Posts Tagged ‘Blue Ivy Carter’

CTV NEWS TORONTO AT FIVE WITH ZURAIDAH ALMAN: RICHARD ON WHAT TO WATCH!

I join “CTV News Toronto at Five” with host Zuraidah Alman, to talk about the animated action adventure of “Sonic the Hedgehog 3,” the photorealism of “Mufasa: The Lion King” and the thrills of #Carry-On.”

Watch the whole thing HERE! (Starts at 14:06)

CTV ATLANTIC: RICHARD AND TODD BATTIS ON NEW MOVIES IN THEATRES!

I join CTV Atlantic anchor Todd Battis to talk about the animated action adventure of “Sonic the Hedgehog 3,” the photorealism of “Mufasa: The Lion King” and the thrills of #Carry-On.”

Watch the whole thing HERE!

YOU TUBE: THREE MOVIES/THIRTY SECONDS! FAST REVIEWS FOR BUSY PEOPLE!

Fast reviews for busy people! Watch as I review three movies in less time than it takes to do a high five! Have a look as I race against the clock to tell you about the action adventure of “Sonic the Hedgehog 3,” the photorealism of “Mufasa: The Lion King” and the thrills of #Carry-On.”

Watch the whole thing HERE!

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

I sit in on the CFRA Ottawa morning show with host BIll Carroll to talk the new movies coming to theatres including the animated action adventure of “Sonic the Hedgehog 3,” the photorealism of “Mufasa: The Lion King” and the thrills of #Carry-On.”

Listen to the whole thing HERE!

 

BOOZE & REVIEWS: A REVIEW AND A GREAT COCKTAIL… AND I AIN’T LYIN’

I join the Bell Media Radio Network national night time show “Shane Hewitt and the Night Shift” for Booze & Reviews! This week we have a look at “Mufasa: The Lion King” and I’ll suggest the perfect cocktail to enjoy with the movie. The drinks great, and I ain’t lyin’.

Listen to Booze & Reviews HERE!

Listen to the entertainment headlines HERE, including a story about how we might soon see a porno starring Popeye!

MUFASA: THE LION KING: 2 ½ STARS. “lots of tricks but very little magic.”

SYNOPSIS: Set in the Pride Lands of Tanzania, the new musical drama “Mufasa: The Lion King” is both a prequel and sequel to the 2019 remake of the 1994 film “The Lion King.” It’s the origin story of two lions, Mufasa and Scar, one who would become king, the other a villain.

CAST: Donald Glover, Seth Rogen, Billy Eichner, John Kani, Beyoncé Knowles-Carter, Aaron Pierre, Kelvin Harrison Jr., Tiffany Boone, Mads Mikkelsen, Thandiwe Newton, Lennie James, Anika Noni Rose, and Blue Ivy Carter. Directed by Barry Jenkins.

REVIEW: “Mufasa: The Lion King” is filled with visual tricks courtesy of the photo-realistic computer animation. For instance, a lion’s face is reflected in a single drop of rain. The topography changes from sunburnt savannahs to lush landscapes with a CGI flourish. You might even think a lion can sing Broadway style show tunes.

Yes, there’s lots of tricks on display, but very little magic.

Sure, fans learn where Rafiki (John Kani) found his famous bakora staff and how Pride Rock came to be, but even with the easter eggs, the sweeping cinematography, beautiful scenery, some action (which may be too intense for younger members of the family) and songs by Lin-Manuel Miranda, “Mufasa: The Lion King” feels inert. Instead of being enhanced by the endless possibilities of CGI, the film feels limited by it.

The rendering of the characters is impressive. They lions, and many of the other animals, look as though they just wandered in from a National Geographic nature doc. That’s great, but the photorealism doesn’t offer the range of expression of the original’s hand drawn work (which was enhanced by digital coloring). Those stylized characters had more opportunity for facial expressions and therefore had far more personality.

The new CGI work looks real… until the characters begin to speak.

Then the illusion shatters.

Ditto when they sing. Near the end Taka—the lion who will become Scar—sings “Brother Betrayed,” a song of heartbreak that would have benefitted from more emotion and less realism.

“Mufasa: The Lion King” is a technical achievement but feels bloodless. Familiar “Lion King” themes of family, loyalty, love and discovering purpose in life are present, but they feel lost amongst the pixels in this generic prequel.