Richard joins NewsTalk 1010’s Jim Richards coast-to-coast-to-coast late night “Showgram” to play the game “Did Richard Crouse like these movies?” This week we talk about “Luca,” the kid’s fantasy film from Pixar, the action adventure of “The Hitman’s Wife’s Bodyguard” with Ryan Reynolds, Samuel L. Jackson and Salma Hayek, and the English psychological drama “Censor.”
Listen to the whole thing HERE!
“The Hitman’s Wife’s Bodyguard,” the odd couple buddy flick starring Ryan Reynolds and Samuel L. Jackson and now playing in theatres, is a story about finding your logical, not biological family, disguised as violent shoot ‘em up comedy.
As the movie begins Michael Bryce (Reynolds) is “like a belly dancer without a torso.” He’s lost his bodyguard license and is in therapy. Tormented by bad dreams, he’s fixated on a customer who was killed by hitman Darius Kincaid (Jackson) while on his watch. On sabbatical in Capri (“like the pants”) Italy, he imagines a world without bodyguards or guns.
But his newfound inner peace doesn’t last long. Just as he is shaking off his old life he is drawn back into the game, hunted down by Sonia Kincaid (Salma Hayek), who uses fire power and moxy to lure him out of semi-retirement to rescue her husband, Darius. That’s right, the guy who has been haunting Michael’s dreams.
As the bodies pile up in the wake of their rescue attempt, it turns out Darius actually said, “Get me anyone BUT Michael Bryce!” Nonetheless, this mismatched trio work together to prevent a madman (Antonio Banderas) from destroying Europe and throwing the world into chaos.
“The Hitman’s Wife’s Bodyguard” is a sequel to the equally noisy 2017 film “The Hitman’s Bodyguard” but despite the appealing leads and the addition of Hayek, Banderas and Morgan Freeman, doesn’t have the same silly charm. The first movie was an over-the-top mish mash of exotic locations, violence, jokes and romance. The sequel contains all those elements, but is somehow less than the sum of its parts.
Given the talent involved, this should be more fun.
Reynolds works his way with a line like a master tradesman, recalling the kind of goofy smart aleck characters he played early in his career. Jackson makes use of his expertise with swearwords and is only upstaged by Hayek, whose entertaining use of salty language would make a sailor blush. But, take away those sweary flourishes, and you’re left with is a few quick laughs, casual video game violence, a body count that rivals the “Lord of the Rings” franchise and an unconvincing attempt at sentimentality.
Between the gun battles is a thinly sketched subplot about finding family wherever you can, but it is played for laughs and gets lost in the ballet of bullets and explosions.
“The Hitman’s Wife’s Bodyguard” is pure escapism, a loud, brash movie that mixes well with popcorn, but leaves a funny aftertaste in your mouth.
In “Censor,” a new psychological horror film on VOD, Niamh Algar plays Enid, a stern young woman who brings childhood trauma to her job as an English film censor.
Set in Margaret Thatcher’s Britain, “Censor” makes it clear that Enid sees her job as an essential service. Her profession, as she sees it, is to protect the public by cutting out eye gouges, intestinal tug of wars and other ghastly staples from the “video nasties” she screens before they are released. Convinced those bloody exploitation films feed anti-social behavior, she’s snip happy. Her co-workers mockingly call her “Little Miss Perfect” but she has a dark side.
When she reviews a gorefest called “Don’t Go in the Church,” it brings back long suppressed memories of the disappearance of her sister Nina. Delving deeper into the work of the movie’s notorious director Frederick North, she comes across Alice Lee (Sophia La Porta), an actress who looks exactly like her late sister. Searching for answers Enid visits the set of North’s new film, and her descent into madness begins. “People think I create the horror,” North says. “But I don’t. Horror is already out there, in all of us.”
“Censor” works on several levels. It has elements of the video nasties Enid tries to suppress, but as fact and fiction intertwine, it is her efforts to edit her memories that resonates. She is driven in her work by trauma in her life, and vice versa. As “Censor” drifts from tribute to the video nasties that fuel the early part of the story to a psychological portrait of Enid’s problems, it is clear she can no longer tell what is real and what is not. Driven by guilt, she is unable to move past grief to acceptance. That is the root of her problems, not the outside influence of art, no matter how grotesque.
The Welsh-born director Prano Bailey-Bond doesn’t have quite enough steam to keep the intriguing premise going straight through to the end but she does fill the screen with compelling images, some inspired by the lurid video nasty period VHS horror aesthetic, others reflecting the dull grey of 1980s England. It adds up to a movie that stylishly explores the relationship between art and real-life.
Set on the Italian Riviera, “Luca,” the new film from animation giants Pixar and now streaming on Disney+, is a fantasy story about sea monsters with a beating, human heart.
Jacob Tremblay is 13-year-old Luca Paguro, a shy sea monster with a typical teenager’s curiosity. When he discovers items that have floated down from the surface he wonders what the world outside the sea has to offer. Despite the stories his parents, Daniela (Maya Rudolph) and Lorenzo (Jim Gaffigan), have told him of fisherman and the horrors of dry land, his free-spirited best friend Alberto Scorfano (Jack Dylan Grazer) has been above the water line and convinces the shy Luca to check out the terra firma,
On land, Luca and Alberto, who look like a cross between the Creature from the Black Lagoon and Sigmund Ooze of 1970s Saturday morning television fame, transform from underwater creatures to human form. Blending in, they explore the seaside town of Portorosso, discovering the pleasures of pasta, gelato and most of all, the Vespa. The town bully Ercole Visconti (Saverio Raimondo) sets his sights on them but a young girl, Giulia Marcovaldo (Emma Berman) befriends them and has an idea that may help them get their very own Vespa.
“Luca” is a fanciful coming of age story. The very specific story of sea monsters who aspire for more in their lives, has universal messages about find commonalities not differences, anti-bullying and never giving up. The morals are a bit on the nose—”Some people will never accept him, and never will, but he seems to be able to find the good ones.”—but they are kept afloat with imaginative animation and a simple story that zips along.
At its cold-blooded little heart though, “Luca” is about friendship. The kind of bond that happens between kids who are just figuring out the world and its possibilities. Director Enrico Casarosa, who directed Pixar’s 2011 Oscar nominated short “La Luna,” aided by fun voice work from Tremblay and Grazer, captures the youthful exuberance needed to make the story work.
“Luca” doesn’t have the emotional resonance of classic era Pixar—think “Up,” “WALL-E” and “Ratatouille”—but what it lacks in gut punch sentiment, it makes up for in imagination, action and the good-natured look at finding a place to belong, above and below sea level.
This week on the Richard Crouse Show Podcast we meet Deanna Marigliese, the Canadian character art director for Pixar Animation Studios. Today we’ll talk about “Luca,” a movie many families will enjoy together this weekend on Disney+.
Then, comedian, host of CBC Radio’s The Debaters he’s a Dad to Scarlett and Norah, Steve Patterson joins us to talk about his first book, “Dad Up!” It’s getting great reviews… Denise Donlan said it should come with ‘READ BEFORE PARENTING’ sticker and Brent Butt, creator of Corner Gas, called it a touching and very funny read.
Finally, Dan Robson is the author of numerous books about sports, like biographies of former Toronto Maple Leafs coach Pat Quinn and legendary player Johnny Bower but has now turned the focus on his own life, specifically his relationship with his late father Rick. “Measuring Up: A Memoir Of Fathers And Sons” is a tender memoir of fathers and sons, love and loss, and learning to fill boots a size too big.
Listen to the whole thing HERE! (Link coming soon!)
Here’s some info on The Richard Crouse Show!
Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Ethan Hawke, director Brad Bird, comedian Gilbert Gottfried, Eric Roberts, Brian Henson, Jonathan Goldsmith a.k.a. “The most interesting man in the world,” and best selling author Linwood Barclay.
Listen to the show live here:
C-FAX 1070 in Victoria
SAT 5:00 PM to 6:00 PM
SUN 10:00 AM to 11:00 AM
CJAD in Montreal
SAT 8 PM to 9:00 PM
CFRA in Ottawa
SAT 8 PM to 9:00 PM
NEWSTALK 610 CKTB in St. Catharines
Sat 8:00 PM to 9:00 PM
NEWSTALK 1010 in Toronto
SAT 8 PM to 9:00 PM
NEWSTALK 1290 CJBK
SAT 8 PM to 9:00 PM
AM 1150 in Kelowna
SAT 11 PM to Midnight
BNN BLOOMBERG RADIO 1410
SAT 8 PM to 9:00 PM
Click HERE to catch up on shows you might have missed!
Richard’s free weekly newsletter, “Richard Crouse’s Weekly Hello,” can be delivered straight to your in-box with just a click of this link! It’s fun, quick and more than your usual entertainment report. Join us!
This week, “CALL ME MADAM: Heidi Fleiss and Me.”
“I walked by and was surprised to see her behind the counter. She told me that she had just fired some of her employees for stealing and had to work the shop by herself. I bought a t-shirt for my (then) girlfriend (now wife) and tried to pay with Visa. Trouble was, Heidi didn’t know how to use the Visa machine. I went behind the counter to see if I could figure it out, but couldn’t. We both stared at the blinking box as though it was the impossibly complicated Rambaldi device. I finally paid in cash, she didn’t have dollar bills to make change. I took whatever coins she had in the till and we called it even. With my pockets bulging with quarters, I left the store having fulfilled my wish to see a celebrity doing something ordinary…” Read the rest, subscribe and check out past issues HERE!
Here’s what people are saying about this week’s newsletter! “Loved this, I felt like I was right there with you guys. Great read.” “Enjoying the personal background, as well as the career insights.” “Your stories are both informative and entertaining. You strike a perfect balance.” “I like your fun and accessible style!” “I’ve always found Richard to be one of the best interviewers in the entire realm of media today. Always entertaining and informative. Keep up the good work!” “These weekly visits are enjoyable. Thanks.” “I really enjoy these. Keep them coming!” “Great story, I really enjoyed reading it. Looking forward to the next issue! Thank you.”
“As a child cars and trucks terrified King. ‘They seemed so large, and I seemed so small. I had the same imagination then as I do now,’ he told Bobbie Wygant in a TV interview in 1986. ‘Bulldozer treads looked so cruel. I would imagine what would happen to my little fingers if they started to move by themselves…’
I write about scary rides and eerie autos in today’s Toronto Star! Read the whole thing HERE!
This week on the Richard Crouse Show Podcast we meet Griffin Poetry Prize winner Jordan Abel. He joins me to talk about his intriguing new book “Nishga.” It’s a groundbreaking, deeply personal, and devastating autobiographical meditation that attempts to address the complicated legacies of Canada’s residential school system and contemporary Indigenous existence.
Drawing on autobiography and a series of interconnected documents (including pieces of memoir, transcriptions of talks, and photography), “Nishga” is a book about confronting difficult truths and it is about how both Indigenous and non-Indigenous peoples engage with a history of colonial violence that is quite often rendered invisible.
Then, veteran New Yorker staff writer Tony Hiss joins me on Zoom from his home in New York City’s East Village. His new book, “Rescuing the Planet” is an urgent call to protect 50 percent of the earth’s land by 2050–thereby saving millions of its species–and a candid assessment of the health of our planet and our role in conserving it.
Listen to the whole thing HERE!
Here’s some info on The Richard Crouse Show!
Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Ethan Hawke, director Brad Bird, comedian Gilbert Gottfried, Eric Roberts, Brian Henson, Jonathan Goldsmith a.k.a. “The most interesting man in the world,” and best selling author Linwood Barclay.
Listen to the show live here:
C-FAX 1070 in Victoria
SAT 5:00 PM to 6:00 PM
SUN 10:00 AM to 11:00 AM
CJAD in Montreal
SAT 8 PM to 9:00 PM
CFRA in Ottawa
SAT 8 PM to 9:00 PM
NEWSTALK 610 CKTB in St. Catharines
Sat 8:00 PM to 9:00 PM
NEWSTALK 1010 in Toronto
SAT 8 PM to 9:00 PM
NEWSTALK 1290 CJBK
SAT 8 PM to 9:00 PM
AM 1150 in Kelowna
SAT 11 PM to Midnight
BNN BLOOMBERG RADIO 1410
SAT 8 PM to 9:00 PM
Click HERE to catch up on shows you might have missed!
Richard speaks to “CTV News at Six” anchor Pauline Chan about the best movies and television to watch this weekend. This week we have a look at “Loki” on Disney+, the Starz drama “Run the World,” the Starz true-crime series “Confronting a Serial Killer” and “In the Heights,” now in theatres and on PVOD.
Watch the whole thing HERE! (Starts at 18:56)
