Posts Tagged ‘The Untouchables’

NEWSTALK 1010: IN DEPTH WITH ACTORS ANDY GARCIA AND JIM PIDDOCK!

On this week’s Richard Crouse Show we chat with “Big Gold Brick” star Andy Garcia. In the off-beat comedy he plays an enigmatic, middle-aged father of two who enlists the help of a fledgling writer to pen his biography. He stars alongside Emory Cohen, Megan Fox, Lucy Hale and Oscar Isaac. “Big Gold Brick” is available on digital and on demand.

We also talk about the scene that scene that made him a star, the Odessa Steps sequence in “The Untouchables.”

Then, we’ll meet actor and writer Jim Piddock. For four decades he has appeared on Broadway and on the big and small screen in movies like “Independence Day,” “Lethal Weapon 2,”

“A Mighty Wind,” “Austin Powers in Goldmember” and shows like “Modern Family,” “Mom,” “Two and a Half Men,” “Lost,” Monk,” “Friends”… the list goes on. Jim looks back at his career in a funny and frank new memoir called “Caught With My Pants Down & Other Tales From A Life In Hollywood.” It is available now wherever fine books are sold.

Listen to the whole thing HERE!

Here’s some info on The Richard Crouse Show!

Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Ethan Hawke, director Brad Bird, comedian Gilbert Gottfried, Eric Roberts, Brian Henson, Jonathan Goldsmith a.k.a. “The most interesting man in the world,” and best selling author Linwood Barclay.

Listen to the show live here:

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RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY JUNE 17, 2016.

Screen Shot 2016-06-17 at 2.46.24 PMRichard and CP24 anchor Nneka Elliot talk about the weekend’s four big releases, including “Finding Dory,” the buddy comedy “Central Intelligence” with Duane Johnson and Kevin Hart, and a duo of documentaries, “De Palma,” an unflinching look at the films of Brian De Palma and the self explanatory “Raiders! The Greatest Fan Film Ever Made.”

Watch the whole thing HERE!

RICHARD’S CTV NEWSCHANNEL REVIEWS FOR JUNE 10 WITH Todd van der Heyden.

Screen Shot 2016-06-17 at 9.36.51 AMRichard and CTV NewsChannel morning show host Todd Van der Heyden chat up the weekend’s big releases, including “Finding Dory,” the literary bio “Genius” with Jude Law and Colin Firth, and a duo of documentaries, “De Palma,” an unflinching look at the films of Brian De Palma and the self explanatory “Raiders! The Greatest Fan Film Ever Made.”

Watch the whole thing HERE!

DE PALMA: 4 STARS. “a simple film about a complex subject.”

Screen Shot 2016-06-11 at 1.04.52 PMTracking shots. Split screens. Eighteen-minute Steadicam sequences. Visually spectacular set pieces. All are part of the Brian De Palma canon, but absent from a new, comprehensive look at his career. “De Palma,” a love letter to the director from filmmakers Noah Baumbach and Jake Paltrow, makes up for its lack of visual pyrotechnics with De Palma’s storytelling prowess.

“Many of movies were considered great disasters at the time,” says the director of “Phantom of the Paradise,” “Dressed to Kill” and “Body Double.” Now, decades after his commercial peak, many of De Palma’s films are considered classics. This new talking head documentary chronicles them all, warts and all.

From his early days as an indie filmmaker, working in the shadow of better known friends like Steven Spielberg, Martin Scorsese, George Lucas and Francis Ford Coppola, to his critically reviled (“You are always being criticized against the fashion of the day,” he says.) but commercially successful period to a brief era when reviews and audiences lined up in tandem, he holds nothing back.

We learn how the director kicked “Scarface” screenwriter Oliver Stone off the set for talking to the actors, that in “The Untouchables” Robert De Niro wore the same kind of silk underwear Al Capone wore (“You never saw it but it was there,” says De Palma.) and how the studio loved the controversial “Body Double” “until they saw it.”

There’s more, told in De Palma’s bemused, colourful way—“I love photographing women,” he admits. “I’m fascinated by the way them move.”—but the real meat of the doc comes when he auteur talks about being a square peg trying to fit into Hollywood’s round hole. “The values of the system are the opposite of what goes into making good original movies,” he says.

“De Palma” is a simple film about a complex subject. “The thing about making movies is every mistake is right up there on the screen,” he says. “Everything you didn’t solve. Every shortcut you made. You will look at it for the rest of your life. It’s like a record of the things you didn’t finish.” It’s a master’s class not just in De Palma’s life and career, but also in how movies were made in the latter half of the twentieth century.