Posts Tagged ‘Alan Turing’

RICHARD’S REVIEWS FOR DEC 12, 2014 W “CANADA AM” HOST JEFF HUTCHESON.

Screen Shot 2014-12-12 at 11.19.10 AMRichard’s “Canada AM” film reviews for “Exodus: Gods and Kings,” “The Imitation Game,” “Top Five” and “Advanced Style.”

Watch the whole thing HERE!

THE IMITATION GAME: 4 ½ STARS. “peels back the layers of Turing’s enigmatic life.”

imageNear the beginning of “The Imitation Game,” a handsome new bio pic from director Morten Tyldum, a policeman says, “I think Alan Turing is hiding something.”

He’s referring to the fact behind a break in at Turing’s home, but that remark turns out to be the biggest understatement not only of this movie, but perhaps of any movie this year.

Benedict Cumberbatch is Turing, a Cambridge mathematician who volunteers to help break the German’s most devastating weapon of war, the Enigma machine. “I like puzzles,” he says, “and the enigma is the most difficult puzzle in the world.” Called “the crooked hand of death itself,” it was a coding machine, thought to be unbreakable, that conveyed messages about every attack, every bombing run and every U-boat attack. The English tried for years to find the secret if the machine, but it wasn’t until Turing and his team—Matthew Goode, Rory Kinnear, Allen Leech and Keira Knightley—built a computer capable of decoding the Enigma’s missives that the war turned in favor of the good guys. It was a top-secret operation, classified for more than fifty years, but that wasn’t Turing’s only secret. Gay at a time when homosexuality was illegal, punishable by jail or chemical castration, he was forced to live a world of secrets, both personal and professional.

“The Imitation Game” is a story of defeat in triumph. Turing’s work marked a turning point in the war but the veil of secrecy denied him the acclaim that should accompanied his good work.

Cumberbatch seems to be making a career of playing misunderstood geniuses–WikiLeaks founder Julian Assange, Sherlock Holmes–and really embodies the quirks and quandaries of this man who seems ill equipped to deal with life outside of a math textbook. In a moment of anger Teresa (Knightley) calls him a “fragile narcissist” but the truth, as Cumberbatch plays it is more complex. He’s not fragile in the least. Throughout his life he makes difficult decisions, at boarding school, in relationships and later when he discovers the secret to Enigma but has to make the decision to allow a British convoy die rather than use information that would tip the Germans off that their machine had been compromised. Fragile he was not. A narcissist, perhaps, but at least he seems aware of it. “Mother says I can be off putting sometimes,” he says, “because I am the best mathematician in the world.”

Either way, as another character says, “I’ll give you a quid if you can find a more insufferable sod.”

That may be so, but in Cumberbatch’s hands he’s a fascinating character.

Supporting cast and period production values are top notch, but it’s Cumberbatch who excels, peeling back the layers of Turing’s enigmatic life.

TIFF 2014: Metro Canada’s Reel Guys are on Red Alert (and on screen) at TIFF

redBy Richard Crouse & Mark Breslin – Metro Reel Guys

As the Reel Guys continue their journey into the heart of the Toronto International Film Festival, Richard Crouse discovers a conflict he’s never encountered before and Mark Breslin uses the word “neurasthenic” for the first time ever during a major film festival.

Richard: Mark, I’ve been covering the film festival for a long time, but this is the first time I’ve had a conflict like the one Red Alert poses. It’s a short documentary about recent reports that redheads were going to become extinct. It features 10-year-old Sloan Avrich (a redhead whose father Barry directed the film), geneticist Amro Zayed, flame-haired model Lucy Liberatore and me as the resident film expert on all things Lucille Ball and Julianne Moore. I can’t review it, of course, but unofficially I give it 6 out of 5 stars. Writer Anne Brodie asked Sloan why she cast me in the film. “He is a friend of my parents. So I just asked him and he said yes. What a nice guy.”

Mark: I haven’t seen the film, but let me help you out: “Red Alert is a highly entertaining doc that truly comes alive whenever film expert Richard Crouse comes onscreen. His palpable magnetism and clever wordplay take a great little film and lift it to new heights.” I feel I can review a film without having seen it because I like all of Barry Avrich’s work. His showbiz documentaries are always great, but if you want to see a real oddball piece of hysteria check out Amerika Idol, about a small Balkan town that wants to erect a statue of Sylvester Stallone to bring the tourists in.

RC: I guess I was late to jump on the Benedict Cumberbatch bus. I liked Sherlock well enough and have seen him in several movies, but for me, and I know I’m the last to get it, his performance in The Imitation Game is a game changer. He plays real-life character Alan Turing, a Cambridge mathematician who volunteers to help break Germany’s most devastating WWII weapon of war, the Enigma machine. It was a top-secret operation, classified for more than 50 years, but that wasn’t Turing’s only secret. Gay at a time when homosexuality was illegal, punishable by jail or chemical castration, he was forced to live a world of secrets, both personal and professional. He’s fantastic in the movie and after interviewing him at TIFF I can tell you he has a voice that sounds like melted wax.

MB: The movie is a sad and shameful story, tragic, really, about how a hero can be persecuted for his personal life. Cumberbatch, who I thought you wore with a tuxedo, specializes in neurasthenic roles and he brings an aristocratic grace even to comic book movies. I’m not surprised you liked him as Turing. He’d also make a great Kim Philby — the British spy who secretly worked as a double agent in the ’50s.

RC: Cumberbatch has a look that seems to lend itself to period pieces, as does his co-star Keira Knightley who plays Joan Clarke, a brilliant female mathematician who worked alongside Turing during WWII. In my chat with her, she pointed out that the movie may be set in the 1940s but is still timely today: “She was paid a fraction of what all the men were paid, which is still what feminists are arguing about today. So in that way it still is a very current issue in the same way that as much as gay rights have moved on since the ’40s and ’50s, it’s still an issue.”

MB: Knightley’s come a long way from the female soccer player in Bend It Like Beckham. I just loved her in this year’s Begin Again and I thought she was great in Last Night and Never Let Me Go.