What was it like working with Oprah? That’s the question Deric McCabe, the nine-year-old star of A Wrinkle in Time, has been asked most often since he started doing press for the new film.
The Whitefish, Mont., native has nothing but praise for the icon but adds she didn’t awe him. “I didn’t know who she was,” he says, “so I didn’t get starstruck or anything. Every day I said, ‘Good morning,’ then goodbye. I said everything to her.”
McCabe plays Charles Wallace, a precocious, intelligent child whose father, astrophysicist Alex Murry (Chris Pine), disappeared through a “wrinkle in time” when the boy was very young. Charles believes he can help locate his dad with the help of three astral travellers, Mrs. Which (Oprah), Mrs. Whatsit (Reese Witherspoon) and Mrs. Who (Mindy Kaling).
Guided by the trio of spirit beings, Charles, his sister Meg (Storm Reid) and their friend — and Meg’s crush — Calvin (Levi Miller) ascend to the universe in search of Alex. In their celestial travels they meet a helpful seer called the Happy Medium (Zach Galifianakis), talking flowers — “Everyone knows the flowers are the best talkers,” says Mrs. Whatsit — and the universe’s most evil entity. They will learn life lessons along the way that may — or may not — reveal what happened to their dad.
McCabe beat out thousands of other child actors for the role of Charles Wallace. A November 2016 entry on his Instagram shows him doing “a little happy dance” when director Ava DuVernay called to tell him he’d won the part.
“Deric worked hard for this,” reads the post, “Hours of auditions, callbacks, meetings interviews… 17 page, 5 page, 3 page, 21 page scripts to learn overnight…while continuing to spend time with family, do his regular chores, and excel in school. He prayed, remained patient, and was persistent.”
“The trick is you can be nervous,” he says of the audition process, “you just can’t show it. You put a straight face on. You can’t fake smile, like you’re nervous. You can’t wave nervously. You have to act confident.” As for all the memorization? “It is kind of easy remembering all those lines. I don’t know why.”
The youngster is working alongside established stars like Winfrey, Witherspoon, Kaling and Galifianakis but it was while watching another performer that the acting bug bit.
“When I was six I saw Scarlett Johansson in The Avengers and I thought, ‘I want to do that,’” McCabe says. “My parents were super supportive. They were like, ‘OK,’ and made it happen and here I am!”
The busy preteen is already winning praise for his performance in A Wrinkle in Time and will soon star opposite Luis Guzmán in the music industry drama Hold On.
“I think I know more about sets and acting than when I started,” he says. “I like how you get to act like a different person every day. That is pretty cool. You get to meet new people.”
Looking back at his A Wrinkle in Time experience, McCabe singles out a scene where his character’s personality changes as his favourite.
“I liked the evil Charles Wallace because I got to do things a regular kid wouldn’t get to do like drag his dad, his sister and her friend down a hallway.”
The last time someone tried to adapt Madeleine L’Engle’s classic novel “A Wrinkle in Time” for the screen the author herself was not impressed. “I have glimpsed it,” she said of the 2003 TV movie, “I expected it to be bad and it is.”
The novel’s mix of science fiction, math and spiritualism is intoxicating on the page but the story’s trip through time and space, heavy on symbolism. alien life and pop psychology has rumoured to be an unfilmable fantasy. Fans of the book will find out this weekend if Ava DuVernay, Oscar nominated director of “13th” and “Selma,” can bring the wonder of L’Engle’s vision to the screen.
Like many Disney movies “A Wrinkle in Time” begins with the loss of a parent. Husband and wife Dr. Alex Murry (Chris Pine) and Dr. Kate Murry (Gugu Mbatha-Raw) are astrophysicists and loving parents to Meg (Storm Reid) and Charles Wallace (Deric McCabe). Alex is determined to push the limits of their research, to find a wrinkle in time that could propel them to the ends of the universe. One night, alone in his laboratory he discovers the wrinkle and, just like that, he’s gone.
Cut to four years later. Meg’s sunny disposition disappeared with her father. “What would happen if your father walked through the door,” asks her principal. “The world would make sense again,” she replies.
Charles Wallace has grown into a precocious, intelligent child who believes he can help locate his father with the help of three astral travelers, Mrs. Which (Oprah Winfrey), Mrs. Whatsit (Reese Witherspoon) and Mrs. Who (Mindy Kaling).
Here’s where it gets trippy.
Guided by the trio of spirit beings Meg, Charles Wallace and their friend—and Meg’s crush—Calvin (Levi Miller) ascend to the universe in search of Alex. In their astral travels they meet a helpful seer called the Happy Medium (Zach Galifianakis), talking flowers—“ Everyone knows the flowers are the best talkers,” says Mrs. Whatsit.—and the universe’s most evil entity. Meg will learn life lessons along the way that may—or may not—reveal what happened to her dad.
“A Wrinkle in Time” is a big, colourful and complicated movie with a simple moral. Love conquers all. Like all fantasy the story isn’t really about the tesseract, fifth-dimensional phenomenon time travel or any of that, it’s about fundamental truths, self-worth and the struggle between good and evil. Director Ava DuVernay wrestles all these themes and more into the film, which occasionally feels more interested in the visuals and ideas than it does with the story. The movie’s many moving parts and heaps of CGI overwhelm but DuVernay gets much right as well.
Casting wise, the success or failure of “A Wrinkle in Time” hinges on the kids. In Reid, DuVernay found a young actress capable of portraying Meg’s complexity, from her struggle to fit in to her very relatable flaws. She’s heroic but also a real girl in an unreal situation and Reid breathes life into her.
As Charles Wallace, the precocious preteen whose personality takes a turn for the worse in outer space, McCabe brings a weight to the character that feels beyond his years.
The trio of aliens are vividly portrayed by Winfrey, Witherspoon) and Kaling who impart wisdom and smooth the way for Meg’s emotional journey but I found their somewhat psychedelic presence distracted from the telling of the tale.
“A Wrinkle in Time” contains good messages for kids and some visuals that will make your eyeballs dance and it is made with heart but—there’s always a ‘but’ when I discuss this movie—it feels like it bites off more than it can chew.
Richard sits in with CTV NewsChannel anchor Marcia McMillan to have a look at the big weekend movies, including the slap-and-tickle-a-palooza “Fifty Shades Darker,” the Lego-tastic “The Lego Batman Movie,” the gun-jitsu of “John Wick: Chapter 2,” and the wondrous “Paterson.”
You can take the boy out of Canada but you can’t take Canada out of the boy.
When I meet with Brampton, Ont.-born Michael Cera to chat about his new project, The Lego Batman Movie, he’s having lunch, eating a Waldorf salad.
The 28-year-old began his career in Canada with a Tim Hortons summer camp commercial before decamping to the United States, finding fame with Arrested Development and a string of successful movies like Superbad and Juno, but has retained his disarming Canadian politeness.
I walk in, he jumps up, “Do you want anything? Cheese? A coffee? How are you doing?”
Declining the snacks and coffee I ask him about the two-year process of recording vocal tracks to play half of the Dynamic Duo, Batman’s ward Dick Grayson, a.k.a. Robin.
“You are only focussed on your voice,” he says on the difference between live action and animation. “That gives you a certain amount of freedom to experiment in ways that you wouldn’t normally. And there’s nobody around. All self-consciousness that exists on a set where there is all this infrastructure put in place to set the camera up and point it at you and then you have to deliver. All that pressure is not there when you’re in the studio. They just press record. They’re not even recording on tape, it’s digital. You just go and experiment and fail as many times as you want.
“As far as improvisation goes, it was very loose on this. The script is good and he jokes at work and everything … you feel encouraged and take chances.”
The Lego Batman Movie is part parody, part homage to the Batman origin story. When we meet Batman, played by Cera’s former Arrested Development co-star Will Arnett, he may have outlived his usefulness as Gotham’s main do-gooder. What does a Caped Crusader do when the city no longer needs a vigilante crime fighter? Alfred Pennyworth, the superhero’s loyal butler and legal guardian suggests, “It’s time to face your greatest fear, being part of a family again.” Enter Dick Grayson.
“There’s a great foundation there,” Cera says about Batman’s backstory. “I think the reason Batman keeps getting rehashed is because it is a great core story with this great character and the world around him. There is a lot to play off of in that.”
It sounds heavy, but this isn’t Christopher Nolan’s long dark night of the superhero soul. “The best thing I can say about the tone is that it is a little like Chuck Jones,” Cera says. “Joke. Joke. Joke. It has that kind of rhythm.”
Cera’s willingness to be irreverent with the Batman mythology isn’t a lapse of manners — he is Canadian after all — it’s because, “I’m not an overly enthusiastic Batman fan. I didn’t grow up with the comics. Comics just didn’t land with me. I was really into cartoons and Nintendo. That was where my head was at. I loved watching the Batman movies but I don’t live and breathe it for some reason.”
“The Lego Batman Movie” movie begins with a pretty good joke. Over a darkened screen Batman’s raspy voice (Will Arnett) intones, “All important movies begin with black.” Unfortunately as the film goes on it becomes clear that it wasn’t just a gag, that director Chris McKay is trying to make an important, capital I, movie.
The movie kicks off with a wild opening sequence as The Joker (Zach Galifianakis) tries to destroy Gotham City. He brings along some super villains you have heard of, like Two Face and Harley Quinn, and some you haven’t like Gentleman Ghost and Condiment King. Mayhem ensues until Batman shows up. The resulting showdown sets up a familiar theme: without the bad, the good doesn’t exist.
“I’m fine with you fighting other people,” says The Joker, “but when people ask who your favourite villain is… You say Joker.”
The Caped Crusader refuses to acknowledge any bond with his nemesis. “Batman doesn’t do ships… as in the relationships.”
Later, police commissioner James Gordon retires, putting his daughter Barbara Gordon (Rosario Dawson) in charge. As the new commissioner she brings in a new crime clan called It Takes a Village… Not Batman. “Despite all the work he’s done for us Gotham is still the most crime ridden city on earth,” she says.
As Batman’s importance to Gotham lessens The Joker changes the dynamics of their relationship by surrendering, thereby rendering Batman completely useless. “I’m off the menu, you won’t get to fight any of this anymore!”
But what does Batman do with the city no longer needs a vigilante crime fighter? Alfred Pennyworth, the superheroes loyal butler and legal guardian suggests, “It’s time to face your greatest fear… Being part of a family again,” but will the man who says, “I don’t feel anything emotionally except rage,” be able to embrace a home life?
Infected by some disease as the live action DC films “The Lego Batman Movie” is not content to simply be what it is, a silly movie about superheroes made of toy bricks. Instead it stretches to be a feel-good movie about the importance of relationships and friendships, even between friend and foe. What should have been a straight up parody becomes something else. It does poke gentle fun at Marvel and DC’s habit of squishing far too many characters in their movies and The Joker’s “unnecessarily complicated bombs,” but the main “you mean nothing to me, no one does” storyline could have been lifted from any of Christopher Nolan’s dissections of Batman psyche. It’s more tortured Batman this time but with 100% more jokes then anything Zack Snyder could ever imagine.
There are jokes and even a song or two—although nothing as catchy as “Everything Is AWESOME!!!” by Tegan and Sara—but this is more about relationship feels than it is about belly laughs. Sure, it’s funny when Batman sings, “I’ll turn Two Face into black and blue face,” but the rest doesn’t feel irreverent enough. This is a new world, a Lego universe where anything is possible so why is Batman still clinging to the anger generated by his parent’s death? Arnett has fun with the voice, giving the character an almost Trumpian level of self-regard, which raises a giggle or two but overall this doesn’t feel like a parody of Batman as much as it does a fuzzy carbon copy.
“The Lego Batman Movie” zips along at a tremendous pace with in-your-face animation and some jokes but the overwhelming amount of CGI muffles some of the charm of the original, creating a less organic, homemade feel. The first contained loads of CGI as well but disguised it better. The result is a hybrid, an animated action movie that both parodies and pays tribute to the comics and comic movies that inspired it.
This weekend Jessica Chastain stars in the political thriller Miss Sloane. The title refers to the lobbyist main character but the film could easily have been titled Drain the Swamp.
Made before Donald Trump became president-elect, it only takes about 20 seconds before the word “trump” crops up in the dialogue. He’s never mentioned by name, but this look at “the most morally bankrupt profession since faith healing” paints exactly the ugly picture of behind-the-scenes machinations that Trump railed against on the campaign trail.
Chastain is Elizabeth Sloane, a sleep-deprived D.C. lobbyist “at the forefront of a business with a terrible reputation.” She’ll represent anyone, it seems, except the gun lobby, who offer her a lucrative contract, only to be laughed at and rejected.
Soon after she leaves her firm — one of the biggest in the country — to join a small, scrappy group who aim to whip up support for a bill that will demand background checks for all gun owners.
It’s a new hot-button peek behind the curtain of a political process, but Hollywood has been making Drain the Swamp movies for years.
The explosive Advise and Consent is based on former New York Times congressional correspondent Allen Drury’s Pulitzer Prize-winning novel about the ratification of a secretary of state and the dirty little secrets people in public life must keep hidden. Political battle lines are drawn as a full frontal attack is launched on the character and credentials of the new nominee.
Director Otto Preminger almost pulled off one of the great casting coups of the 1960s when he offered civil rights leader Martin Luther King Jr. a role in Advise and Consent. The mercurial director thought King would be perfect for the role of a southern senator, despite the fact that no African Americans were serving in Senate at the time. King gave the offer some thought, but declined fearing the backlash and possible harm to the civil right movement.
More recently, in The Ides of March George Clooney (who also directed) played a Democratic Party candidate; the kind of guy who would make the top of Bill O’Reilly’s head pop off. He’s pro-ecology, anti-oil. He wants to tax the rich and legalize gay marriage. If he leans any further left he’ll topple over.
Although Clooney has spoken out about many of these topics in real life, he didn’t make a left-wing film. Instead he made a warts-and-all political movie about dirty dealings on the campaign trail.
The first hour is good stuff, great acting from Ryan Gosling, Paul Giamatti and Philip Seymour Hoffman and a fascinating, if occasionally dry look at life in the political fast lane. Then comes the blackmail, the meetings in darkened stairwells and double-crossing journalists.
Finally The Campaign, a comedy starring Will Ferrell and Zach Galifianakis as incumbent congressmen, begins with a quote from former presidential hopeful Ross Perot: “War has rules. Mud wrestling has rules. Politics has no rules.”
Neither does the movie; no rules or boundaries. These candidates go beyond the usual name-calling — “He looks like Osama Bin Laden” — to dirty tricks that would make Tricky Dick blush. It’s a through-the-looking glass-vision of how politics works that features ambition, greed, corruption and even a candidate who punches a baby.
Richard and CP24 anchor Stephanie Smythe have a look at the weekend’s new movies, the up-close-and-personal action of “Jack Reacher: Never Go Back,” the supernatural thrills of “Ouija: Origin of Evil,” the spy comedy “Keeping Up with the Joneses” and the new Canadian indie “Mean Dreams.”
Richard sits in with Marcia MacMillan to have a look at the weekend’s new movies, the up-close-and-personal action of “Jack Reacher: Never Go Back,” the supernatural thrills of “Ouija: Origin of Evil,” the spy comedy “Keeping Up with the Joneses” and the new Canadian indie “Mean Dreams.”
It’s hard to know how to classify “Keeping Up with the Joneses,” a new film starring Jon Hamm, Gal Gadot, Isla Fisher and Zach Galifianakis. Billed as an action comedy, it contains as many laughs as your average Jason Bourne movie, and as much action as your typical comedy. If anything, it’s a study of quietly desperate suburban life. Now that’s a barrel of laughs!
Karen and Jeff Gaffney (Fisher and Galifianakis) live a quiet life on a quiet Atlanta residential cul-de-sac. He’s a people person, a sensitive HR head at tech giant MBI, she’s a designer and neighbourhood busybody. He doesn’t like spicy food, she doesn’t like the new, impossibly good looking couple, Natalie and Tim Jones (Gal Gadot and Jon Hamm), who have moved in across the street.
Tim is a travel writer who speaks many languages, Natalie devotes time to charity and does a food blog. The couples seem to have nothing in common—the Gaffney’s idea of travelling is going to Epcot. “You can do every country in like three blocks.”—and yet a friendship is struck until some snooping reveals the neighbourhood newbies are actually spies working on a case. Seems the cul-de-sac is a hotbed of international intrigue and the Gaffneys may be involved.
“Keeping Up with the Joneses” is an odd couples movie with so few laughs its hard to believe it was directed by the Greg Mottola, who also gave us “Superbad” and the ET comedy “Paul.” The ‘they’re not who they seem to be’ premise is either a classic or a tired bit, depending on your point of view. Either way a twist or two could have freshened the screwball idea up but instead Mottola shrugs off the heavy lifting to Galifianakis and Fisher. Both can be funny and both will do almost anything to get a laugh but no amount of slapstick and face pulling can inject yuks into what is a sitcom idea stretched thin.
But at least there’s some action, right? Not so fast. There are a handful of tame action sequences synced to lame music that appears lifted from 1980s action adventure TV show.
So, with few laughs and lame action what’s left? Hamm’s rugged good looks? Gadot’s cheekbones? Check and check, both are on display but their genetic gifts are not enough to make their characters interesting.
“Keeping Up with the Joneses” will make you jones for laughs and action.
By Richard Crouse – Metro Canada
