents. To finish off the heinous act, they let the youngster live, but carve a cross into his forehead.

Cut to years later. It’s the late 1800s and Love is now an outlaw, and gang leader. He’s a kind of Robin Hood who only robs people who rob banks. When he and his gang steal $25,000 Buck planned on using to fund a town for Black Americans, it puts the two men (and their gangs) on a bloody collision course.

As the final showdown between the hunter and the hunted nears, the film flips back-and-forth between the two groups, introducing the characters and, of course, gun fights, bank robberies, and bar fights.

Remember when you first saw “Reservoir Dogs” and it felt like you had entered a parallel universe? It felt familiar, yet new and exciting. That movie was a reimagination of what a gangster movie could be, and the first forty-minutes or so of “The Harder They Fall” gave me the same rush. It plays with many of the same elements we expect from a revenge style Western, but it feels fresh and daring. The cutting and pasting of styles, from classic Hollywood and bloody b-movies to the anachronistic dialogue and music and charismatic cast, it’s an exciting eyeful. Director Jeymes Samuel has reinvigorated the genre by telling the story through a Black lens, with plenty of stylised spaghetti western action and humour.

The rest of the film is a bit of a mixed bag. The story telling bogs down slightly in the middle leading up to the final shoot out, which has a body count that would make Tarantino proud. Keeping things interesting are the cast.

Cherokee Bill played by Stanfield, has a long scene on a train that makes you wish there could be an entire movie about this character alone. Stanfield’s laid back take on the stone cold killer who claims to abhor violence, but is quick on the trigger, is worth the price of admission alone.

Danielle Deadwyler as the androgynous Cuffee also warrants further exploration. A loyal sharp shooter, they get the job done, but there is a great deal of humanity tucked away under their thousand-yard stare.

At the center of it all is “Lovecraft County’s” Majors. He’s the engine that fuels the action, and it is his story that provides the emotional undercurrent beneath the bloodshed.

There are no actual heroes anywhere here, just interesting actors inhabiting outsized characters.

“The Harder They Fall” is a crowd pleaser that mixes and matches real life with fiction, tradition with innovation and does so with blood splattered panache.

CTV NEWSCHANNEL: NEW MOVIES COMING TO VOD AND STREAMING SERVICES!

Richard and CTV NewsChannel anchor Andrea Bain talk about the latest movies coming to VOD and streaming services, including the new Spike Lee Vietnam epic “Da 5 Bloods,” the Pete Davidson semi-autobiographical story “The King of Staten Island” and the latest from Disney+, “Artemis Fowl.”

Watch the whole thing HERE!

CTV NEWS AT SIX: MOVIES AND TV TO STREAM DURING THE PANDEMIC.

Richard speaks to “CTV News at Six” anchor Andria Case about television and movies to watch during the pandemic including the CTV special “Change & Action: Racism in Canada,” a ninety minute national dialogue on how Canadians can take action against systemic racism. the Janet Jackson film “Poetic Justice,” streaming for free on CTV.ca and Spike Lee’s new movie, “Da 5 Bloods.”

Watch the whole thing HERE! (Starts at 36:51)

CP24: WHAT MOVIES AND TV SHOWS TO WATCH TO KILL TIME DURING THE PANDEMIC!

Richard and “CP24 Breakfast” host Bill Coulter have a look at some special streaming opportunities and television shows to help fill the hours during the pandemic, including a free stream of “Ali” starring Will Smith at ctv.ca, a new Anna Kendrick show called “Love Life” on HBOMax, a Disney+ and chill experience called Zenimation and the new Spike Lee film “Da 5 Bloods” on Netflix.

Watch the whole thing HERE!

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to VOD and streaming services including the new Spike Lee joint “Da 5 Bloods,” the Pete Davidson semi-autobiographical story “The King of Staten Island,” the absurdist dramedy “It Must Be Heaven” and the latest from Disney+ “Artemis Fowl.”

Listen to the whole thing HERE!

DA 5 BLOODS: 4 STARS. “a big, bold movie that aims to entertain and reckon.”

Spike Lee movies are like onions. Peel off a layer and there’s a new one beneath. Take that off and another reveals itself. His latest, “Da 5 Bloods,” now streaming on Netflix, is even more multi-faceted than usual. The director calls it a “gumbo,” a rich stew of varied ingredients. It’s a two-and-half-hour Vietnam War legacy film featuring a Trump supporter in a leading role. It’s a searing look at how African American soldiers fought in a war for a country that didn’t support them and it’s an adventure film, à la “The Treasure of the Sierra Madre” with action scenes and even buried treasure.

Most of all, it feels like a film that only Spike Lee, the auteur, could have made.

The story centers on the Bloods, MAGA-man Paul (Delroy Lindo), Otis (Clarke Peters), Melvin (Isiah Whitlock Jr.) and Eddie (Norm Lewis), four African American vets who return to Vietnam almost fifty years after their last tour of duty. They hope to recover the remains of, “the best damn soldier who ever lived,” their Squad Leader, Stormin’ Norman (Chadwick Boseman).

It’s a noble mission indeed, but there’s more. A lot more in the form of CIA gold bars intended as bribes for the Vietnamese government but hijacked by the Bloods and hidden in the jungle.  “We’ve been dying for this country from the very get,” says Norman in a flashback. “We give this gold to our people.”

It seems like a foolproof plan but almost as soon as the men land in Vietnam they are beset with problems, some new, some a product of their past. “Being back here is not easy,” says Paul.

“Da 5 Bloods” weaves archival footage of Rev. Dr. Martin Luther King Jr., Muhammad Ali, Angela Davis and Kwame Ture among others, and 60s era music into the narrative, creating a vivid portrait of time and place. Add to that a study of the effects of PTSD, political corruption and some interpersonal politics between the main characters—including Jonathan Majors as Paul’s estranged son David—action scenes and a slimy banker (Jean Reno) and you have a big, bold movie that aims to entertain and reckon with social issues that linger years after the Vietnam War ended.

“Da 5 Bloods” explores areas of the African American experience in Vietnam that have never been exclusively the subject of a film. Lee and co-writer Kevin Willmott, with whom the director shared an Academy Award for Best Adapted Screenplay for “BlacKkKlansman,” have crafted a poignant, if slightly overlong, look at the lasting effects of fighting a war for freedoms the Bloods and their counterparts were being denied at home. “Black GI,” taunts propagandist Hanoi Hannah (Van Veronica Ngo) on Radio Hanoi, “is it fair to serve more than the white Americans who sent you here?”

Lee makes daring choices—not de-aging the older actors in the flashback scenes, for instance—but never obscures the film’s central message. “Every time I walk out my front door I see cops patrolling my neighborhood like it’s some kind of police state,” Stormin’ Norman says, circa 1971. “I can feel just how much I ain’t worth.” The pain and anger in those words, and in this film, is undiminished by the passing years.

IN ISOLATION WITH..: ACTOR AND “DA 5 BLOODS” STAR CLARKE PETERS!

Check out episode eighteen of Richard’s new web series, “In Isolation With…” It’s the talk show where we make a connection without actually making contact! Today, broadcasting directly from Isolation Studios (a.k.a. my home office),  we meet Clarke Peters, one of the stars of the new Spike Lee joint “Da 5 Bloods.” It’s an adventure movie that also examines the role of African American soldiers in Vietnam and how that conflict affected the rest of their lives. We talk about how he was accused of draft evasion by the FBI, how life during the pandemic has taught us to think about more than just ourselves and why he considers himself a stage actor first and foremost.

Here’s Clarke Peters on being a stage actor: “For those actors who understand the magic of it, we also understand that there’s a great responsibility in it. It is not about your ego. You are not the star. It’s the story that you’re telling, that’s the star, and you tell that story as best as you can. Through the years you find ways to hone your craft, so that you know that if I hold on for just two seconds longer before saying this next word that a tear is going to come up in somebody’s eyes over there, or that the whole audience is going to fall out and laughter. That’s a hell of a power to have and a hell of a responsibility, but also very necessary service for society in the situation that we’re in now.”

Then, we meet photographer and documentary film maker Paul Perrier. As many of us sheltered in place at the beginning of the pandemic Paul grabbed his camera and hit the streets, taking photos of people and their masks. The result is The Toronto Portrait Project, a series of photographs that document the face… or I guess… faces of the pandemic.

Watch the whole thing HERE on YouTube and HERE on ctvnews.ca!

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY JULY 05, 2019.

Richard joins CP24 anchor Nathan Downer to have a look at the weekend’s new movies including “Spider-Man: Far From Home,” the pagan ceremonies of “Midsommar” and the poignant story-telling of “The Last Black Man in San Francisco.”

Watch the whole thing HERE!