Richard sits in on the CFRA Ottawa morning show with guest host Andrew Pinsent to talk the new movies coming to theatres, VOD and streaming services including the action-adventure of “Jungle Cruise,” the surreal journey of self discovery “The Green Knight,” the heartwarming comedy of “The Exchange” and the comedy documentary “For Madmen Only: The Stories of Del Close.”
Listen to the whole thing HERE!
“For Madmen Only: The Stories of Del Close,” a new documentary now on VOD, is about the best-known funny man you’ve probably never heard of. Tina Fey says he taught her to be bold in life. Mike Myers says he learned the connection between comedy and bigger ideas from him and Robin Williams campaigns for a Church of Del. Del Close is called a living legend by Amy Poehler and yet, as the movie says, this Zelig of comedy has the same name recognition as a third-tier fast food chain.
As one of the pioneers of a new kind of theatre called improvisational comedy Close, along with a handful of others like Elaine May (who close calls a supernatural figure) and Mike Nichols, created the form and the rules of performing comedy without a net. Some were intellectual. “Always work at the top of your intelligence,” and “Don’t deny, respect the other person’s reality.” Others practical. “Remember where the object are,” and “Don’t do mime.” Most important of all, “You’re not locked into this like an actor with a script.”
Using recorded interviews with Close, who died of emphysema at age 64 in 1999, and newer interviews with many of his friends and students, like the names I listed above and Tim Meadows, George Wendt, Bob Odenkirk among others, plus recreations, (which have a “Closeness” about them because director Heather Ross based on Close’s autobiographical comic “Wasteland”), and archival footage and photographs, a story emerges of a self-destructive rebel who put human nature onstage in an attempt to explore why we behave the way we do.
By the end of the film, it’s a portrait of a complicated man whose window into human nature was both a gift and a curse. He was, as Dave Thomas describes him, “a delicate basket of eggs destined to break at any moment.” He was brilliant, but as Adam McKay points out, also a “bit of a baby sometimes.”
What remains is his pioneering work teaching improv (with a big leg up from Charna Halpern). His “Harold” teaching method, the structure used in longform improvisational theatre, is both rigid—there are a set of strict rules—but also freeing in a way that made his students, as Myers says, “get in touch with their higher selves.”
“You have a light within you,” he would tell them. “Burn it out.”
You can draw a straight line from Close to most folks who have made you laugh in the last thirty years. He was a guru, who never reaped the rewards or the recognition many of his students enjoyed but the film aims to correct the latter.
As often happens in biographies, the legend sometimes looms larger than life. Did he really give L. Ron Hubbard the idea to start a religion to circumvent taxes? Did he really volunteer to have his dreams monitored by the US government while high on LSD, leave the project early and then sent a letter saying he owed the government one more dream?
Who knows? They’re good stories though. Fact and fiction, it seems are the two sides of the coin that inform the legend of Del Close.
What to watch when you’ve already watched everything Part Thirteen! Binge worthy, not cringe worthy recommendations from Isolation Studios in the eerily quiet downtown Toronto. Three movies to stream, rent or buy from the comfort of home isolation. Today, a financial crisis, a blacklisted writer and a troubled trumpeter. #TheBigShort #Trumbo #BornToBeBlue
Listen to the whole thing HERE!
A weekly feature from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest movies! This week Richard looks at “Aladdin,” “Booksmart” and a doc about the life and times of a Canadian legend, “Gordon Lightfoot: If You Could Read My Mind.”
Watch the whole thing HERE!
Richard sits in on the CTV NewsChannel with news anchor Marcia MacMillan have a look at the weekend’s big releases including the live action remake of “Aladdin,” the wild and wooly “Booksmart” and a doc about the life and times of a Canadian legend, “Gordon Lightfoot: If You Could Read My Mind.”
Watch the whole thing HERE!
Richard has a look at the new movies coming to theatres, including Will Smith in the live action remake of “Aladdin,” the wild and wooly “Booksmart” and a doc about the life and times of a Canadian legend, “Gordon Lightfoot: If You Could Read My Mind” with CFRA Morning Rush host Bill Carroll.
Listen to the whole thing HERE!
Four hundred years ago when Shakespeare wrote, “To thine own self be true,” he could not have imagined that his words would provide the bedrock of a raucous teen comedy and yet here we are. “Booksmart,” Olivia Wilde’s feature directorial debut, is both high and low brow, touching and sentimental in its look at female friendship.
Molly (Beanie Feldstein) and Amy (Kaitlyn Dever) are best friends. Inseparable, they are class president and vice-president, Michelle Obama acolytes who listen to self-empowerment tapes. “You’ve worked harder than anyone and that’s why you are a champion. Stand at the top of the mountain of your success and look down on everyone who has ever doubted you.” Molly is a perfectionist who corrects the grammar on bathroom wall graffiti while Amy is off to Botswana to “help women make tampons.”
On the eve of their high school graduation, they have Yale and Columbia in their sights but when Molly realizes her slacker schoolmates are also going to Ivy League schools she isn’t happy. “We chose to study so we could get into good schools,” she says. “They didn’t choose.” After semesters of prioritizing academics over socializing they attempt to cram four years of fun into one night. “Nobody knows we are fun,” Molly says. “We are smart and fun. What took them four years were doing in one night.”
There’s only one big problem; they don’t have the address of the hip graduation party and no one is answering their texts. “We have never hung out with any of these people except academically,” Amy says. “They probably think we’re calling about school.” After some misadventures on a tricked-out yacht and at a murder mystery party they use their academic skills. “How will we find out where next party is? By doing what we do best, homework.”
“We are 8A+ people and we need an A+ party.”
The plot synopsis of “Booksmart” sounds like it could have been lifted from any number of other high school comedies but director Wilde simply uses the of high school graduation party set-up as a backdrop for her hilarious study of female bonding. The premise may be familiar but the charm of the movie is all in execution and the connected chemistry between the leads.
In her feature debut Wilde is so self-assured, staging big party scenes, a dance number and even car chases but never allows the focus to drift from Molly and Amy. Even when the supporting cast—the cosmically free-spirited Gigi (Billie Lourd), rich kid Jared (Skyler Gisondo), the much-talked-about AAA (Molly Gordon) or the very theatrical drama club members Alan and George (Austin Crute and Noah Galvin)—gets showcased in increasingly outrageous ways Wilde never lets their humanity trump the humour. In other words, it’s funny because it’s based in truth; real human behavior.
Feldstein and Dever are the film’s beating heart. Both have crushes on other people—Molly likes party boy Nick (Mason Gooding), Amy has her eye on skater girl Ryan (Victoria Ruesga)—but deep down they are soul mates. They click, whether it is through their banter or the knowing looks they exchange, and by the time “Unchained Melody,” that ode to unconditional love, spills from the theatre’s speakers there’s no doubt that Molly and Amy are bound to be connected forever, or at least until adult life gets in the way.
Like its main characters “Booksmart” is true to its self, an overachiever that knows how to have a good time.
Richard sits in on the CJAD Montreal morning show with host Andrew Carter to talk the new movies coming to theatres including the all-singing, all-dancing, all-powerful Genie in the live action remake of “Aladdin,” the wild and wooly “Booksmart” and a doc about the life and times of a Canadian legend, “Gordon Lightfoot: If You Could Read My Mind.”
Listen to the whole thing HERE!
Richard joins CP24 anchor Cristina Tenaglia to have a look at the weekend’s new movies including Christian Bale as former vice president Dick Cheney in “Vice,” the James Baldwin adaptation “If Beale Street Could Talk” and Felicity Jones as Associate Justice of the Supreme Court of the United States Ruth Bader Ginsburg in “On the Basis of Sex.”
Watch the whole thing HERE!
