Cineplex Events has today announced that the widely popular Great Digital Film Festival will now be known as Flashback Film Fest. The event is Canada’s only coast-to-coast festival, bringing a line-up of sci-fi, fantasy and fan favourites back to the big screen. This year, Cineplex Events and renowned film critic, Richard Crouse, curated a line-up of 17 of the most blood-pumping, thrill-inducing and heart-warming films in cinema that will screen in over 24 cities across the country from February 3-9, 2017.
Please click here for a message from Richard Crouse and Cineplex Pre-Show Host Tanner Zipchen.
“We wanted to give the festival a new name that better reflects how it has evolved and why it has been so popular over the years,” said Brad LaDouceur, Vice President, Event Cinema. “Flashback Film Fest fits perfectly with our Event Cinema business which offers guests exciting, unique content that ranges from classic films to renowned stage productions. We take them on tours of famous galleries and put them courtside at sporting events without them ever having to set foot on a plane, or in this case, a time machine.”
“The great thing about this festival is that audiences will have a chance to relive these movies in the way they were meant to be seen; on a big screen, with an audience,” said author and film critic, Richard Crouse. “The best and most powerful way to see a movie is to fully immerse yourself in the theatre experience, surrounded by people who are enjoying it just as much as you are. I’m personally looking forward to seeing films like Fight Club, Blade Runner – The Final Cut, Pulp Fiction and Shallow Grave in all their glory.”
The 2017 Flashback Film Fest Line-up includes:
Tickets for festival films cost $7.99, $6.99 for 5 or more films and new this year film fanatics can buy the “I Want It All” pass for $69.99 allowing them access to all 17 films for a price of $4.11 per admission. For a complete list of show times, or to purchase tickets, visit Cineplex.com/FBFF .
Participating theatres include:
Posts Tagged ‘Heat’
Richard and Cineplex pre-show host Tanner Zipchen announce this year’s Flashback Film Festival! More details to come… in the meantime watch Tanner and Richard HERE!
Watch the whole thing HERE!
If angst is your thing, the new Jason Statham remake of the 1986 Burt Reynolds’ thriller “Heat,” may be for you. Sure, he also kills a man with a spoon, but unlike other fast-moving movies in Statham’s repertoire, here most the action takes place in his head, behind dead eyes.
Statham is Nick Wild, an Elmore Leonard-esque character working as a bodyguard/thug-for-hire in Las Vegas. He is the trademarked Statham “troubled loner” character, a man with a murky past who “doesn’t rest his head on the same pillow twice.” When his friend, call girl Holly (Dominik García-Lorido) is attacked by some very bad people at the Golden Nugget—“Tough place,” says Nick, “even the showgirls can rip a phonebook in half.”—and left for dead Nick is drawn into a dangerous game of revenge. Job done he may finally be able to leave Vegas for good, but bad luck and bad guys just might get in the way.
“Wild Card” could easily have been retitled “The Art of the Montage.” Take out the slow motion, the montages and the slow motion montages and you’d be looking at a twenty minute running time. Director Simon West, who worked with Statham on “The Expendables 2” and “The Mechanic,” never met a pastiche he didn’t love.
They slow down the action, although to be fair, there isn’t much action to hold back. This is a study of obsession, of gambling, of putting it all on the line, but most of all it is a study of Statham making angsty faces while ruminating on the “creeping virus” of Las Vegas. He’s broody and only pushed into action a couple of times during the 92 minute running time. In those scenes we get what we pay for—Statham getting medieval on bad guys—the rest of the time we get an insider’s up-close-and-personal look at what Statham looks like when he’s sleepy.
“Wild Card” could have been an interesting look at the downside of Las Vegas life. Or it could have been a kick-butt action movie. As it is, it is neither.