I appear on “CTV News at 6” with anchor Andria Case to talk about the World War II drama “Pressure” and the crime drama/rom com “Tuner.”
Watch the whole thing HERE! (Starts at 37:04)
I join “CTV News Toronto at Five” with anchor Michelle Dube to talk about new movies in theatres including the World War II drama “Pressure,” the romantic crime drama “Tuner” and the existential horror of “Backrooms.”
Watch the whole thing HERE! (Starts at 14:55)
I join CTV NewsChannel anchor Akshay Tandon to talk about the new releases in theatres, including the World War II drama “Pressure,” the romantic crime drama “Tuner” and the existential horror of “Backrooms.”
Watch the whole thing HERE!
I sit in on the CFRA Ottawa morning show with host Bill Carroll to talk about the new movies coming to theatres including the World War II drama “Pressure,” the romantic crime drama “Tuner” and the existential horror of “Backrooms.”
Listen to the whole thing HERE!
Fast reviews for busy people! Watch as I review three movies in less time than it takes to brush your teeth. Have a look as I race against the clock to tell you about the World War II drama “Pressure,” the romantic crime drama “Tuner” and the existential horror of “Backrooms.”
Watch the whole thing HERE!
SYNOPSIS: In “Tuner,” a new drama starring Leo Woodall, and now playing in theatres, a piano tuner with perfect pitch and very sensitive hearing, played by Leo Woodall, discovers his talents are good for more than just tuning pianos when his mentor Harry (Dustin Hoffman) gets hit with massive medical bills.
CAST: Leo Woodall, Havana Rose Liu, Lior Raz, Tovah Feldshuh, Jean Reno, Dustin Hoffman. Directed by Daniel Roher,
REVIEW: “Tuner’s” takes familiar genres, the rom com and crime thriller, mixes and matches them to create something fresh and new.
Leo Woodall stars as Niki, a former piano prodigy whose career was cut short by hyperacusis, a condition that requires him to wear headphones and hearing aids to protect his ears from the aural onslaught of everyday life.
While working with veteran piano tuner and mentor Harry (Dustin Hoffman), Niki meets and falls for composition student Ruthie (Havana Rose Liu). His life is complicated when Harry falls ill and can’t pay his medical bills. Wanting to help, Niki uses his finely tuned hearing to help a group of safe crackers for cash, a dangerous side gig that threatens his romance with Ruthie.
What begins as a surrogate father and son story becomes a crime drama with a romantic twist.
Academy Award winner Daniel Roher‘s narrative filmmaking debut is a character driven piece centered around a star-making performance from Woodall. He’s all understated charm as Niki, but this isn’t simply a story of a good guy who gets in over his head. Roher, who also wrote the script with Robert Ramsey, crafts a finely tuned tale of the pursuit of perfection, loyalty and conquering life’s limitations.
It’s jaunty and playful, with a great deal of charm, much of which stems from the performances.
Woodall, best known for season two of ”The White Lotus” and the romantic comedy “Bridget Jones: Mad About the Boy,” does career best work, bringing charisma to an unconventional leading man role.
Liu elevates Ruthie from love interest to a fully rounded character while Hoffman provides warmth via his reliably ruffled persona.
“Tuner” is a low key, character driven movie that makes the most of its disparate elements to form a cohesive whole.
SYNOPSIS: In “My Penguin Friend,” a new family film starring Jean Reno and a penguin, and now playing in theatres, a Brazilian fisherman discovers DimDin, an injured penguin drifting alone in the ocean, near death and covered in oil from a spill. He rescues the animal and rehabilitates it, forging an unconventional friendship. “He’s not my pet,” says Joao (Reno) of the tenacious penguin. “He’s my friend.”
CAST: My Penguin Friend, Jean Reno, Adriana Barraza, Rochi Hernández. Directed by David Schurmann.
REVIEW: Set against the backdrop of unimaginable personal loss and guilt, “My Penguin Friend” develops into a story of finding comfort in strange places, including small, penguin shaped packages. It’s about connections, community and compassion, wrapped up in an indie kids’ movie.
French actor Reno hands in an understated performance and plays well off of Mexican star Adriana Barraza. They share many scenes, but this is the penguin’s movie.
Kids will likely enjoy DimDin. He is a bit of a troublemaker and a thief—“stealing” shoelaces and other small items to feather his nest—with a swaggalicious waddle and a tenacious spirit. Thankfully, the filmmakers don’t anthropomorphize him. He is just a plain penguin, who behaves more like a friendly puppy than a flightless bird, and that brings the film a great deal of charm.
Gently paced—read: S-L-O-O-O-O-O-O-W—“My Penguin Friend” sometimes feels like an episode of “Mutual of Omaha’s Wild Kingdom” with a heartwarming “inspired by true events” story attached to the nature photography. It’s an old-fashioned family movie, low on stakes, that serves up compassion rather than high action but may entertain any young, aspiring Marine Biologists in the house.
Spike Lee movies are like onions. Peel off a layer and there’s a new one beneath. Take that off and another reveals itself. His latest, “Da 5 Bloods,” now streaming on Netflix, is even more multi-faceted than usual. The director calls it a “gumbo,” a rich stew of varied ingredients. It’s a two-and-half-hour Vietnam War legacy film featuring a Trump supporter in a leading role. It’s a searing look at how African American soldiers fought in a war for a country that didn’t support them and it’s an adventure film, à la “The Treasure of the Sierra Madre” with action scenes and even buried treasure.
Most of all, it feels like a film that only Spike Lee, the auteur, could have made.
The story centers on the Bloods, MAGA-man Paul (Delroy Lindo), Otis (Clarke Peters), Melvin (Isiah Whitlock Jr.) and Eddie (Norm Lewis), four African American vets who return to Vietnam almost fifty years after their last tour of duty. They hope to recover the remains of, “the best damn soldier who ever lived,” their Squad Leader, Stormin’ Norman (Chadwick Boseman).
It’s a noble mission indeed, but there’s more. A lot more in the form of CIA gold bars intended as bribes for the Vietnamese government but hijacked by the Bloods and hidden in the jungle. “We’ve been dying for this country from the very get,” says Norman in a flashback. “We give this gold to our people.”
It seems like a foolproof plan but almost as soon as the men land in Vietnam they are beset with problems, some new, some a product of their past. “Being back here is not easy,” says Paul.
“Da 5 Bloods” weaves archival footage of Rev. Dr. Martin Luther King Jr., Muhammad Ali, Angela Davis and Kwame Ture among others, and 60s era music into the narrative, creating a vivid portrait of time and place. Add to that a study of the effects of PTSD, political corruption and some interpersonal politics between the main characters—including Jonathan Majors as Paul’s estranged son David—action scenes and a slimy banker (Jean Reno) and you have a big, bold movie that aims to entertain and reckon with social issues that linger years after the Vietnam War ended.
“Da 5 Bloods” explores areas of the African American experience in Vietnam that have never been exclusively the subject of a film. Lee and co-writer Kevin Willmott, with whom the director shared an Academy Award for Best Adapted Screenplay for “BlacKkKlansman,” have crafted a poignant, if slightly overlong, look at the lasting effects of fighting a war for freedoms the Bloods and their counterparts were being denied at home. “Black GI,” taunts propagandist Hanoi Hannah (Van Veronica Ngo) on Radio Hanoi, “is it fair to serve more than the white Americans who sent you here?”
Lee makes daring choices—not de-aging the older actors in the flashback scenes, for instance—but never obscures the film’s central message. “Every time I walk out my front door I see cops patrolling my neighborhood like it’s some kind of police state,” Stormin’ Norman says, circa 1971. “I can feel just how much I ain’t worth.” The pain and anger in those words, and in this film, is undiminished by the passing years.
Check out episode eighteen of Richard’s new web series, “In Isolation With…” It’s the talk show where we make a connection without actually making contact! Today, broadcasting directly from Isolation Studios (a.k.a. my home office), we meet Clarke Peters, one of the stars of the new Spike Lee joint “Da 5 Bloods.” It’s an adventure movie that also examines the role of African American soldiers in Vietnam and how that conflict affected the rest of their lives. We talk about how he was accused of draft evasion by the FBI, how life during the pandemic has taught us to think about more than just ourselves and why he considers himself a stage actor first and foremost.
Here’s Clarke Peters on being a stage actor: “For those actors who understand the magic of it, we also understand that there’s a great responsibility in it. It is not about your ego. You are not the star. It’s the story that you’re telling, that’s the star, and you tell that story as best as you can. Through the years you find ways to hone your craft, so that you know that if I hold on for just two seconds longer before saying this next word that a tear is going to come up in somebody’s eyes over there, or that the whole audience is going to fall out and laughter. That’s a hell of a power to have and a hell of a responsibility, but also very necessary service for society in the situation that we’re in now.”
Then, we meet photographer and documentary film maker Paul Perrier. As many of us sheltered in place at the beginning of the pandemic Paul grabbed his camera and hit the streets, taking photos of people and their masks. The result is The Toronto Portrait Project, a series of photographs that document the face… or I guess… faces of the pandemic.
Watch the whole thing HERE on YouTube and HERE on ctvnews.ca!
