I sit in with Deb Hutton on NewsTalk 1010 to go over some of the week’s biggest entertainment stories and let you know what’s happening in theatres. We talk about sharing cemetery space with Jim Morrison, bidding on Will Ferrell’s “Elf” costume, actors and politics and I review “Christy” starring Sydney Sweeney.
I join CP24 to talk about Sydney Sweeney’s “Christy,” Jennifer Lawrence in “Die My Love,” the Netflix historical drama “Death By Lightning” and the Tracy Morgan comedy “Crutch.”
I sit in on the CFRA Ottawa morning show with host Bill Carroll to talk about the new movies coming to theatres including Sydney Sweeney’s “Christy,” the historical drama “Nuremberg” and Jennifer Lawrence in “Die My Love.”
Fast reviews for busy people! Watch as I review three movies in less time than it takes to make the bed! Have a look as I race against the clock to tell you about Sydney Sweeney’s “Christy,” the historical drama “Nuremberg” and Jennifer Lawrence in “Die My Love.”
I join the Bell Media Radio Network national night time show “Shane Hewitt and the Night Shift” for “Booze & Reviews!” This week I review tell you about Sydney Sweenery’s boxing flick “Christy,” and suggest some knockout cocktails to enjoy while watching the movies.
Click to HERE to listen to Shane and me talk about remixing The Tragically Hip for charity, a new song that passesw the sniff test and the Canadian inspiration to an Oscar nominated tune!
For the Booze & Reviews look at “Christy” and some knockout cocktails to enjoy while watching this boxing flick click HERE!
SYNOPSIS: In the sport biopic “Christy,” now playing in theatres, Sydney Sweeney plays a successful professional boxer who faced her biggest battles outside the ring.
CAST: Sydney Sweeney, Ben Foster, Merritt Wever, Katy O’Brian. Directed by David Michôd.
REVIEW: Boxing movies are never about the big match. Instead, they’re about the journey, which, in “Christy’s” case, is a story of the real-life triumphs and traumas of former professional boxer Christy Martin.
The action begins in late 1980s West Virginia when a gay coal miner’s daughter named Christy Salters discovers an innate talent for beating the heck out of other women in the boxing ring. Her skill catches the eye of a $500-a-fight promotor who offers her to hook her up with trainer James V. Martin (Ben Foster). Initially reluctant to work with a woman, James is won over by Christy’s ferocity in the ring. “Maybe there is something to this lady boxing business,” he says.
Leaving high school girlfriend Rosie (Jess Gabor) behind, much to the relief of her controlling mother Joyce Salters (Merritt Wever), Christy steps back into the closet, marries the unpredictable James and, in a few short years, becomes a champion, the first woman to sign with flamboyant promoter Don King and the first female boxer to appear on the cover of “Sports Illustrated.”
Her rise to the top, however, comes at a great cost, physically and mentally. Forced to subvert her sexual identity and submit to Jim’s will inside and outside the ring, she compromises every aspect of her life. “If you leave me,” Jim says, “I will kill you.”
Part “Star 80,” part “Raging Bull,” “Christy” is a gritty, if overlong, story of struggle and resilience, of compromise and abuse. Director David Michôd, who co-wrote the script with Mirrah Foulkes, tackles every aspect of Christy’s life. Christy’s rise to fame is pure by-the-book underdog sports biopic material, amped up with sometimes brutal boxing scenes, which are very convincingly played by Sweeney and her various opponents.
Sweeney’s transformation to pitbull, win-at-any-cost fighter in the ring is impressive, but it is her work in the film’s family drama sections that showcases her best work. The emotional brutality she experiences at the hand of James surpasses any punishment she suffers in the ring. She convinces as Christy the athlete and as a person trying desperately to keep her head above water. It’s remarkable work in a movie that, unfortunately, doesn’t live up to its central performance.
As a movie “Christy” is on the ropes, but is elevated by a transformative, knockout star turn from Sweeney.