It’s been eight years since Po, the accident-prone panda voiced by Jack Black, last brought one of his “legendary adventures of awesomeness” to the big screen. He returns, alongside some high-profile help in the form of Awkwafina, Viola Davis, Dustin Hoffman and Ke Huy Quan, to battle all the master villains Po thought were vanquished to the Spirit Realm.
As the film begins, Dragon Warrior Po is reluctantly about to ascend to the position of Spiritual Leader of the Valley of Peace. “I finally found something I’m good at,” he says. “And now you want to take it away from me?”
“No one is taking anything away Po,” says Shifu (Hoffman). “Who you are will always be part of what you become.”
As Po searches for the new Dragon Warrior, an evil shapeshifting sorceress called The Chameleon (Davis) sets her eye on Po’s mystical Staff of Wisdom. She is already able to absorb the martial art abilities of her victims, but if she gets her hands on the Staff she will have the power to jump between the Spirit and Mortal realms and restore villains from the past to the present.
“Once I possess the kung fu of every master villain,” she says, “no one will dare question my power.”
To keep the Valley of Peace safe Po recruits Zhen (Awkwafina), a sly corsac fox and thief whose cunning will help defeat The Chameleon.
“Kung Fu Panda 4” doesn’t reinvent the nunchuck. After three big screen entries and a popular video game version, there isn’t a lot of room for new adventures for Po, but the new movie does a good job at keeping the story and action before its “best by” date.
Likeable main characters, fun voice work and cool animation that, like the previous movies, embraces various styles—computer generated to stylized Kung Fu movie art—and loads of well-choreographed action, may not accurately be described as “legendary adventures of awesomeness,” but they are a good time.
Despite Zhen’s generic design, Awkwafina generates laughs as the fox who lives by “the rules of the street.” The Chameleon benefits from a more elaborate design, and Davis’s suitably villainous performance. Also welcome is a drunken fish (Ronny Chieng) who lives in the beak of a pelican.
The star of the show is Black as Po. He gives Po a charming childlike naiveté and a rock ‘n roll attitude, but while he has great fighting skills, he relies on his inherent goodness to guide his actions. The fight scenes are entertaining but it is his spirit that makes him lovable.
Even though it comes with a slight feeling of déjà vu, “Kung Fu Panda 4” will entertain the eye, and has good messages for the whole family, and, in this case, that’s enough for a good time at the movies.
“Ricky Stanicky,” a new feel-good comedy from director Peter Farrelly, starring Zac Efron, Andrew Santino, John Cena and Jermaine Fowler, and now streaming on Amazon Prime, is light on laughs but heavy on heart.
Ever since they were kids, best friends Dean, JT, and Wes (Efron, Santino and Fowler) have used a fictional friend named Ricky Stanicky as a fall guy for their hijinks. Even though he doesn’t exist, he’s been their alibi forever. They’ve used him as an excuse to go on guy’s weekends to Atlantic City, or catch a concert, and then blame him for anything that went wrong. “The best friend we never had,” says Dean.
But when Dean ups the ante and announces to his wife that Ricky has cancer, and the guys need to see him, Wes thinks they may have taken the ruse a bit too far.
“Why does it have to be cancer?” he asks. “You want everyone to get worried?”
“Yeah,” Dean says. “And that’s going to take us right into the World Series.”
When the boys split town, Dean’s wife (Lex Scott Davis) tries to track them down, only to discover there is no record of a Ricky Stanicky at any hospital anywhere.
Caught in their lifelong lie, they panic.
“If the truth does come out,” says JT, “my marriage is over.”
The plan to hire an actor to play Ricky leads them to Rock hard Rod (Cena), an X-rated rock and roll impersonator, who immediately ingratiates himself with their significant others and their boss Summerhayes (William H. Macy).
“Ricky Stanicky” has the earmarks of a Farrelly film; the outrageous premise, the jokes that come very close to the line and broad comedic performances (ie: John Cena dressed like “Baby One More Time” era Britney Spears). But underneath the silly stuff is an almost touching story about a man who finds a new way to get through life.
“My job sucked,” Ricky/Rod says. “I had no friends. But now I have all those things.”
It’s the same kind of subterfuge the Farrellys played with “There’s Something About Mary,” a gross-out comedy about finding true love. “Ricky Stanicky” doesn’t have the hard laughs of that film, but, in Cena, it does have a star who is able to effectively mix-and-match the silly with the saccharine. That combo is the key to the modest success of “Ricky Stanicky.”
It’s a shame Cena isn’t given a more convincing framework to play inside. The premise has lots of potential, but Farrelly and his laundry list of writers (five listed in the credits including Farrelly) emphasize the Hallmark aspects of the story over the humorous ones.
There’s something about “Ricky Stanicky.” There’s a good cast, bolstered by Cena’s charm, and the occasional deep laugh but the mix of humour and heart never quite finds the right balance.
As the title “Imaginary” suggests, the new Blumhouse horror film, now playing in theatres, is all about the power of imagination. Strange then, that so little imagination went into the story.
DeWanda Wise stars as Jessica, children’s book author and artist of the “Molly the Milliped” series and stepmom to preteen Alice (Pyper Braun) and fifteen-year-old Taylor (Taegen Burns). Jess and new husband Max (Tom Payne) are on “operation relocation,” moving into the house she grew up after her father is sent to a long-term care facility.
Jess has happy memories of living there, but may be looking at the past through rose-colored glasses. “No child should ever have to go through what you did,” says Gloria (Betty Buckley), an elderly neighbor who used to babysit Jess.
Soon, Alice hears voices coming from the basement. She investigates and finds Chauncey, a harmless looking, oversized Teddy Bear who becomes her constant companion.
“I found someone else to play with,” she says when Jess suggests they do something together.
Alice and the bear have long conversations, have pretend tea parties and Chauncey even creates a scavenger hunt, so Alice can show him how brave she is. If she completes it, they’ll go together on a trip to where Chauncey came from.
“Nobody loves Alice except for Chauncey,” he says.
As Jess, Taylor and the nosey neighbor do a deep dive into Alice and Chauncey’s imaginary world, the trauma of the past becomes the key that unlocks the secrets of the present.
The PG-13 rated “Imaginary” feels like a reworked “insidious” with less atmosphere and a new, cuddlier malevolent entity. A few twists cut through, providing some grabby moments in a movie that doesn’t deliver the promised scares.
Wise hands in a sturdy performance and Braun does a pretty good creepy kid voice as she utters some of Chauncey’s lines, but none of that matters much by the time the complicated, incomprehensible supernatural stuff really kicks in.
It’s “Insidious” lite, a revamped mythology about the rage unleashed when a friendship bond is broken. Not only do the main players immediately buy into the loopy rationalization for the “Twilight Zonesque” goings-on, but poor Buckley is saddled with the unenviable task of delivering horror movie balderdash about just how imaginary Alice’s new friend really is. The reliance on exposition over scares in the film’s final third blunts the effectiveness of those scenes.
In its examination of childhood trauma and unresolved issues from the past, “Imaginary” has the elements of a good horror film but isn’t imaginative enough to do anything really new.
On the Saturday March 2, 2024 edition of The Richard Crouse Show we get to know Alex Mallari Jr. The actor is known for his performances in the television series “Dark Matter” and “Ginny & Georgia.” You’ve seen him in movies “The Adam Project,” with Ryan Reynolds and “Shotgun Wedding” with Jennifer Lopez. Today we’ll talk about his latest Netflix movie, “Code 8 II” and working with Ryan Reynolds and Jenifer Lopez.
We’ll also meet Liz Locke. If you like cocktails and classic movies like I do, you’ll want to check out her site CinemaSips.com and then check out her debut novel “Follow the Sun,” a portrait of the 1960s International Jet Set Era through the eyes of an aspiring singer-songwriter.
Then, Dianne Whelan stops by. She is an award-winning director and cinematographer known for making films in extreme locations. She’s made movies in the Canadian Arctic and Mount Everest’s base camp but her latest, “500 Days in the Wild,” tested her in ways she had never experienced before. She filmed herself traversing the entire 24,000 kms of longest trail in the world, Canada’s land and water trails from sea to sea to sea. It is an epic journey of discovery—hiking, biking, paddling, snowshoeing and skiing across the country–that provided challenges over the six year it took her to complete the journey, but at the end she emerged a bit wiser, and certainly more hopeful about the state of the world.
Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Chris Pratt, Elvis Costello, Baz Luhrmann, Martin Freeman, David Cronenberg, Mayim Bialik, The Kids in the Hall and many more!
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Punk rock came roaring to life in a cramped, dingy bar on New York City’s Lower East Side called CBGB at 315 Bowery. More known for its filthy bathrooms than its drinks or food—legendary rock photographer Bob Gruen said with a laugh, “It was not a place you’d eat at.”—it is significant for its oversized influence on rock ‘n’ roll history. It’s the punk rock Cavern Club, a launching pad for new genres of music that still reverberate today. Punk scene likely would have happened without CBGB, but the grungy little club gave it a homebase.
In this podcast I’ll talk about the unruly story of an accidental cultural incubator born out of a unique moment in history where outsiders, like The Ramones, The Dead Boys, Talking Heads and Blonde, were brought together, celebrated and encouraged to be themselves.
Joining me to tell the story of CBGB are photographer Boib gruen, filmmaker, co-founder of “Punk” magazine and CBGBite Mary Harron, The ‘B’ Girls singer Lucasta Ross and The Punk Rock Museum co-founder Lisa Brownlee. Topping it off is an interview from the vault I did with CBGB’s owner Hilly Kristal in 1992.
I join “Moore in the Morning’s” John Moore on NewsTalk 1010 to talk about the passing of Richard Lewis, the greatest movie lines of all time and the worst songs of all time.
