Posts Tagged ‘Cop Car’


Screen Shot 2015-08-28 at 3.34.38 PMRichard’s CP24 reviews for “We Are Your Friends,” “Cop Car,” “Learning to Drive,” and “Z for Zachariah.”

Watch the whole thing HERE!


Screen Shot 2015-08-28 at 3.33.36 PMRichard’s “Canada AM” reviews for “We Are Your Friends,” “Cop Car,” “Learning to Drive,” and “The End of the Tour.”

Watch the whole thing HERE!

Metro Canada: Kevin Bacon in “Cop Car,” Substance over Screentime

Screen Shot 2015-08-26 at 1.27.06 PMBy Richard Crouse – Metro Canada

In Cop Car, a b-movie thriller about two kids who steal a police vehicle for a joyride, Kevin Bacon plays Sherriff Kretzer, a bad cop short on dialogue but long on menace. It’s an intense role but one that once upon a time the Footloose star would have turned down.

“When I first started becoming an actor I would judge a role by how many lines I had,” he says. “Then, later on, by, ‘Where’s my big scene?’ As time has gone on I’ve really loved the idea of trying to use everything cinema has to offer in terms of helping you unfold the mystery of who somebody is. Sherriff Kretzer is one of those guys who, somehow, even though there is very little being said, I had an image for who he would be. Sometimes it just comes to me.”

Now into an almost four decade long career—his first professional acting gig came in 1978 on the soap opera Search for Tomorrow—he’s come to understand why less is often more on screen.

“Look at something like Diner,” he says. “I didn’t want that part because the guy didn’t say much. I didn’t know or trust that who he was would come through [in the scene where] I was just sitting there watching the college bowl. People talk about that as being the moment where they totally got the guy, but on the page I didn’t get that. I was too naïve to understand that. In the course of my career I have started to realize that the camera sees so much more than we see in real life. It’s not that it just shoots real life, it’s that it goes deeper. You shoot somebody’s eyes, do a close up on somebody’s eyes, and you see things that the human eye can’t see. It actually reaches down into that person’s soul so you’re exposed to something that is deeper and more beautiful.”

Bacon says he and director Jon Watts give audiences everything they need to “metaphorically jump in the car and come along” without over explaining the characters.

The result is a violent film that transcends its b-movie roots to become a story about loss of childhood innocence. “I think it is a surprisingly moving and emotional film,” he says. “I know my wife [actress Kyra Sedgwick] feels that way.”

COP CAR: 3 STARS. “a bleakly beautiful coming of age story that packs a punch.”

Screen Shot 2015-08-26 at 1.26.15 PM“Cop Car” is as lean and mean as its name. An unabashed b-movie, it’s a down-and-dirty story about two kids, a desperate con and a cop who really wants his car back. It’s back to basics but loaded with tension and some unexpected moments.

Kevin Bacon plays the kind of corrupt cop who locks people in his trunk and says things like, “Tell me the truth or I will shoot you.” When two ten-year-old boys steal his police vehicle for a joy ride—“What if somebody sees us?” asks one of the kids. “We’ll just say we’re cops.”—they set into motion a deadly game of cat and mouse that will change their lives forever.

“Cop Car” is a smartly made but simple movie that doesn’t rely on fancy tricks to tell its story. Stripped down, it instead assumes its audience are good and moral enough to understand how fraught with danger it is to have two children playing with a loaded gun in the backseat of the titular locked cop car. Desperate to get out they first try and shoot out the window, which doesn’t work. Then they pound on the glass with the butt of the gun, literally inviting the weapon to misfire and injure one of them. There will be no spoilers here, but I can tell you that the sight of these young hands handling the gun is unsettling in the extreme, which, I imagine is exactly what director Jon Watts had in mind.

Bacon is at his white trash best in a role short on dialogue but long on menace and both the young guys James Freedson-Jackson and Hays Wellford hand in naturalistic performances.

“Cop Car” begins as a joyride becomes anything but joyful, and while the story is bleak, it is a bleakly beautiful coming of age story that packs a punch.