Richard is a guest judge, along with comedian Fiona O’Brien, on the new Twitter game show “Brittlestar’s Really Great Show.” On this episode guests, lawyer and media personality Ethan Bearman and the Mayor of Stratford, Ontario Dan Mathieson, provide a story of an experience they’ve had in advance of the show. Brittlestar retells the story but changes one element, and the panelists have to guess what it is. It’s harder than it sounds!
The “Pop Life” panel, Pamela Ross, Culture Agent At Blue Rebel Works, Rachel Blake, Canada Regional Operations Lead at Twitter and Kris Martinez, Mayor at Gadventures, share their take on what matters most when it comes to a job – management style or work perks?
Tune in Saturday nights, 8:30 pm (ET) on the CTV NewsChannel and again at midnight on CTV or watch the whole thing HERE!
Film critic and pop culture historian Richard Crouse shares a toast with celebrity guests and entertainment pundits every week on CTV News Channel’s talk show POP LIFE.
Featuring in-depth discussion and debate on pop culture and modern life, POP LIFE features sit-down interviews with celebrities from across the entertainment world, including rock legends Sting and Meat Loaf, musicians Josh Groban and Sarah Brightman, comedian Ken Jeong, writer Fran Lebowitz, superstar jazz musician Diana Krall, stand-up comedian and CNN host W. Kamau Bell, actors Danny DeVito and Jay Baruchel, celebrity chefs Bobby Flay and Nigella Lawson, and many more.
Watch an encore presentation of “Pop Life” with Dan Lyons, author of “Lab Rats,” about the nature of work. Then, the “Pop Life” panel, Pamela Ross, Culture Agent At Blue Rebel Works, Rachel Blake, Canada Regional Operations Lead at Twitter and Kris Martinez, Mayor at Gadventures, share their take on what matters most when it comes to a job – management style or work perks?
Tune in Saturday nights, 8:30 pm (ET) on the CTV NewsChannel and again at midnight on CTV or watch the whole thing HERE!
Film critic and pop culture historian Richard Crouse shares a toast with celebrity guests and entertainment pundits every week on CTV News Channel’s talk show POP LIFE.
Featuring in-depth discussion and debate on pop culture and modern life, POP LIFE features sit-down interviews with celebrities from across the entertainment world, including rock legends Sting and Meat Loaf, musicians Josh Groban and Sarah Brightman, comedian Ken Jeong, writer Fran Lebowitz, superstar jazz musician Diana Krall, stand-up comedian and CNN host W. Kamau Bell, actors Danny DeVito and Jay Baruchel, celebrity chefs Bobby Flay and Nigella Lawson, and many more.
Nothing is forever, not even the internet. Facebook, Twitter and YouTube posts frequently disappear but where do they go and who makes the decision to wipe them from your feed? A new documentary, “The Cleaners” from German filmmakers Moritz Riesewieck and Hans Block, reveals the people who decide if your post is too violent, too pornographic or even too political.
Call them “content moderators” or “digital scavengers” whatever you like, they are the folks who scrub your favourite sites of objectionable material. But what, exactly, qualifies as objectionable? Riesewieck and Block introduce us to a handful of scrubbers, most compellingly, the ones outsourced to the Philippines. We meet anonymous censors—their job contracts don’t allow them to share their names or the company they work for—like a devout Catholic woman who says she is keeping the Internet safe by eliminating “sin” and a man who recalls watching multiple beheadings. All spend their days looking at disturbing images and hitting either “ignore” or “delete” in response. Although nameless we learn of the mental toll of the job. Suicide, nightmares psychological problems are common.
We learn something about how they make the decisions of what we can and cannot see, but with every click of a mouse even more questions arise. Do they have too much power, sitting anonymously behind a computer screen 7000 miles from Silicon Valley? It is an almost unspeakably complex situation. Does deleting terrorist videos silence the terrorists or those who want to use those images to shine a light on atrocities being committed around the world? Who should be allowed to decide what is credible journalism and what is propaganda? Should social media companies co-operate with countries to ban material that is critical of their governments? How regulated do social media sites like Facebook, Twitter or YouTube need to be?
“The Cleaners” is a slick film with a film noir feel. It suits the exploration of the dark side of the cyberspace but ultimately the doc doesn’t shine much of a light on its subject. Stylish though it is, the film flits from topic to topic with the swiftness of fibre optic broadband. It covers too much ground, raising questions that are never answered. To be fair the subject of Internet censorship is relatively new and rife with legal and moral complexity.
At the very least this entertaining but unexacting documentary should inspire conversation about the control large, unaccountable corporations have over the flow of information into our homes.
Adrienne Batra and Joshua Ostroff join Richard and Beverly Thomson and CTV NewsChannel’s ‘Behind the Headlines’ panel. This week they weigh in on if Trump is giving Twitter a boost, whether or not are smart homes can be dangerous and funeral selfies!
The best horror films are never only about the Double Gs—guts and gore. Sure, part of the appeal of scary movies is that they make the hairs on the back of your neck stand on end, and that frequently requires a spray of blood or a nightmarish vision of terror in the form of Freddy Kruger or Jason Voorhees, but great horror films are always about something other than the thrills and chills.
To be truly effective scary pictures must tap into a collective anxiety; societal hot buttons that elevate the frights to a new level. For instance, Frankenstein plays on people’s fear of science while Godzilla is an obvious cultural metaphor for nuclear weapons in reaction to the devastation of the bombings of Hiroshima and Nagasaki and you don’t have to be Sigmund Freud to see Dracula as the metaphorical embodiment of everything from drug addiction and old age to alternative lifestyles and capitalism.
Perhaps the most socially self-aware horror film of all is Night of the Living Dead. It’s got zombies galore but director George A. Romero had the braaaiiins to include a subtext that echoed the contemporary state America’s of race relations, the horrors of Vietnam and cynicism with government. It’s the best of both worlds—a thought-provoking movie that gushes with gore.
Film historian Linda Badley suggests Night of the Living Dead horrifies because the zombies weren’t bizarre creatures from outer space or from Dr. Frankenstein’s laboratory, but because, “They’re us.”
This weekend a new film, Unfriended, turns the camera, or in this case the Skype screen, on us in an eerie story about bullying. On the surface Unfriended may look like a cheapo teen horror flick with a cast of unknowns—which it is, but so was Night of the Living Dead—but by basing the plot in the world of social media and the bad behaviour that comes along with anonymous avatars, it becomes a ripped-from-the-headlines comment on a very touchy societal subject.
The movie begins a year after Laura, a popular high school student, was cyber shamed into killing herself. A teenage girl is on a group Skype session when she begins to receive cryptic and threatening messages from Laura’s old account. As the movie unfolds secrets are revealed and the danger is amped up.
The mysterious killer is a hoary old horror convention, but here it’s told in the contemporary language of Millennials. Unsurprisingly, the movie has already sparked the interest of the Y Generation—the trailer garnered almost 300,000 Twitter comments on its first day—who relate to the setting—by-and-large it takes place on a computer screen—and who are all too familiar with the everyday brutality of Twitter, Facebook, Skype, Instagram and Spotify. They understand what a minefield the web can be and the filmmakers realized the narrative possibilities of creating cinema’s first deadly internet troll. Freddy Kruger is your father’s baddie; the new horror comes in bits and bytes.
Similar to Psycho’s Norman Bates or the undead of 28 Days Later, the kids of Unfriended tell a very specific story—the sad tale of a teen suicide—that becomes a universal horror tale by making the characters and setting ordinary and relatable. Like the best of classic fright films, it breathes new life into a form we’ve seen before by recontextualizing it for a new generation.
In the old days monsters were usually found in places like Transylvania or in remote castle laboratories, recognizable by protruding fangs or giant, square green heads but Frankenstein and Dracula are now symbols of an older kind of scare fare. Today, as the movie “Unfriended” shows us, the most terrifying places on earth aren’t far flung physical locations but closer-to-home sites like Twitter, Instagram and Skype.
“Unfriended” begins a year after popular high school student Laura (Heather Sossaman), was cyber shamed into killing herself when an unflattering video of her passed out at a party went viral.
Jealous of her popularity, six of Laura’s schoolmates—Blaire (Shelley Hennig), Jess (Renee Olstead), Val (Courtney Halverson), Ken (Jacob Wysocki), Adam (Will Peltz), and Mitch (Moses Jacob Storm)—were chief among the internet bullies behind the distribution of the video.
One night, on the anniversary of their classmate’s death, and during a group Skype session, they begin to receive cryptic and threatening messages—“If you hang up all your friends will die!”—from Laura’s old account. “It’s a glitch!” “Well, the glitch just typed!”
Secrets are revealed and the danger is amped up as they try and save themselves by checking chat rooms like “Do Not Answers Messages From the Dead.” Something is, as they say, srsly messed up. Cue the cyber screams.
The mysterious killer is a hoary old horror convention, but here it’s told in the contemporary language of Millennials who are all too familiar with the everyday brutality of social media. They understand what a minefield the web can be and the director, Leo Gabriadze, realized the narrative possibilities of creating cinema’s first deadly internet troll. Freddy Kruger is your father’s baddie; the new face of horror comes in bits and bytes. After all, what’s more terrifying than a missing “forward” button on an e-mail?
“Unfriended” is a “Blair Witch Project” for a new age. It’s a found footage film of sorts—the action takes place entirely on a computer screen—and there are no bells and whistles. Entire scenes go by with very little or no dialogue, just the eerie clicks of a computer mouse and there is even an homage to the famous “Heather’s extreme close-up” from the 1999 film.
It’s a very modern thriller that relies on old school scare generators like unnerving silence, anticipation and darkness and shadows, while throwing in a little gore—hand in a blender!—for good measure.
“Unfriended” puts very real seeming (although slightly hysterical) teens in an unreal situation. As the stakes rise so do the emotions, so parents, be warned that you may be as horrified by the language as you are by the thrills and chills.
Richard is a guest judge, along with comedian Fiona O’Brien, on the new Twitter game show “Brittlestar’s Really Great Show.” On this episode guests, lawyer and media personality Ethan Bearman and the Mayor of Stratford, Ontario Dan Mathieson, provide a story of an experience they’ve had in advance of the show. Brittlestar retells the story but changes one element, and the panelists have to guess what it is. It’s harder than it sounds!
