We’ve all heard the term Stockholm Syndrome. It refers to a hostage situation in which the captees come to sympathize or even identify with their captors. We’ve seen it in films like “Dog Day Afternoon,” “V for Vendetta” and even “King Kong.” But why is it called Stockholm Syndrome? Director Robert Budreau found out when he stumbled across “The Bank Drama” by Daniel Lang, a 1974 New Yorker article about a 1973 Swedish bank heist and hostage crisis that gave name to the phenomenon.
Ethan Hawke plays Lars Nystrom, a Swedish national raised in America. When he steps inside one of Sweden’s main banks, the Kreditbanken, armed with a machine gun and some bad intentions, he’s disguised, resembling Dennis Hopper circa “Easy Rider.” Gun blazing he orders everyone out of the bank save for tellers Bianca Lind (Noomi Rapace) and Klara Mardh (Bea Santos).
His plan is simple. He will hold the two women hostage until his best friend, legendary bank robber Gunnar Sorensson (Mark Strong), is released from jail, delivered to him and the two friends, with hostages in tow are allowed to leave in a Mustang GT. They’ll drive to a nearby dock, release Bianca and Klara, sail to France and never be seen again. If he doesn’t get what he wants he tells police he will kill the hostages and shoot his way out of the bank.
What the police don’t know is that Lars is all bluster, all talk and no walk. He’s never shot anyone and isn’t about to start now. Bianca, the more valuable of the hostages because she is a wife and a mom, senses Lars’s soft heart and begins to feel for his plight, even though he is the architect of their dire situation.
“Stockholm” has a bit of a damp fuse. The elements are all in place for a terrific thriller but they never gel. Hawke is a hoot as the more nerve than brains instigator and Rapace captures the compassion and desperation necessary for us to believe she could help the man holding her for ransom. The rest of the cast, Strong included, take a backseat, personality and interest wise.
Budreau mixes and matches Bianca’s rational perspective with Lars’s irrationality in a true opposites attract not-quite-love story. They are the spark that keeps “Stockholm” interesting.
At the end of “The Best of Enemies,” a new historical drama starring Taraji P. Henson and Sam Rockwell, we meet the real-life inspirations for the characters. Like so many based-on-a-true story films that have come before it, it feels as though a documentary about the actual folks would have been more enjoyable than the recreation.
Set in 1971 North Carolina, Henson plays Ann Atwater, an African-American civil rights activist. Her group, Operation Breakthrough, aids local people with legal advice, housing and a multitude of other social concerns. It’s an uphill battle. Atwater often finds herself at odds with the openly racist town council. One member even turns his chair away when Atwater speaks. Providing unofficial support to the council is good-old-boy C.P. Ellis (Rockwell), president of the town’s KKK chapter.
When the council rules to send Black kids back into an unsafe school the NAACP gets involved, forcing the council to bring the issue before a community charrette, essentially a ten day a meeting in which town folk on both sides of the problem come together to debate. Community organizer Bill Riddick (Babou Ceesay) chooses two unlikely co-chairs, Atwater and Ellis. Both are unsure if they can work together but the stakes are too high on either side for them to decline the invitation. “Riddick is about to hand the keys to school integration,” says town official Carvie Oldham (Bruce McGill), “and you are going to lock the door.”
After a tense start the sworn enemies find common ground. Despite her personal feelings for Ellis, Atwater responds to his family situation with empath and compassion. Ellis begins to acknowledge the frustration and helplessness of the people he has held in such little regard for his entire life.
“The Best of Enemies,” comes with the best of intentions. Writer-director Robin Bissell details the lives of the two main characters but, it must be asked, How, in a movie about school integration, is the focus on Ellis? It seems tone deaf to present a story of integration in schools that features a climactic speech by a KKK president. Ellis’s life is presented in detail. We learn about his family life, business and spend time inside several KKK gatherings, including one where he is named the region’s Exulted Cyclops. Trouble is, we don’t get the same info on Atwater. Henson does an admirable job of breathing life into the character but Atwater is more or less treated like a supporting player in her own story.
It’s not to say “The Best of Enemies” doesn’t have some interesting moments. Civil rights icon Howard Clement (Gilbert Glenn Brown) delivers a stirring speech detailing a parent’s love for their child, adding “our kids have a whole different menu of pain to deal with.” In smaller moments like that the film’s message of bridge building and empathy ring loud and clear. It is just a shame that this historically significant tale suffers from a skewed POV and predictable plotting.
The family drama “Mia and the White Lion” breathes the same air as “Born Free,” “The Black Stallion” and even “Bedtime for Bonzo.” While it feels like many other humans-and-their-beloved-animal films is its political stance. Woven into the story is strong criticism of South African laws that allow lions to be sold and hunted in enclosed areas. “It’s the way South Africa works,” says Mia’s father John (Langley Kirkwood). “It’s the way it has always worked.”
When we first meet Mia Owen (Daniah De Villiers) she is a young girl upset about leaving her life and friends in London behind when her family moves to South Africa. Alone, separated from all she knows, Mia makes an unusual friend, Charlie, a white lion cub born on her father’s farm. Three years in Mia’s parents worry about her safety. Charlie has grown and while the bond between he and his human is strong, for her own safety Mia’s parents forbid her to see her best friend. When it appears Mia’s father will sell Charlie to hunters to protect his daughter the plucky teen steps up to save her leonine buddy.
Like the Oscar winning “Boyhood,” director Gilles de Maistre’s “Mia and the White Lion” was shot over the course of several years. That allowed De Villiers to form a relationship with Charlie in real life as well as convincingly grow up on screen. The process makes for some startling, realistic moments between Charlie and his lion whispering friend. Unfortunately, their intimacy is the only really surprising thing about the movie. Good messaging about animal welfare aside, “Mia and the White Lion” relies a little too heavily on predictable, family film tropes and cardboard characters to maintain interest.
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This week on “Pop Life” Aja Naomi King, who plays Michaela Pratt on the legal drama series “How to Get Away with Murder,” talks self-worth, collaboration and her journey into television acting. Them, the “Pop Life” panel, sports anchor Jay Onrait, Olympian and broadcaster Rosey Edeh and actress Carolina Bartczak, discuss partnerships in creative fields.
Film critic and pop culture historian Richard Crouse shares a toast with celebrity guests and entertainment pundits every week on CTV News Channel’s talk show POP LIFE.
Featuring in-depth discussion and debate on pop culture and modern life, POP LIFE features sit-down interviews with celebrities from across the entertainment world, including rock legends Sting and Meat Loaf, musicians Josh Groban and Sarah Brightman, comedian Ken Jeong, writer Fran Lebowitz, superstar jazz musician Diana Krall, stand-up comedian and CNN host W. Kamau Bell, actors Danny DeVito and Jay Baruchel, celebrity chefs Bobby Flay and Nigella Lawson, and many more.
The “Pop Life” panel, sports anchor Jay Onrait, Olympian and broadcaster Rosey Edeh and actress Carolina Bartczak, discuss partnerships in creative fields.
Film critic and pop culture historian Richard Crouse shares a toast with celebrity guests and entertainment pundits every week on CTV News Channel’s talk show POP LIFE.
Featuring in-depth discussion and debate on pop culture and modern life, POP LIFE features sit-down interviews with celebrities from across the entertainment world, including rock legends Sting and Meat Loaf, musicians Josh Groban and Sarah Brightman, comedian Ken Jeong, writer Fran Lebowitz, superstar jazz musician Diana Krall, stand-up comedian and CNN host W. Kamau Bell, actors Danny DeVito and Jay Baruchel, celebrity chefs Bobby Flay and Nigella Lawson, and many more.
This week on “Pop Life” Aja Naomi King, who plays Michaela Pratt on the legal drama series “How to Get Away with Murder,” talks self-worth, collaboration and her journey into television acting. Watch the whole thing HERE!
“You are deserving just because you’re here.”
Film critic and pop culture historian Richard Crouse shares a toast with celebrity guests and entertainment pundits every week on CTV News Channel’s talk show POP LIFE.
Featuring in-depth discussion and debate on pop culture and modern life, POP LIFE features sit-down interviews with celebrities from across the entertainment world, including rock legends Sting and Meat Loaf, musicians Josh Groban and Sarah Brightman, comedian Ken Jeong, writer Fran Lebowitz, superstar jazz musician Diana Krall, stand-up comedian and CNN host W. Kamau Bell, actors Danny DeVito and Jay Baruchel, celebrity chefs Bobby Flay and Nigella Lawson, and many more.
Superhero films come in all shapes and sizes. In the recent renaissance of the do-gooder movie we’ve seen comedies, political thrillers, period pieces and all-out action films. Iron Man quips, Batman broods and Doctor Strange is simply surreal. “Shazam!,” the new Warner Bros. adaptation of a DC comic, adds new textures to the genre’s palette, sincere zaniness.
At just fourteen-years-old Billy (Asher Angel) has already been through the wringer. Passed from foster home to foster home he finally lands with Rosa and Victor Vasquez (Marta Milans and Cooper Andrews), a loving couple who open their house and heart to Billy, motor mouth Freddy (Dylan Grazer), cutie Darla (Faithe Herman), timid Pedro (Jovan Armand) and brainiac Eugene (Ian Chen). “They seem nice,” jokes Freddy, “but trust me it’s real Game of Thrones around here.”
Billy’s life takes a metaphysical twist when ancient wizard Shazam (Djimon Hounsou), protector of the realms from the Seven Deadly Sins and keeper of the Rock of Eternity, plucks him from obscurity to be the champion of the world. “Say my name so my powers may flow through you,” he instructs Billy. The wizard needs an heir to do battle against a malevolent army lead by Thaddeus Sivana (Mark Strong), a vengeful baddie once rejected by the ancient wizard because his heart was not pure enough, who threaten to “spread poison on everything they touch.”
It’s a big job that comes without much of a roadmap. Billy knows that when he says the word “Shazam!” he morphs into a grown man (Zachary Levi) complete with a red suit and extraordinary powers. “I applaud your choices today,” says a stranger on the subway. “Those shoes. That belt. And that cape. It shouldn’t work but it does.”
Trouble is, he doesn’t know how to harness his newfound abilities. “Superpowers? Dude, I don’t even know how to pee in this thing!” That’s where Freddy, a fan of the real-life superheroes who help keep his home city of Philadelphia safe, comes in handy. Together they navigate Billy’s life as a superhero in exactly the way most teenager boys would—in a series of ever escalating stunts à la “Jackass.”
Will that be enough to prepare the youngster do battle with Sivana and his band of Deadly Sins come-to-life bound-and-determined on destroying the planet?
“Shazam!” is a big-time superhero movie that feels more like an indie flick. The names of digital artists and special effects crews outnumber the cast by about 10,000 to 1 but the film still feels surprisingly intimate given the genre. Themes of the importance of community, of finding your logical, if not biological, family, help make this feel personal, more down to earth than some of the other recent high-flying caped do-gooder movies. Like many other superhero movies it’s a bit too in love with its CGI in the climatic action scenes but director David F. Sandberg remembers to include some humour and some heart into the carnage.
The appealing cast—including memorable turns from Angel and Herman as the sweeter-than-sweet Darla—is headed by Levy. As the grown-up superhero with the attitude of a teenager he retains the glee and awe of a young boy discovering his powers. It’s a classic comic book situation come to life and Levy pulls it off with charm.
“Shazam!” forgoes the dark tone of some of the other DC movies, opting for a kid-friendly feel. It’s more akin to the Christopher Reeves Superman movies than “Man of Steel,” filled with fun, humour and moral focus.
Released almost exactly 30 years to the day since the original film hit screens, “Pet Sematary,” starring Jason Clarke and Amy Seimetz as a couple who discover a mysterious burial ground in the woods near their new home, is a remake of one of Stephen King’s scariest novel adaptations. The 1989 movie was so scary King, the master of all things terrifying, says it was the only one of his films that genuinely scared him. Will the remake offer up the same kind of undead thrills?
Exhausted from years as a night shift emergency room doctor in Boston Louis Creed (Clarke) is looking forward to spending more time with his family, Rachel (Amy Seimetz) and children Ellie (Jeté Laurence) and Gage (Hugo and Lucas Lavoie), in their new, rural home in Maine. “The whgole place is ours?” asks Ellie. “I even got them to throw in a forest as a new backyard,” jokes dad. The move offers the change the family so desperately needs but then tragedy strikes when their beloved family cat Church is flattened by a truck on the country road in front of their home.
Their helpful neighbour Judd Crandall (John Lithgow) suggests they bury the cat in a secret spot known as the “Pet Sematary.” Local folklore has it that the eerie burial ground has supernatural powers. “Kids used to dare each other to go into the woods at night,” says Crandall. “They feared it.” The Creeds soon learn there may be some truth to the legends when Church comes back but this time he isn’t so cute and cuddly. “There is something in those woods,” Crandall says. “Something that brings things back. Sometimes dead is better.” (SPOILER ALERT) Later when the stakes are raised, and daughter Ellie is killed, the limits of Louis’s love are tested.
Horrifying things happen in “Pet Sematary.” Undead filicide, patricide and lives taken too soon but as awful as some of things that happen on screen are, the movie isn’t scary. The idea of much of what happens will send a shiver down your spine but the actual rendering of it doesn’t. Perhaps it’s because we’ve been desensitized by “The Walking Dead” but the idea of the dead coming back to malevolent life doesn’t have much of an impact here. There are some jump scares but they are more uncomfortable than actually chilling.
As a study of grief it works better. Louis’s extreme actions are driven by anguish but because so much of what happens feels generic it’s hard to care about any of the characters, alive or dead. Like the pallid cover of the title song The Ramones made famous in 1989, the new film is a pale imitation of the original.
