A powerhouse performer packed into a frail body and even frailer psyche Judy Garland left behind a legacy that is equal parts Hollywood history and cautionary tale. “Judy,” a new film directed by Rupert Goold, examines the declining days of “The Wizard Of Oz” star as she arrives in London to perform a series of concerts.
The year is 1968. Stateside Garland (Renée Zellweger) is at a low ebb. She lives in hotels she can’t afford, is fighting for custody of her children and playing in nightclubs for $150 a show, a fraction of her former superstar salary. She is an unemployable legend. “Unreliable and uninsurable,” she says. “And that’s what the ones who like me say.”
When she’s offered a five-week run at the ritzy Talk of The Town at the Palladium in London, England, she’s reticent. She doesn’t want to be separated from her kids for that long, but she’s broke. She decides to leave her children so that she can make enough money to return and put a roof over their head.
in London she is treated like royalty, packing the club night after night but her insecurities eat at her. “What if I can’t do it again,” she says after her wildly successful opening night. Drink, pills, self-doubt, on-stage meltdowns and a quickie marriage make for an eventful but uneven series of shows. In the press parlance of the time she is often “exhausted and emotional.”
Flashback to young Judy (Darci Shaw) on the MGM backlot set the stage for the tragedy that follows.
“Judy” often veers into sentimentality—the finale clumsily documents the moment when the singer finally got the kind of support she always needed from an audience—but doesn’t shy away from darker aspects of Garland’s life. Bringing the story to vivid life is Zellweger in a career best performance. She looks and sounds enough like Garland to be convincing, but this isn’t just mimicry. The actress digs deep, finding the humour and humanity in a person often regarded as a tragic figure. “I am Judy Garland for an hour a night,” she says. “I want what everybody else wants but I seem to have a harder time getting it.” Zellweger makes us understand how and why Garland spent a lifetime trying to please people who repaid her by always asking for more.
“Judy” is at its strongest when Zellweger is onscreen. Off stage she captures Garland’s complexity; on stage, in numbers like “I’ll Go My Way by Myself” or “The Trolley Song” she is a musical tour de force. The flashbacks, while nicely done, feel like information we already know and don’t add much to the overall movie. We learn just as much about Garland’s psychological unrest from Zellweger nuanced performance as we do from the broadly written flashbacks. This is, after all, a character study, not a history lesson.
Linda Ronstadt was one of the voices of the latter part of the twentieth century. The pure, gorgeous vocals that were once a staple at the top of the Billboard charts has been silenced by Parkinson’s disease but a new documentary, “Linda Ronstadt: The Sound of My Voice,” serves as a reminder of a pioneer who danced to the beat of a different drum.
The Arizona-born singer made headlines as much for her off-stage life as much as for her on-stage work, but the film wisely focusses on her legacy, the music that made her a superstar. The story begins at home with a family who played and sang all types of music from rock and roll, rhythm and blues, gospel, opera, country and mariachi. Later, those influences mixed and mingled in the folk-rock trio the Stone Poneys. Their biggest success, a cover of Mike Nesmith’s “Different Drum,” became Ronstadt’s first and only hit with the band and she soon left to forge a solo career that would see her become the first female rock star and the first woman to have five platinum albums in a row. “Linda was the queen,” says Bonnie Raitt. “She was like what Beyoncé is now.”
At the peak of her fame she grew tired of selling out arenas and the constant grind of being on the road. Looking for new challenges she took to the Broadway, appearing in “Pirates of Penzance” on stage opposite Kevin Kline. “Gilbert and Sullivan? Can you imagine another rock star who has the guts to go out there and do that kind of musical comedy?” says Jackson Browne. “To her it was a mountain to climb.”
From operetta she went on to explore the American songbook, interpreting the songs of Frank Sinatra and Ella Fitzgerald among others. “I didn’t think it was a good idea, not because she couldn’t do it,” says Warner bros executive Joe Smith, “but because we had this run going with rock and roll and country rock records.”
The portrait painted of Ronstadt is one of an artist more concerned with music than her career. She was once the highest paid women in music but left that behind in favour of following her passions, whether it’s making a record of traditional Mexican songs (which became the largest selling Spanish-language record in history to that date), roots rock or singing with her pals Dolly Parton and Emmylou Harris.
The film closes on an emotional note with the revelation that Parkinson’s disease has robbed her of her instrument. “I still sing in mind my but I can’t do it physically,” she says.
Oscar-winning filmmakers Rob Epstein and Jeffrey Friedman use archival footage, mixed with new interviews with many of the singer’s friends and colleagues, to complete the picture. It’s wonderful to hear the music, to be reminded of the width and breadth of Ronstadt’s daring and talent, but the commentary tends toward the “She was the best singer I’ve ever heard,” style rather than providing much insight into what makes the singer tick. At the end, however, it doesn’t matter much, as the music, in all its variation and strength, tells the story in a way that suits Ronstadt best.
Richard hosted a screening and Q&A of the new sci fi thriller film “In the Shadow of the Moon” with the director Jim Mickle and star Boyd Holbrook.
Jim Mickle is the creator of TV series “Hap and Leonard” and director of films such as “Cold in July” and Cannes Fortnight selection “We Are What We Are,” “Mulberry Street,” and “Stake Land.” Actor Boyd Holbrook has appeared in films such as “Milk,” “Out of the Furnace,” “Run All Night,” and “Gone Girl,” and starred as DEA Agent Steve Murphy in the Netflix series “Narcos” and in 2017 he portrayed villain Donald Pierce in “Logan.”
Synopsis: In 1988, Philadelphia police officer Thomas Lockhart (Boyd Holbrook), hungry to become a detective, begins tracking a serial killer who mysteriously resurfaces every nine years. But when the killer’s crimes begin to defy all scientific explanation, Locke’s obsession with finding the truth threatens to destroy his career, his family, and possibly his sanity. “In The Shadow Of The Moon” is a genre-blending psychological thriller that examines the power of time, and how its passing can either bring us together or tear us apart.
This week on The Richard Crouse Show: Kevin Doyle plays the Abbey’s second footman, Joseph Molesley in both the television show and movie version of “Downtown Abbey.” Molesley has had a tumultuous time over the series, however he seems to have found peace and, potentially, love with fellow servant, Phyllis Baxter (Raquel Cassidy). As well as numerous stage credits, Doyle is a familiar face on British television. As well as appearances on Casualty, Auf Wiedersehen, Pet and Midsomer Murders, he has starred in ITV’s At Home With the Braithwaites, BBC drama The Lakes and played the rebel John Constable in The Tudors.
Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Ethan Hawke, director Brad Bird, comedian Gilbert Gottfried, Eric Roberts, Brian Henson, Jonathan Goldsmith a.k.a. “The most interesting man in the world,” and best selling author Linwood Barclay.
Click HERE to catch up on shows you might have missed!
With the current political and social climate, it seems that the boundaries between politics and stand-up comedy are crumbling. Comedy can play an important role in our politics, both in challenging apathy and the fear and despair that tend to dominate our newsfeeds. They often use humor to address inequalities, divisive topics, “taboo” subjects, and more, but how do they challenge those who say they have “crossed a line”? Does the line exist? Hear from outspoken comedians, including Nore Davis, Chanty Marostica, and Hoodo Hersi, as they talk about what it’s like right now making jokes in a fraught political moment. Moderated by Richard Crouse (CTV’s Pop Life).
Saturday September 21, 2019, 3 pm at the TIFF Bell Lightbox.
Because he is an American actor and comedian who we have seen appear in over 60 films since the early 1990’s, and star on the sitcom The War At Home.
Because he has appeared in Boston Public, Friends, Prison Break, Justified, and Atypical. Some of his notable film roles include True Romance (1993), Higher Learning (1995), Metro (1997), Cop Land (1997), Deep Blue Sea (1999), The 6th Day (2000), Dr. Dolittle 2 (2001), Big Fan (2009), and The Heat (2013).
Because he is the host of the worldwide phenomenon, I Am Rapaport Stereo Podcast.
Saturday September 21, 2019 at 5:30 at the TIFF Bell Lightbox. Ticket information HERE!
On an encore presentation the Pop Life panel, hip hop historian and author Dalton Higgins, “Degrassi” star Stefan Brogen and Retrontario curator and pop historian Ed Conroy, share their take on continuity and the impact it has on their personal lives as well as pop culture.
Film critic and pop culture historian Richard Crouse shares a toast with celebrity guests and entertainment pundits every week on CTV News Channel’s all-new talk show POP LIFE.
Film critic and pop culture historian Richard Crouse shares a toast with celebrity guests and entertainment pundits every week on CTV News Channel’s talk show POP LIFE.
Featuring in-depth discussion and debate on pop culture and modern life, POP LIFE features sit-down interviews with celebrities from across the entertainment world, including rock legends Sting and Meat Loaf, musicians Josh Groban and Sarah Brightman, comedian Ken Jeong, writer Fran Lebowitz, superstar jazz musician Diana Krall, stand-up comedian and CNN host W. Kamau Bell, actors Danny DeVito and Jay Baruchel, celebrity chefs Bobby Flay and Nigella Lawson, and many more.
From the season two opener of “Pop Life” an encore presentation of singer-songwriter Jim Cuddy reflecting on his music career and how it evolved with Blue Rodeo.
Film critic and pop culture historian Richard Crouse shares a toast with celebrity guests and entertainment pundits every week on CTV News Channel’s all-new talk show POP LIFE.
Film critic and pop culture historian Richard Crouse shares a toast with celebrity guests and entertainment pundits every week on CTV News Channel’s talk show POP LIFE.
Featuring in-depth discussion and debate on pop culture and modern life, POP LIFE features sit-down interviews with celebrities from across the entertainment world, including rock legends Sting and Meat Loaf, musicians Josh Groban and Sarah Brightman, comedian Ken Jeong, writer Fran Lebowitz, superstar jazz musician Diana Krall, stand-up comedian and CNN host W. Kamau Bell, actors Danny DeVito and Jay Baruchel, celebrity chefs Bobby Flay and Nigella Lawson, and many more.
Richard hosted the “Between two Ferns: The Movie” screening and Q&A with Scott Aukerman (director, producer, writer) and actor Lauren Lapkus today at JFL42. They discussed the choice of foliage, which celebrity wasn’t happy at the end of the interview with Zach Galifianakis and why Keanu Reeves lifted up his shirt on set.
A powerhouse performer packed into a frail body and even frailer psyche Judy Garland left behind a legacy that is equal parts Hollywood history and cautionary tale. “Judy,” a new film directed by Rupert Goold, examines the declining days of “The Wizard Of Oz” star as she arrives in London to perform a series of concerts.
