Posts Tagged ‘Ben Affleck’

RICHARD’S CTV NEWSCHANNEL REVIEWS FOR JAN. 7 WITH MARCIA MACMILLAN.

Richard joins CTV NewsChannel and anchor Marcia MacMillan to have a look at new movies coming to VOD, streaming services and theatres including the Ben Affleck coming-of-age story “The Tender Bar” (Amazon Prime), the Olivia Coleman drama “The Lost Daughter” (on Netflix) and the heartwarming “June Again” (VOD/Digital).

Watch the whole thing HERE!

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres, VOD and streaming services including the Ben Affleck coming-of-age story “The Tender Bar” (Amazon Prime), the Olivia Coleman drama “The Lost Daughter” (on Netflix) and the heartwarming “June Again” (VOD/Digital).

Listen to the whole thing HERE!

THE TENDER BAR: 3 ½ STARS. “Affleck does some of his best work.”

There are many life lessons in “The Tender Bar,” a new easygoing drama starring Ben Affleck based on the life of journalist and author J.R. Moehringer, and now streaming on Amazon Prime. Set in and around The Dickens, a bar named after the author of “David Copperfield,” barstool wisdom about the value of books, education, taking care of your mother and “not keeping money like a drunk” in the front pocket of your shirt, abounds.

The story begins in 1973 Long Island. “Radar Love” by Golden Earring out of the car the car radio and the impressionable J.R. (played as a youngster by Daniel Ranieri) lives with his mom Dorothy (Lily Rabe) and cranky grandfather (Christopher Lloyd). His father, a radio DJ nicknamed The Voice (Max Martini), isn’t in the picture.

J.R.’s father figure is Uncle Charlie (Affleck), charming bookworm and owner of the Dickens. He is a font of advice, all of which J.R. soaks up “the male sciences” like a sponge. Charlie’s instructions range from the pragmatic—never order bar scotch neat—to the ideological—he urges J.R. to study philosophy. “You always do well in that class,” he says, “because there’s no right answers.”

Charlie’s guidance and the colorful regulars who populate the bar, like Bobo (Michael Braun) and Joey D (Matthew Delamater), help form J.R.’s young life. “When you’re 11 years old,” he says, “you want an Uncle Charlie.”

Cut to a decade later.

J.R., having inherited his Uncle Charlie’s love of storytelling and words, is a student at Yale, studying law but with aspirations to be a writer. Now played by Tye Sheridan, he falls in love with Sidney (Briana Middleton), a smart, “lower upper middle class” schoolmate who gives J.R. another lesson in heartbreak.

“The Tender Bar” is a low key coming-of-age story that works best when it has a glass in front of it. That is to say, when it concentrates on the Dickens and the life lessons young J.R. absorbs at the bar. Those scenes have a lovely nostalgic feel. Director George Clooney vividly recreates a time when ten-year-olds were sent to the local corner bar to by a pack of cigarettes for grandpa. Clooney sets the stage, but it is the actors who bring it to life.

As Affleck settles in to the character actor phase of his career, he’s doing some of his best work.  His Uncle Charlie has an effortless charm, a fierce intellect and is a bit of a scoundrel. It’s a performance that feels perfectly shaped and worn in, like an old baseball glove.

The scenes Affleck shares with Ranieri provide the film’s highlights. The young actor, making his film debut, brings genuine curiosity to J.R., a kid who has been knocked around but who always has his eyes to the future. It’s a delightful performance. Sheridan nicely mirrors the character as a young adult, but it is Ranieri who makes us care about J.R.

“The Tender Bar” is a nicely crafted, circumspect look at J.R.’s life. The stakes feel low and big dramatic moments are few and far between, but this textured look at the importance of community, including the drunks at the bar, in the formative stages of J.R.’s life is an understated winner.

CP24: WHAT MOVIES AND TV SHOWS TO WATCH TO THIS WEEKEND!

Richard and “CP24 Breakfast” host Pooja Handa have a look at some special streaming opportunities and television shows to kill time over the weekend including the oddball Netflix series “Teenage Bounty Hunters,” the Jason Sudeikis sports Apple TV+ show “Ted Lasso,” the Ben Affleck drama “The Way Back” on Crave and “We Hunt Together,” the Showtime/BBC drama about a pair of killers on the loose in London.

Watch the whole thing HERE!

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY MARCH 06, 2020.

Richard and CP24 anchor Cortney Heels have a look at the weekend’s new movies including “Run This Town,” Pixar’s “Onward,” the social criticism of “Sorry We Missed You” and the sports drama “The Way Back.”

Watch the whole thing HERE!

RICHARD’S CTV NEWSCHANNEL WEEKEND MOVIE REVIEWS FOR MAR. 06!

Richard sits in on the CTV NewsChannel to have a look at the newsy “Run This Town,” Pixar’s “Onward,” the social criticism of “Sorry We Missed You” and the sports drama “The Way Back.”

Watch the whole thing HERE!

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres including Pixar’s quest flick “Onward,” the sporty you-can-never-go-home-again story “The Way Back,” the social commentary of “Sorry We Missed You” and the ripped-from-the-headlines “Run This Town.”

Listen to the whole thing HERE!

CTVNEWS.CA: THE CROUSE REVIEW ON “ONWARD” “THE WAY BACK” AND MORE!

A weekly feature from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest and most interesting movies! This week Richard looks at Pixar’s newest, “Onward,” the new sports drama from Ben Affleck , “The Way Back” and the new social message movie “Sorry We Missed You.”

Watch the whole thing HERE!

THE WAY BACK: 3 ½ STARS. “‘The Days of Wine and Rose’ with basketball.”

“The Way Back,” a new drama starring Ben Affleck, is a riff on the you-can-never-go-home-again story with a sports twist.

Affleck is Jack Cunningham, a former high school basketball phenom who left a full scholarship at the University of Kansas on the table as he walked away from a promising career and into years of addiction. “I spent a lot of time hurting myself,” he says. “I made a lot of bad decisions. I got a lot of regrets.”

Cut to years later. Jack’s drinking—he starts the day with a beer in the shower—has cost him everything but when his alma mater recruits him to coach their basketball team he reluctantly agrees. “Is the team any good? he asks. “No,” he’s told. “In fact, the last time they made the playoffs, you were still playing.”

The team is in tatters, a laughing stock in the league but being back on the court gives Jack a renewed sense of being. “It keeps me busy,” he says. “Keeps my mind off other things.” As he molds the ragtag team into a force to be reckoned with, he discovers that the inspirational lessons he is teaching the kids—”The players decide the game!”—apply to his life as well.

“The Way Back” has the form of many other sports flicks—a new coach helps a failing team find their mojo—but this one digs deeper to focus on the characters rather than the rah rah of the sports. It’s “The Days of Wine and Rose” with basketball and a bleary eyed, beer-bellied and vulnerable Affleck at the center.

A quiet movie that tells the story of a man living in quiet desperation, “The Way Back” benefits greatly from Affleck’s raw but understated performance. Jack is damaged goods, a man wounded by life who subverts his pain by staring at the bottom of a pint glass. Director Gavin O’Connor gives Affleck nowhere to hide, shooting up-close-and-personal, and you can practically smell the beer breath as he shouts instructions at his players from the sidelines.

Rebuilding his life doesn’t come easily for Jack and the lack of easy life hacks, and a great central performance, elevates “The Way Back” above the run-of-the-mill sports drama.