“Bob Marley: One Love,” a new biopic starring “Peaky Blinders” actor Kingsley Ben-Adir, and now playing in theatres, places the iconic reggae musician’s songs in the personal and political context in which they were written.
By and large the story takes place in the two years after the 1976 assassination attempt on reggae icon Bob Marley (Ben-Adir) at his home compound in Kingston, Jamaica. A decade-and-a-half after the island country declared independence from Great Britain, civil war looms.
After agreeing to perform at Smile Jamaica, a concert intended to counter political violence, Marley found himself caught in the conflict between supporters of Prime Minister Michael Manley’s left-wing People’s National Party (PNP) and the pro-US opposition Jamaica Labour Party (JLP). Two days before the concert, armed gunmen broke into Marley’s home, shooting the musician, wife Rita (Lashana Lynch) and manager Don Taylor (Anthony Welsh).
To ensure the safety of his family, Rita and their children are sent to stay with relatives in America, while Marley and his band, The Wailers, decamp to London. While there, work begins on his career defining “Exodus” album.
Add to that, flashbacks to Marley’s childhood, burgeoning relationship with Rita and a truly wonderful recollection of The Wailing Wailers audition for the Studio One label.
Produced by Marley’s widow Rita, daughter Cedella and son Ziggy, “Bob Marley: One Love” documents how Bob Marley became more than a music star, it’s about how he became a symbol of peace and unity.
“King Richard” director Reinaldo Marcus Green falls prey the usual music bio traps as Marley grapples with his meteoric rise to fame, the expectations of a record company looking for hits and the personal toll from the heat of the increased spotlight, but it is buoyed by the performances and, most of all, the music.
The movie is wall-to-wall with classic Marley tunes, but two performances stand out. The first, a nervous audition at a record label, sees Marley and The Wailing Wailers rip it up with an enthusiastic version of “Simmer Down.” It’s filled with youthful energy, swagger and raw talent.
Later, in London, the adult Marley is struck with the inspiration for one of his best-known songs when he overhears a band mate listening to Ernest Gold and the Sinfonia of London’s soundtrack for the 1960 film “Exodus.” It’s a typical music bio struck-by-inspiration scene, but the experience of watching the song come together, beat by beat, note by note, in the unassuming living room of a London flat is exhilarating.
“Bob Marley: One Love” may not be the in-depth, definitive story of the reggae icon’s life and impact, but it is an entertaining reminder of the mark made by the incredible music Marley left behind.
“Perfect Days,” the new, Oscar-nominated film from director Wim Wenders, now playing in theatres, is a contemplative movie that examines the simple pleasures in life. Music, literature and nature are showcased, but this poetic, profound film celebrates finding contentment in all aspects of life.
Veteran Japanese actor Kôji Yakusho is Hirayama, an everyman who leads a quiet life made up of routine and simple pleasures. He wakes up at the same time each day, finds joy in reading poetry and his American punk rock cassette collection and takes pride in his work as a public toilet cleaner.
When he’s not on the clock, he enjoys a sandwich lunch at a local park, soaks at the local bathhouse and occasionally grabs a bite at his favorite restaurant.
His carefully calibrated life hits the occasional hitch when outsiders are added into the mix. An annoying co-worker named Takashi (Tokio Emoto) is always short of cash and his niece Niko (Arisa Nakano) suddenly arrives on his doorstep, upending his life and making him reflect on the past.
“Perfect Days” is not the kind of movie that benefits from a detailed synopsis. Wenders revels in the mundane; the little things that make up a day. It’s a joyful celebration of a quiet life, of finding pride in your work, of taking advantage of simple pleasures.
At the heart of the film is Yakusho. His unpretentious performance brims with empathy, compassion and the understanding of the minutia that makes up a successful, happy life. It’s a deceptively simple performance, but rich in its execution. Yakusho takes an unassuming character and brings him to vivid life by emphasizing the stillness and grace that exemplifies Hirayama, a man of few wants and great appreciations.
“Perfect Days” is a beautiful movie, a film in love with life. It’s a meditative slice-of-life that will leave you feeling better as the end credits roll than you did when you went to the theatre.
“Land of Bad,” a new military thriller starring Liam Hemsworth and Russell Crowe, and now playing in theatres, uses highflying drone warfare as a backdrop for a story of survival on the ground.
Set in the South Philippines, the story begins with a covert Special Forces operation to extract a CIA asset captured by some very bad people.
Three highly skilled veterans, Sergeant Abel (Luke Hemsworth), Bishop (Ricky Whittle) and Captain Sugar (Milo Ventimiglia), are teamed with Sergeant JJ “Playboy” Kinney (Liam Hemsworth), a rookie whose nerves are showing even before they parachute into enemy territory.
Kinney’s job is to provide on-the-ground data to Captain Ed “Reaper” Grimm (Russell Crowe), a drone operator at a remote command post in Las Vegas. “I am the eyes in the sky,” Grimm says. “The bringer of doom.”
When the situation goes awry, Kinney is left on his own in hostile territory with only Reaper’s disembodied voice to guide him to safety.
“Land of Bad” asks (but doesn’t answer) questions about the role of technology in warfare, and if long distance battle, in the form of drones, is less barbaric than up-close-personal, Mano a Mano conflict. It’s an interesting, very twenty-first century issue, but it falls by the wayside as the action takes center stage.
Director William Eubank stages several exciting battles, provides lots of ticking-clock tension and plenty of obstacles—ie: baddies with guns and giant mountains between Kinney and safety—to keep Kinney’s odyssey edging the viewer toward the edge of their collective seats. There’s nothing much new here, but the action scenes are effective in creating a sense of immediacy and danger.
As a newbie in the group, Liam Hemsworth has an interesting arc, from nervous newcomer to reluctant hero. It goes a notch beyond the usual action hero portrayal, and humanizes Kinney as all hell breaks loose around him.
Crowe slides by on sheer movie star charisma. His take on Reaper is, by times, playful and powerful. But at the end of the day, he’s a stereotype of the anti-establishment figure who places emotion above authority. But, in the film’s unexpected dance scene he proves he can still cut a rug. Are You Not Entertained? Sure are, by the sheer absurdity of Crowe’s last twenty minutes on screen.
“Land of Bad” does not reinvent the war film wheel, but rolls along serviceably enough as an engaging action flick.
On the Saturday February 10, 2024 edition of the Richard Crouse Show we meet Supinder Wraich and Enrico Colantoni, stars of the new CBC police drama “Allegiance.”
Supinder stars as Sabrina Sohal, a star rookie police officer who must grapple with the limits of the justice system as she fights to exonerate her politician father. She serves her diverse hometown of Surrey alongside Vince Brambilla (played by Enrico Colantoni), a veteran training officer who sees her potential but doesn’t always agree with her forward-thinking methods. The first season of Allegiance airs on Wednesday nights on CBC and is available on the free CBC Gem streaming platform.
We’ll also meet debut author Ashley Tate arrives on the crime fiction scene with a bang on 1 February. “Twenty-seven Minutes” is described as a twisty psychological thriller filled with dark secrets – like why, on the fateful night of a car crash that killed his sister, Phoebe, did it take Grant Dean 27 minutes to call for help? As the anniversary of Phoebe’s death approaches, Grant is haunted by what happened.
We’ll also spend some time with comedian Ronny Chieng. You know him as a senior correspondent on “The Daily Show,” the star of Ronny Chieng Takes Chinatown, one of the stars of “Crazy Rich Asians” and the blockbuster “M3GAN,” and as one of the most I demand comedians out there. Today we’ll talk about why he waited until he was in university to give stand-up comedy a try and why he says, “I’m still trying to figure out if I am funny,” despite selling out theatres across the world.
Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Chris Pratt, Elvis Costello, Baz Luhrmann, Martin Freeman, David Cronenberg, Mayim Bialik, The Kids in the Hall and many more!
All iHeartRadio Canada stations are available across Canada via live stream on iHeartRadio.caand the iHeartRadio Canada app. iHeartRadio Canada stations are also connected through Alexa, Siri, and Google Home smart speakers.
Fifteen years after “Jennifer’s Body,” writer Diablo Cody returns to the horror genre with a teen riff on Mary Shelley’s gothic masterpiece. “Lisa Frankenstein,” now playing in theatres, breathes life into a reanimated corpse and the misunderstood teenager who loves him.
Set in 1989, the phantasmagorical romantic comedy stars Kathryn Newton as Lisa Swallows, a gloomy Goth who feels out of step with the world. “Lisa looks good,” says her step sister Taffy (Liza Soberano). “She could even do pageants if she had congeniality.”
Lisa, the survivor of a horrific axe attack that took the life of her mother, writes dark poetry, watches silent movies and hangs around the Bachelor Grove Cemetery, a rundown burial ground near her high school. She makes wax rubbings of the gravestones, and is particularly drawn to the marker of a handsome young Victorian era man whose bust sits atop his grave.
“I just don’t think anyone should be forgotten,” she says.
At school, she has a crush on Michael (Henry Eikenberry), the hipster editor of the school literary magazine, but her withdrawn nature prevents her from making the first move. “I can always count on Lisa to work Saturdays,” says her boss at the dry cleaner where she is a seamstress, “because she can’t get a date.”
At home, her father (Joe Chrest) is the mild-mannered counterpart to her evil stepmother (Carla Gugino), a psychiatric nurse who would love nothing more than to ship Lisa off to a residential psyche ward.
When a freak lightning storm strikes the crucifix necklace Lisa draped over her favorite grave, the young man (“Riverdale’s” Cole Sprouse) is reanimated and makes his way to Lisa’s home. After a meet-not-so-cute, they form an emotional connection.
They complete one another, except that he’s not quite complete. He’s almost perfect, save for some culture shock and a few missing bits and pieces, which they attempt to replace and rebuild with the help of a few unwilling victims and the electric charge of a faulty tanning bed.
“Lisa Frankenstein” isn’t just a gender swapped “Weird Science,” or a riff on the scientific hubris of “Frankenstein.” It’s a high school outsider story about loss and love with a hint of mayhem thrown in for good measure. Cody’s screenplay is often more strange than actually funny, but the underlying theme of forming connections—even if it is with a guy who “speaks” in grunts—is heartfelt and even touching. Sure, it’s still a slasher movie, but one more interested in what makes the heart beat, not what stops the heart from beating.
Newton, who visually channels “Who’s That Girl” era Madonna, is eccentric yet charming, building empathy for Lisa, even though she’s aiding and abetting some pretty heinous acts in the name of love.
As the zombie heartthrob, Sprouse radiates heavy Edward Scissorhands vibes in a role Johnny Depp would likely have played if this movie was made in the early 1990s.
Gugino goes all in as a mommy dearest type but it is Soberano who steals scenes as Taffy, Lisa’s superficial but big-hearted step-sister.
In “Lisa Frankenstein” director Zelda Williams, daughter of the late, great Robin Williams, creates a stylistic homage to both John Hughes and Tim Burton. It’s a sweet and strange zombie love story that understands teenage angst and how the heart wants what it wants, even if that heart no longer beats.
“Float,” a new romance starring “Kim Convenience’s” Andrea Bang and “Upload’s” Robbie Amell, and now playing in theatres, is an old-fashioned romance about having to choose between family expectations and love.
Set during the summer before Waverly (Bang) is set to do a medical residency in Toronto, the story begins with the young protagonist making a detour from a planned visit with her parents in Taiwan. She hasn’t seen them in years, not since she began studying medicine in Chicago. “They make sure I have everything I need,” she says, “but they don’t really know me.”
At the last minute she detours, and stops over to visit with her hippie-ish aunt (Michelle Krusiec) in Tofino, British Columbia.
“I haven’t had time off since med school,” Waverly says. “Now is my chance. I haven’t told my parents”
It’s a rare impulsive move for Waverly, who until this point has followed a path in life predetermined by her mother and father.
When she almost drowns, charming and handsome lifeguard Blake (Amell) comes to her rescue. He’s a local, tethered to the town by family obligations. The two hit it off, and as Waverly settles into life in the beach town, Blake gives her swimming lessons.
“Why are you doing this?” she asks.
“I like spending time with you,” he says.
They fall in love, but will the expectations of Waverly’s parents prevent them from having a life together?
If you can’t figure out how “Float” ends, then you may want to rethink your Harlequin Book of the Month subscription. The escapist story, about finding a path forward in life using love as a compass, may be predictable, but writer and co-director (adapting a wildly successful Wattpad story by writer Kate Marchant) Sherren Lee provides just enough conflict between Waverly and her parents and Blake and his sister to keep the movie on a low dramatic simmer throughout.
This is a story about, as Waverly says, finding creating a logical family over a biological family. It’s about the joys of friendship and love, and opening oneself up to new experiences and people. To that end Lee casts an appealing supporting cast with King Bach, Rukiya Bernard, Sarah Desjardins, Ghazal Azarbad and Tristan Arthurs, playing members of Waverly’s supportive new family.
It’s fitting, that given the setting of the film, that “Float” is the equivalent of a summer beach read. Despite some clunky, earnest dialogue—”I want to stay here with you but I want to be a doctor,” sounds like a rejected line from a Hallmark movie—the movie does what it set out to do, put a new spin on a classic genre.
A movie best described as a melancomedy, a mix of melancholy and comedy, “Sometimes I Think About Dying,” now playing in theatres, is a subdued, tender study of social anxiety and disconnection.
Daisy Ridley pauses the blockbuster phase of her career to play Fran, a withdrawn office worker who avoids eye contact, lives alone and rarely says a word. Her jocular co-workers mostly just ignore her, leaving her alone, save for her computer and spreadsheets, in the faraway corner of their workspace.
At night, in the privacy of her own home, she passes the time imagining herself dead, her body displayed in various, artful tableaus, like a Viking funeral or pastoral forest setting. She doesn’t have a death wish, she’s just fascinated with the morbid idea of it all, of how it might feel to be dead. Of how the void of death would differ from the void that is her life.
She is invisible to everyone at work, except new hire Robert (Dave Merheje). He’s a chatty, friendly guy who fills the air with stream of consciousness observations about what would happen if an armchair was actually shaped like an arm, and the like.
On his first day on the job, he tells everyone he likes Thai food, going to the movies and uncomfortable silences. Sounds like he and Fran will get along just fine.
And they do.
Their friendship begins with a work-related e-mail exchange which blossoms into a movie date. Desperate for connection, they are drawn to one another, uncomfortable silences and all.
“Sometimes I Think About Dying” is a quiet film that revels in its mundanity. From the idle chit chat around the office and the casual bonhomie of friends playing a murder mystery game to the awkward getting-to-know-you stage of a relationship and falling asleep while watching a movie, it’s a case study of everyday life, from the perspective of a person overwhelmed by life.
Ridley hands in a career best performance as someone uncomfortable even in her own comfort zone. Fran could have been a cipher, a character with no discernable traits, but Ridley does a lot with a little. Her extreme reserve is a mask, and Ridley haltingly allows personality to peek through. It’s a beautiful, quiet performance that could have been dreary, but Ridley creates something in the absence of any front facing personality traits.
Another stand-out is Marcia DeBonis as Carol, a former workmate who delivers a devastating, but understated monologue near the end of the film. Carol and Fran have nothing in common except for occupying the same space while they worked together, but in a heartfelt, and heartbreaking way, Carol gives Fran hope. No spoilers here, but this scene and the one immediately following are the film’s payoff.
“Sometimes I Think About Dying” is beyond low key, with no real conflict to speak of, other than one unexpectedly caustic remark that, given the quiet tone of the film, lands with the power of as punch in the mouth. Driven by ideas rather than story points, the movie requires patience, but for a film about the absence of emotion, delivers a sensitive and emotional conclusion to Fran’s story.
It was a real pleasure to host an In Conversation session with Eric McCormack at the Victoria Film Festival. He is an amazing storyteller, great impressionist, was funny, personal AND bought popcorn for the entire audience. A great afternoon with a great guy.
Read more about the event in an article from the “Times-Colonist” HERE!
On the Saturday February 3 edition of the Richard Crouse Show, we meet Kristen Vaurio, director of the new Paramount+ documentary June. The feature documentary shines an important spotlight on the history of country music and the mark the Carter and Cash families made on the genre before diving into the complex life of the legendary June Carter Cash. The five-time Grammy® Award-winning singer, comedian, musician, actor and author has opened for Elvis, appeared onscreen with Robert Duvall and Jane Seymour and co-wrote one of the most recognizable country songs of all time, “Ring of Fire.” Perhaps at times overshadowed by her iconic husband Johnny Cash, she now takes center stage.
Then, we meet Roger Mooking. As a celebrity chef, restaurateur, television host, author, and award-winning recording artist Roger has earned an international reputation as a multi-media artist and entertainer showcasing a globally inspired vision that reflects his rich family heritage, love for people and travel. He does lots of things… and has even won a special All-Star Chopped celebrity chef episode… today we talk about his career in food and music, and how he combined all of his interests in a new book called “Curious Sounds.”
Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Chris Pratt, Elvis Costello, Baz Luhrmann, Martin Freeman, David Cronenberg, Mayim Bialik, The Kids in the Hall and many more!
All iHeartRadio Canada stations are available across Canada via live stream on iHeartRadio.caand the iHeartRadio Canada app. iHeartRadio Canada stations are also connected through Alexa, Siri, and Google Home smart speakers.
